Freni mirella (1935-) is the most outstanding Italian lyric drama soprano. Frenie 1935 was born in Modena, Italy. She is the same age as Pavarotti and is from the same town. Their mothers are short of milk because they work in a tobacco factory, so they let the same wet nurse feed them. It is a miracle that a wet nurse's milk has produced two world-class singers. Frenie won a prize in a children's singing contest when she was a child. After listening to her singing, senior tenor Geely suggested that she study vocal music, thinking that she has great potential. So Frenie studied under the famous vocal teacher Campo Galliani, who was also Pavarotti's teacher. From 65438 to 0955, Frenie made her debut in Modena, singing the soprano role Michella in Bizet's opera Carmen. From 65438 to 0957, Frenie won the prize in Viotti International Vocal Competition held in Versailles. 1960 was well received at the Greenbourne Opera Festival for playing selena in Mozart's opera Don Juan. 1963, Frenie played Michella in Carmen at Scala Theatre. After karajan took a fancy to her, she participated in the co-recording of Carmen with Price, Caullery and Merrill. From 65438 to 0965, Frenie became a soloist in metropolitan opera. She and Pavarotti starred in Puccini's The Artist's Life in San Francisco and metropolitan opera, USA, both of which were great successes. This laid the foundation for their long-term cooperative career. Frenie is the most outstanding Italian lyric drama soprano after Tebaldi. Her timbre is beautiful, noble and delicate, and the tenor is not only clear and bright, but also quite round. Her vocal range is soft, although the volume is not high, but she can be competent for many types of roles, such as elvira in The Puritan, Desdemona in Othello and Aida in Aida. In collaboration with Pavarotti, she performed Donetti's lyric opera "Ethylene Glycol of Love" at Scala Opera House, which is regarded as one of the highest-level performances in the history of the theater. Pavarotti commented: "In front of Frenie, what kind of audience can be indifferent? Her appearance alone can conquer all the audience. She is a great artist, a first-class soprano, and her lyric aria is amazing. " Frenie's singing skills have been highly praised by her peers, and the famous Italian tenor Caulery also appreciated her very much and invited her to perform "The Artist's Life" in Chicago. Compared with Tebaldi, it is not as solid as Tebaldi technically, but its singing has distinct musical lines, and all the vocal areas are delicate and transparent. In any case, Frenie is Tebaldi's best heir, representing the highest achievement of Italian soprano singing in 1970s and 1980s. Her best roles are Mimi in The Artist's Life, Qiaoqiaosang in Madame Butterfly, Aida in Aida and so on. Decaux Company once made a recording of "The Artist's Life", and the Vienna Philharmonic Orchestra conducted by karajan performed in cooperation with Franny and Pavarotti. It is recognized as the cooperative recording of Franny and Pavarotti at the peak of voice and skill, which has high collection value.