From Tang Jiuqing's Into the Wine.

I am an exile and a hero in troubled times. Sages recruit writers, and heroes enter our country.

Small officials smell the edge, and iron hooves drive cold water. The veteran is ready to go, and it is snowing heavily.

The snow is bright and the frost is bright, and the wolf kills the jackal. Returning to the sheath, the clouds are red.

The sick fairy swims with wine, and the moonlight is empty. The hall is full of banquets, broken lamps and drinking chopsticks.

Let's have a drink and enjoy ourselves in the hall. You don't need to ask for a name when you are drunk and dreaming.

Creative background:

This novel gives Bian Xiao the feeling that it is like a serious version of "Those Things in the Ming Dynasty", with various tactics staged in turn. The riddled (political) bureau, the complicated imperial court and the ever-changing (military) machine, in those days, a group of people with different personalities and different roads stirred up the storm at will.

All the supporting roles in this paper are not to set off the protagonist, there is no right or wrong, they all have their own choices and pursuits, and they are all independent and distinct individuals. Thank you very much to the author for leaving us room for thinking.

Among them, there are many outstanding but embarrassing figures, such as Gan Kun, who even lit the fire of the cold door at the last minute, step by step, and only Qi Huilian, an ancient scholar, burned his bridges. Of course, in addition to these male characters, the female characters in Into the Wine are also very dazzling.

For example, the proud and hardworking female emperor Li Jianting, the empress dowager Hua Hewei, the heroic general Qi and the blue-hearted princess Hua Xiangyi all created their own world in this artificial framework. I hope I can write an article for these outstanding women one day.