Similarities:

1 is a strong reaction to the industrialized style, aiming at re-establishing the importance and enthusiasm for traditional handicrafts;

2. They are all responses to the pretentious Victorian style and other over-decorated styles;

3. They are all influenced by Japanese decorative styles;

4. They all gave up the reference of traditional decorative styles and turned to some decorative motives in nature;

They all aim to rekindle the importance and enthusiasm of traditional handicrafts.

Difference:

1. The "Arts and Crafts" movement in Britain and America paid more attention to the Gothic style in the Middle Ages, and regarded it as an important reference and reference source.

2. The Art Nouveau movement completely abandons any traditional decorative style and moves towards natural style, highlighting the expression curve and organic form in decoration, while the decorative concept basically comes from natural form.

3. The Art Nouveau movement is essentially the continuation and spread of the British "Arts and Crafts Movement" in the European continent, and it has not surpassed the "Arts and Crafts Movement" in thought and theory.

Art Nouveau movement advocates artists to engage in product design, thus realizing the unity of technology and art. ..

Art Nouveau began in the1880s and reached its peak from 1892 to 1902. The name Art Nouveau comes from Samuel Bing's shop in Paris called "La Maison Art Nouveau", where he displayed all the products designed according to this style.

Arts and Crafts Movement (The Arts & amp； Crafts Movement) is a design improvement movement that originated in Britain in the second half of the19th century and was influenced by art critic john ruskin and architect A.W. Putin.

Referring to the guild system in the middle ages, the movement lasted from 1859 to 19 10, and was named after the arts and crafts exhibition established in 1888.

Extended data:

The spread and development of arts and crafts movement;

European communication

Since London, the arts and crafts movement has spread rapidly to emerging industrial cities in Europe, such as Vienna, Budapest and Helsinki. Due to the different levels of industrial development, the inheritance of historical traditions and the characteristics of social composition in different countries.

The arts and crafts movement was rapidly localized. While Norway, Finland and Russia are still tirelessly pursuing scientific and technological innovation and excavating traditional aesthetic factors, Germany is already trying to explore the balance between technology, art and industry. ?

German artists think that their British counterparts are too anti-industrialized, so long as they can find a balance, they will be satisfied. With the support of nobles and dignitaries, German artists established their own community in darmstadt, Daams, where they lived and created together and realized their artistic ideals. The leading figure in Germany is HenryVanDeVelde. ?

When the arts and crafts movement came to Vienna, the "separatism" movement was in full swing. Artists from all over Europe often gather in Vienna. This time, the Austrians easily got rid of the influence of their German counterparts.

1903, JosefHoffmann established the Wiener Werkstatte Art Museum, which became the center of the arts and crafts movement. At that time, the French representative was armand poynter.

American development

Historically, the American arts and crafts movement was influenced by Britain until the early 20th century (about 19 15). The purpose and basic idea of American arts and crafts movement design are similar to those of British arts and crafts movement, but they also have their own characteristics. American artists with a new world vision did not hesitate to add social and natural factors to them and formed their own style.

The development of the Art Nouveau movement;

Communication development

The emergence of Art Nouveau has gone through a long gestation period, and many famous designers believe that British culture paved the way for Art Nouveau. However, it is the British Arts and Crafts Movement that has the deepest influence on the development of New Art. william morris emphasized the consistency and coordination of decoration and structural factors.

Therefore, he abandoned the traditional decorative patterns passively attached to the existing structure and strongly advocated the use of natural theme decoration, which initiated the process of refining from natural forms, smooth linear patterns and plant forms, and the designers of new art pushed this process to the extreme.

The idea of arts and crafts movement spread widely in the European continent, and eventually it turned into mechanization in the process of pursuing aesthetic social ideals, which finally triggered a wide-ranging design movement centered on new art and reached its climax at 1890 to 19 10.

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