His Zuiweng Pavilion is a beautiful prose, poetic and unique. It is really rare in China's ancient literary works.

Beautiful artistic conception. A good prose should be a poem, and a beautiful artistic conception should be created. The so-called artistic conception, including both meaning and context, is an artistic picture that permeates the author's subjective feelings. An excellent essay should have beautiful scenery and beautiful pictures, giving readers a unique aesthetic feeling and pleasing to the eye. The ideological meaning of Zuiwengting is a word "music", and the joy in "drunkenness" is like a colored line. Caring about the scenery is the author's real intention. Indulging in forests and landscapes is the author's real intention. The conception of prose is like setting up a notebook, and the author writes a beautiful "realm" according to this "meaning", so as to achieve the blending of emotion and scenery and the harmony between meaning and realm. The author describes the realm of prose from these aspects.

First, the beauty of mountains and rivers set each other off. In the author's pen, the distance of Zuiweng Pavilion is a landscape painting. There are mountains, springs, forests and pavilions. But the author does not use ink in isolation, but interweaves them together, which is both beautiful and diverse. "Beautiful scenery" of the Wolf Mountain, beautiful scenery, winding green. Without spring, Qingshan is lonely. Without pavilions, the mountain springs are eclipsed. With springs, pavilions are more interesting. The mountain springs depend on each other, and the spring pavilions set each other off. In a painting, there are all kinds of pavilions, mountains and rivers, which reflect colors and form a beautiful realm of poetry and painting.

Secondly, the beauty of dusk is changing. The author wrote about the beautiful scenery of Zuiweng Pavilion changing in the morning and evening. "The sun rises and flies, the clouds return to the cave, and the dusk changes, and the mountains are also dusk." On the east mountain, the sun shines directly on the earth. The lush forest was originally shrouded in gauze-like fog, but after the sun shone, the fog was released and the dew disappeared, showing a fresh and green color. Caves and valleys in rocks are dark. The author vividly wrote different scenery in the morning and evening. Because of the difference between morning and evening, the tone and atmosphere of the author's pen are also different. In the morning, it is quiet and fresh, but at night, it is dark and hazy. The author observes the changes of scenery deeply and carefully, and writes different realms according to different scenery.

Third, the change of the four seasons is beautiful. The author not only wrote the scenery in the morning and evening, but also spread the pen and ink around the Zuiweng Pavilion, describing the changes of the scenery in the four seasons. "The wild fragrance is rich, the beautiful wood is beautiful, the wind and frost are noble and clean, and the rocks come out at four o'clock in the mountains", which is really vivid. The author still carefully selects the most distinctive scenery here to describe it. Tall trees and lush branches and leaves are the scenery in summer; The wind is bleak, and first frost paves the way for autumn; The water is thin and the stone is dry, and the vegetation is dry. With the change of the four seasons, the scenery is different and each has its own realm. There are four plates, which give people different aesthetic enjoyment. At the same time, the four plates set off each other, and the spring is like the sea, setting off the chill of autumn. The lush summer sets off the cold winter scene.

Fourth, the beauty of dynamic and static contrast. What are your interests in prose landscape painting? Same scenery, same pen, same modality. ! In this essay, Ouyang Xiu always pays attention to the dynamic and static changes of things. Let's talk about the dynamic and static contrast between scenery and scenery first. The majestic Wolf Mountain is static, the gurgling spring is dynamic, the mountains are lush and pleasing to the eye, and the sound of the spring is beautiful, which sets each other off. "The Woods are overcast and the songs are up and down", and the silence of the trees and the songs of birds complement each other. The satrap returns, and the guest follows. " The sunset rests on the top of the hill, and the figure is drifting away, which is the movement at dusk. Static scenery and dynamic people set each other off. Finally, the dynamic and static contrast between the characters. "The loser sings on the road, and the walker rests on the tree", singing and resting, moving and static. Those who sit up and make noise, all the guests are very happy. "

Exquisite structure. Prose, as the name implies, should be scattered, but it is not irrelevant. It should be scattered with God, scattered without chaos. The structure of Zuiweng Pavilion is exquisite, which is worth studying.

Gold thread and beads. Although sometimes the mountain shows its face, sometimes the water pours into the box, and sometimes the human feelings are loud and clear on the paper, which seems to be messy, but it is not messy at all. The first reason is that the author has a gold thread in his hand. This golden thread is the author's subjective feeling-"music" and "music" in drunkenness. Because of this, the beginning, inheritance, turning point and turning point of the article are not chaotic at all. The endless journey of tourists is written to show the joy of human feelings; It is the expression of "the joy of feasting" to write the wine-making spring as wine and set up wild vegetables and flowers. Writing songs and flying in the forest is to show the "joy of birds" and also to show the "pleasure of swimming" of satrap narcissism. Everything is happy, the full text is happy because of the scenery, and it is lyrical because of joy. In this way, writing all the way around a "hi" is not a fragmented chop suey, but a unified whole, just like wearing a thousand pieces. On the contrary, prose will be transformed into a feature, which appears calm and balanced. The more dispersed, the richer the flesh and blood of prose will be, the more vitality of prose will be increased and the content of prose will be enhanced.

The winding path leads to a secluded place. There is a saying in the story of the drunken pavilion: "The peaks turn around, and there are pavilions with wings." It is very appropriate to use this sentence to describe the structural characteristics of this essay. The author's writing of different scenes and colorful scenery at four o'clock in the morning can be described as ingenious and miserable. The author made great efforts to write out the location of the drunken pavilion. He didn't speak directly, but wrote in twists and turns. "Southwest Group Peak", the first floor; Deep show "Lang", the first floor; Gurgling spring, first floor; "Winged Pavilion", first floor. The five layers of pen and ink are not evenly divided, but are dyed step by step. First use the big lens and long lens, then push the small lens and short lens, and finally jump into the close-up, uneven and straight. Write the scenery of Chuzhou with a sketch, which is dripping with water. Next, add the word "you" and repeat the article. So the mother was all in the picture. Then, with the word "Hui" and "Seal", Zuiweng Pavilion came into view and entered the scroll. When the author uses the pen, it seems to be hunting in the wild, gradually enclosing a small area. This not only makes people know where Zuiweng Pavilion is, but also highlights its beauty through layer-by-layer comparison. This description makes Zuiwengting unusual. With this pen, "writing style" is extraordinary. For example, at the end of the article, in order to highlight the "happiness of the satrap", the author also used layers of strokes. The happiness of birds is used to compare everyone's happiness, and then the happiness of satrap is used to compare the happiness of satrap. In this way, the joy of the satrap was pushed to the peak under countless contrasts, showing the superiority of subjective feelings and experiences.

Respond well. There is a foreshadowing before, and you must be careful after; The third feature of the structural arrangement of Zuiweng Pavilion is that the ink is hidden at the beginning and the gap is obvious at the end. At the beginning of the article, the author wrote: "Whose name?" The satrap calls himself. "But who is the satrap? Don't press the table for the time being, bury the seeds and urge people to read. It was not until the end of the article that I said, "Who is the satrap? "Ouyang Xiu's luling also had the same effect. Another example is "Tai Shou Le", which echoes the "Joy of Mountains and Rivers". Music comes from mountains and rivers, and Taishou Music has a basis. " The white hair is white, and the satrap is drunk. "Take care of" the satrap and the guests come here to drink, and if they drink less, they get drunk, and they are the oldest. "

Excellent language. Zuiwengting's language is very distinctive, beautiful in style, concise in words and sonorous in syllables, which is perfect, both in pictures and music.

First of all, the language of Zuiweng Pavilion is highly generalized and rich in meaning. The most prominent thing is that the ideas of "drunken pavilion is not wine" and "getting to the bottom of it" initiated by the author in this paper have been used by contemporary and later writers. For example, when Su Shi wrote the scenery on the river at the turn of autumn and winter in the famous "Post-Red Cliff Fu", he directly borrowed the word "getting to the bottom". Because the author skillfully uses words,

Secondly, the language of Zuiweng Pavilion is concise, crystal clear and fluent. This is the result of the author's good observation of things, incisively capturing the essential characteristics of the object and refining it. For example, the difference between morning and evening scenes can be summarized in just two sentences: "Sunrise leaves Lin Fei, and clouds return to the cave." Forests, rocks, morning air and dusk are all common things in the mountains. "Opening" is the consequence of "going out". "Return" and "return" are related, and "return" is the premise of "return". Verbs are superb and mutually causal, which makes the changing mountain scenery vivid. For example, when writing the scenery of the four seasons, the author uniquely captures the typical scenes with seasonal characteristics, and the twilight scene is vividly expressed in a few words with a sentence after "fragrance". It's also like a pavilion with wings. Just a metaphor, the shape and style of the pavilion are painted like birds spreading their wings and flying in the air.

Zuiwengting Ji also left a well-known story in the literary garden, which was read by people. Zhu, a famous scholar in the Song Dynasty, wrote: "Ou Gong (according to: referring to Ouyang Xiu) has also been beautifully decorated. Someone bought his draft of Zuiweng Pavilion, and at first said,' There are mountains around Chuzhou', and every few crosses; Later, it was changed, and only the words' Chu and Chu Huanshan' were used. " (Volume 139 of the Complete Works of Zhuzi Language) filters the moisture in the text, concentrates the language capacity, makes the text understand everything, and the text is full of enemies, reaching the point of meticulous work.

Third, the language of Zuiweng Pavilion is melodious. The full text almost always ends with "Ye", which is full all the time. There is no harm in repeating it, but it has a sigh rhyme. Although it is prose, it draws lessons from the language expression of poetry, which is scattered and diverse. He arranged many antithetical sentences to make the sentence structure stable in the arrangement order.

There are pairs of simple sentences, such as "flowers in the sunrise forest" and "clouds return to the cave"; "Wild fragrance is rich" is opposite to "beauty is restored".

There are two pairs of sentences, which are "Fish near the stream, and the stream is deep and fish is fat" and "Brewing spring wine, spring fragrance and wine fragrance."

Although the author is influenced by parallel prose, he doesn't eat it, but creates it, melts into the pen and is natural. He is neither pretentious nor pretentious. In this way, he feels very fluent in reading. Listening, I feel clear, rhythmic and musical.

Ouyang Xiu played a special role in the literary innovation movement in the Northern Song Dynasty. He swept away the flashy literary trend in the Tang and Five Dynasties and established a fresh, beautiful, vigorous and euphemistic literary style. This "Zuiweng Pavilion" is the best artistic practice advocated by his literature. (Selected from Appreciation of China Classical Literature, Shanxi People's Publishing House, 1982 edition)