1. Tone conversion.
2. Real voice to falsetto.
3. The accent is nasal.
You must be familiar with the first one. In many songs, such a melody often appears, so it is good to mention it.
As for the second one, because the real sound and falsetto sound are two different processing systems, just like fm and am, after proper modulation, the trachea suddenly expands, that is, the real sound is sung. Because virtual sound sounds lighter, there will be a sense of distance from real sound to virtual sound.
The last one is accent versus nasal. The most commonly used transliteration is Emil Wakin Chau and Faye Wong. In their music, about half of the songs are interpreted like this. As for the way, as long as you sing, when your accent turns nasal, you suddenly close your mouth, don't close your mouth, then pronounce it through your nasal cavity and break it. This is a nasal accent.
When commenting on Awakening, Bao Xiaobai said that his transliteration is beyond the reach of ordinary people, because ordinary people can only transliterate 8b in one beat, while Awakening can transliterate 16b.
Wake up and love to sing r &；; B, while R &；; B is famous for transliteration, which requires the singer to control the music and sense of music.
So awakening is king.