Shielding Li shangyin
The six-part series is connected with the green screen, when the tall building wakes up in the middle of the night.
It's so dense that you can't tell when it rains and when the moon shines.
Sihe
Butterflies inhabit Dianthus Silver Customs, and water condenses green duck glass money.
The group returned to the six songs to hold the frost orchid and cast a golden cicada in the mirror.
Aquilaria sinensis fire warms dogwood smoke, and wine brings new attempts.
The moon wind exposed the cold outside the screen, and all the girls in the city were crying and sleeping.
Sihe
Butterflies inhabit Dianthus Silver Customs, and water condenses green duck glass money.
The group returned to the six songs to hold the frost orchid and cast a golden cicada in the mirror.
Aquilaria sinensis fire warms dogwood smoke, and wine brings new attempts.
The moon wind exposed the cold outside the screen, and all the girls in the city were crying and sleeping.
Du Mu, a screen quatrain
Zhou Fang drew a slim waist on the screen, and the blue color has been sold for a long time.
Leaning against the jade window, I am jealous and charming.
A powder princess on the title screen of virtual pool post
It is difficult to get married and leave home.
Sheng En Zhou came from afar and wept at each other.
Powder remains on the surface of sand plug, edges and corners.
What happened to my heart? He is looking forward to Chang 'an.
tall
The hole was covered with glass, and Vivian bent her knees.
Mica columns in brocade are woven in the sunset.
The mountains and rivers are full of spring, and the immortals are out of sight.
Self-cultivation and fatigue, but it is an inscription.
Yong Ping Feng Yuan Ji Shu
The pavilions are full of clouds, and the trees are new.
The bird wakes up, and the flower smile has nothing to do with spring.
The mountain is opposite to the pianist, and the stream keeps a fisherman.
Look at the horses and chariots, there is dust in the road.
Bai Juyi's quatrains on the poetry screen
Recalling using your poems as a barrier, I have been working tirelessly since I wrote my own book.
Barriers must have been written by people, and the price of paper in South China has been high since then.
Yong po ping Yao he
At that time, people doubted ancient paintings and never collected them against the wall.
Dewdrops fall, and the wind blows the sea and autumn.
Canxue flew into the house and the water fell on the bed.
Shang Shengfan flower and bird, can you make it up?
Title Li Xianggong gave a bronze inscription.
Adequate food and clothing is a minister of the country, and the title of this book is still fresh ink.
A few people Bao Tong was sworn, Youzi habitat nine devoted to dust.
Caoshuping Hanwo
Where a screen, clear Huai Su.
Although it is covered with dust, there is still thick ink on it.
Strange rocks rush to the autumn stream, and Han Teng Gu Hangge.
Close to the water tower, you get the moon first, and every word is good.
Guan Yuandan sits on Wushan Screen in autumn.
li po
When I visited Wushan in the Three Gorges, now I see the screen painting of Wushan as if I had gone back to the past.
My suspicion is that the peak of Wushan Mountain flew into your screen.
Han Song swaying, voice so weak, faintly visible balcony such as affectionate.
How lonely cotton-padded clothes yeow is, and the love between the king of Chu and the goddess is in vain.
Gaotang is thousands of miles away, and the emerald screen is beautiful.
Pa farsightedness sets off Jingmen, and the boat on the water is clearly visible.
The valley was flooded and the grass became fresh in the smoke.
When the mountain flowers are in full bloom in the sun, in which year did the tourists of river apes start?
It makes me feel like I'm in a dream. I wonder if I met a fairy in my dream.
These four must, for Li Shangyin.
The beauty behind the mica screen is particularly beautiful, but it is too cold for a short time in winter in Beijing.
Married a high-ranking official's husband for no reason, not loving warm incense, but wanting to ascend the throne early.
Changshangyin
The shadow of mica screen candle is deep, the Yangtze River gradually falls, and the stars sink.
Chang 'e, I must regret eating the elixir, and now I am alone, in the blue sky, singing every night.
[Three Folk Songs and Ordinary Screen Folk Songs]
Author: Bai Juyi
Plain screen, plain screen, Hu Weiwei is ignorant, Bhutan is not green?
Do you have Li's seal script and his handwriting? Flowers and birds in the border,
Zhang Wei's turquoise? I don't want to add a little painting to it, but I want to be faithful and all white.
I set up a thatched cottage under the incense burner peak, and the second screen leaned against the east and west walls.
Night enters my room like a bright moon, and dawn surrounds my bed like white clouds. My heart is already full of pride,
I also want to shine with you. I didn't see today's Jiadi and the Palace.
Woven into a silver barrier. The beads are inlaid with cymbal mica, and the hardware is exquisite.
You see this side is pleasing to the eye, and you are lying inside. Ordinary screen, ordinary screen,
Everything has its place, and its use has its use. This piece of wood is bone and paper is surface.
What do you want from my thatched cottage?
Qin Guan
Huanxisha
With a chill, alone in the small building, the morning is cool and dreary, as if it were late autumn. Looking back at the screen, the light smoke, the flowing water, the mood is faint.
Outside the window, the flowers are dancing freely, just like in a dream, the rain is falling and drifting aimlessly, like melancholy. Look again, the curtain of jewelry hangs on the silver hook at will.
Chusek
(The author forgot)
In the autumn night, candlelight reflected the screen, and Fan slapped the fireflies with his hand.
The night in Tianjie is as cold as water. Sit and watch the morning glory and Vega.
The silver characters are cold and long, and the water lines are cold and cold.
Startled the geese, rose from the city, and drew a golden partridge.
Draw a screen and embroider an umbrella cover.
Book immortals, draw mountains and seas.
When the water is idle, the mirror turns and the clouds move around the painting screen.
The shadow of mica screen candle is deep, the Yangtze River gradually falls, and the stars sink.
Blue and dry embroidered curtains hang down, and scarlet screens are painted with broken branches.
The golden goose screens the dream of Shu Mountain, and the phoenix carries heavy smoke.
When did the white-headed man painted on the flower barrier of the song and dance screen happen?
I remember that glass of wine was scattered in the backyard, and the red screen covered the green window to sleep.
Nothing in my heart, sitting on the screen and lying in the sun.
Against the backdrop of Nandou, Lushan Mountain is shrouded in clouds, like nine screens, reflected in the Crystal Lake, deepening the clear water.
Zhou Fang drew a slim waist on the screen, and the blue color has been sold for a long time.
In the autumn night, candlelight reflected the screen, and Fan slapped the fireflies with his hand.
The screen deliberately blocks the bright moon, and the lights are ruthless and sleep alone.
Screen, a kind of furniture used for wind protection in ancient buildings, is called "wind protection". As an important part of traditional furniture, screen has a long history. Screens are generally displayed in a conspicuous position indoors, which plays the role of separation, beautification, wind protection and coordination. It and classical furniture reflect each other and complement each other, becoming an inseparable whole of home decoration, showing a harmonious and quiet beauty. The screen appeared in the week 3000 years ago, which is a symbol of fame and power. After continuous evolution, screens have been used for wind protection, partition and concealment, and have the functions of decorating the environment and beautifying the space, so they have been circulated for a long time and derived various forms of expression. Nowadays, screens are mainly divided into various forms, such as enclosure screen, seat screen, hanging screen, desk screen, etc. Among them, large screen can show that noble momentum and is the first choice for living rooms, halls, conference rooms and offices. Can be placed and moved freely according to needs, and reflect each other with the indoor environment. In the past, the screen mainly played the role of separating space, while emphasizing the decorative side of the screen not only created the effect of "separating but not leaving", but also emphasized its own artistic effect. Combining practicality and appreciation, it not only has practical value, but also gives the picture new aesthetic connotation. It is definitely a handicraft with national traditional characteristics. At first, the furniture of our ancestors was very simple. With the development of society, people's material life is gradually enriched, and their aesthetic concepts have also undergone tremendous changes. Therefore, the production of screens in furniture came into being. At first, most of them were placed behind the bed or beside the bed, and then gradually developed from fixed to movable, with changing styles and functions. The birth of the screen was originally specially designed behind the emperor's throne and was called "axe". It is framed by wood, covered with crimson silk and painted with axes and cymbals, which has become a symbol of imperial power. "Historical Records" also records: "The son of heaven stands on the screen". After a long period of development, screens began to spread to the people and entered the homes of ordinary people, becoming an important part of ancient interior decoration. There are many kinds of screens, such as vertical screens and folding screens. Later, there was a screen insert purely for decoration, which was petite and interesting. In ancient times, the screen production of princes and nobles was very particular, using mica, crystal, glass and other materials. In the process of inlaying, precious articles such as ivory, jade, enamel (lánɡ), jadeite, gold and silver were used. It can be described as extremely luxurious. However, most folk screen production advocates practicality and simplicity. There are many people who display plain screens. Since Wei and Jin Dynasties, this trend has prevailed. Bai Juyi, a poet in the Tang Dynasty, once wrote a book on Su Ping, saying, "Isn't there Li's seal script, his calligraphy, frontier flowers and birds, and his turquoise?" I don't want to add a little painting to it. I want to be faithful and all white. " It shows its admiration for flat screens. Compared with Huaping, the home of Emperor Zhou, the folk plain screen is really unique and carefree. There are various traditional crafts in China, but the ancients still have a special liking for screens. Because it combines practicality and appreciation. The use of screens began in the early Western Zhou Dynasty and was called "the ground". This is a special musical instrument for the son of heaven. It is framed by wood, eight feet high, framed by crimson silk and embroidered with axe patterns. The axe is painted white at the near side and black at the rest, symbolizing imperial power. In addition, during the winter festival, the emperor of Zhou "built a palace" behind him, which needed to be decorated with phoenix feathers, which also meant decorating the screen. The screen of later generations and the first axe can be described as the same strain. During the Han and Tang Dynasties, almost all wealthy families used screens. Its form has also increased from the previous generation, from the original single screen to a multi-screen curved screen, which can be folded and opened. Before the Han dynasty, screens were mostly painted on wooden boards, but since the invention of papermaking, they were mostly paper paste. The types of screens are floor screen, bed screen, comb screen, lamp screen and so on. However, according to the texture, there are more, such as jade screen, carved screen, glass screen, mica screen, silk screen, painting screen and so on. Hanging screens appeared after the Ming Dynasty, which exceeded the practicality of screens and became pure decorations. It can be divided into one screen and one screen. ① Filter screen: It consists of filter screen plug-in and base. The screen insert can be assembled and disassembled, with hardwood as the frame and screen core in the middle. Most screen cores are decorated with Qi Diao, mosaic, velvet embroidery, painting, embroidery and glass decoration. The base plays a stabilizing role, and its columns are limited to screen insertion. The vertical teeth stabilize the columns, and the cross seat blocks undertake screen insertion. In addition to functional needs, the base can also play a decorative role. Generally speaking, lines and carvings are often used to echo screen insertion. According to the number of screen insertion, screens can be divided into single (screen insertion type), three (herringbone) and five. In addition, there is a small screen placed on tables and desks as furnishings, which is exactly the same as the single-seat screen, also called inkstone screen and desk screen. ② Enclosure: It is composed of even screen fans and can be folded. The general number of fans is 4, 6 and 8, with a maximum of 12. In order to stand steady, the screen fan is placed on the ground in a zigzag shape. The shell consists of screen frame and screen core, and there are also plate-type shells without screen frame, each of which is connected by screen hinge. In addition to the traditional wooden frame and bamboo frame, modern screens also use metal and aluminum alloy as the skeleton. The screen core is made of nylon, leather, plastic and colored silk, which is fresh and simple. Some small screens can be placed on the kang for decoration, which is called kang screen. Screen is an indispensable tool in ancient life and occupies an important position in the history of ancient furniture. The so-called "screen" is also called "barrier", and "screen" is also called screen door or barrier, which refers to the screen located between doors and windows. Most of the ancient houses were courtyards of civil buildings, but they were certainly not as solid and dense as the houses with modern reinforced concrete structures. Therefore, in order to keep out the wind, the ancients began to make screens into furniture, and placed screens behind the bed or on both sides of the bed to achieve the effect of keeping out the wind. Han Liuxi's Interpretation of Bed Names says: "Screen, words can keep out the wind." In other words, the screen has the functions of wind protection, shielding and compartment separation. Screen is an important furniture and decoration in ancient China. Its shapes, patterns and characters all contain a lot of cultural information, which not only shows the elegant taste of literati, but also contains the profound connotation of people praying for good luck. Various pictures also condense the creative wisdom and ingenious technology of craftsmen. As a kind of practical furniture, screen first appeared in the Western Zhou Dynasty, but it was not called screen at that time, but called "house" or "city". With its wide and universal use, its types are also increasing. During the Ming and Qing Dynasties, the screen changed from practical to decorative. Screen is no longer a simple shelter, but has evolved into a decorative work of art, which is more ornamental. Although the shape is small, the connotation is extremely rich. In modern times, the screen has been divorced from practicality. As an art form, it has played a role in embellishing the environment and beautifying the room. Screens are generally displayed in a conspicuous position indoors, which plays the role of separation, beautification, wind protection and coordination. It and classical furniture reflect each other and complement each other, becoming an inseparable whole of home decoration, showing a harmonious and quiet beauty. The word "screen" makes people feel very poetic. It creates a quiet space that seems to be separated and disconnected. In recent years, nostalgia has blown up in the home circle, and Chinese screens have attracted the attention and love of fashion home circles all over the world. Its cultural heritage and leisurely and quiet atmosphere are precisely the state that can make people feel comfortable in home life. In this context, a screen can not be ignored. From the appearance style, there are two kinds of screens: screen insertion and screen enclosure. The screen insertion is mostly a single fan with a base and cannot be folded; The enclosure consists of many fans, at least two fans and at most a dozen fans, which can be folded at will. In addition, there are desk screens and hanging screens. The ancient objects used for partition and wind protection indoors are called screens, which are called screens for short. There are two forms of screen: single barrier and multi-barrier combination. Most of them are painted wood, or painted or carved. The exquisite screen of the Han Dynasty, "On Salt and Iron" mentioned the rich people at that time, "A screen needs 10,000 people to work", and using the work of 10,000 people really requires both manpower and financial resources. There is also a plain screen or white paper on the fence for inscription, poetry and painting. 1983, a painted screen painted on both sides of lacquer wood was unearthed from the tomb of Han Nanyue King in Xianggang, Guangzhou, with a height of about 1.8m and a width of 3m. It consists of five barriers, one of which is larger in the middle, and a small door is specially designed so that the left and right doors can be opened and closed. When the master goes in and out, he doesn't have to walk around the two sides. Exquisite design and extraordinary ingenuity. If you don't see the real thing, it's hard to imagine that the screen in Han Dynasty is so exquisite and gorgeous. The screen is wide and high. No one can be found behind the screen. The article "The wife who reads garbage at night (95) can't stay in the classroom" mentioned that Emperor Guangwu of the Eastern Han Dynasty told Hong Song to talk and let Princess Huyang, the sister of Emperor Guangwu, listen behind the screen. It is speculated that the screen at that time must be as tall as the color screen used by Zhao Kuangyin, the king of South Vietnam. Someone is behind the screen, completely blocked, very safe. There are many indoor screens with different positions and functions in the famous work Han Xizai's Night Banquet by Gu, a painter in the Southern Tang Dynasty in the Ming Dynasty. This is the real life scene of the inner compartment of the rich family at that time, and its screen structure is much simpler and lighter than the painted screen of Nanyue Palace in Han Dynasty. If my answer is helpful to you, please adopt ~O(∩_∩)O Thank you ~