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How to objectively evaluate whitehairpin's appearance?
Whitehairpin's looks are too delicate.

A face without memory points is doomed to be tepid.

There is no doubt that whitehairpin's beauty conforms to the current aesthetic preference. She has all the key points of beauty, but like this, so does she.

Looking at the upper part of whitehairpin's face, his eyes are the absolute visual focus, and he has a taste of Bailuyuan.

The eye crack is full, the lower hook of the inner corner is sharp, but the upper arc is round and soft. Full of lying silkworms attached to the eyes, naive and playful sweetness was pulled to the highest.

Narrow crescent-shaped double eyelids, eyes full of lying silkworms, eyes smiling to complete the crescent, fresh and lovely, the whole person is soft and waxy, and the neighbors are pleasing.

The upper part of the face is still an innocent and sweet girl, but the lower part is unspeakable bitterness.

This bitterness is concentrated in her lower body.

Similar to Qin Li, both of them have obvious ridges, and the upper lip lines are sharp and drooping, but slightly different, Qin Li's upper lip is fuller and more juciy as a whole.

People have long thin lips with distinct shapes, and the presence of the upper lip is weaker when they smile. Coupled with the slender upturned chin, they always feel that she is burdened with sadness and disappointment.

The style of * * * can obviously be fermented in many ways, but it's hard for you to find the label of "whitehairpin" on her face.

Between the eyebrows and eyes is Colette's configuration. The long atrium forces her to go against the wind of intellectual temperament, and the thin lips with distinct lines make her feel a little bitter.

Each model is evenly matched, with all styles, but not pure enough.

Her sweetness is bound by poverty, and beauty is beauty, but she can't see her strong and egocentric attitude, so the overall tension is not strong enough.

Compared with a single role setting, she is more suitable to interpret the role of "biting glass slag and swallowing".

The reason why Siming in "Freesia Tactics" is full of powder flavor is precisely because she well interprets this pure free and easy sobriety and helplessness.

In this year's The Knockout, Yu Meng, played by whitehairpin, is too clear to compete with the mature amorous feelings of Chen Shuting and Miracle Rui Gaozhi Lan Qi.

No Bug is the biggest disadvantage.

Whitehairpin's face is so delicate that it becomes a barrier between her and the character.

The overall facial features are exquisite in detail, and the eyes are smooth, and the three-dimensional nose is round and delicate. It is a standard modeling face that can be used as a plastic surgery template (not derogatory).

The forehead is full, the mountain roots are pointed, and the chin is strong enough. The fluctuation of this line almost conforms to the perfect four highs and three lows.

However, the more advanced the outline and proportion are to the "network celebrity template", the less recognizable she is.

The nose is small, the nose wing and lip angle are large, the curve of the chin does not echo the nose line, and the chin that is too warped is visually flat, even a little power.

It's not ugly, but I always feel that her face is too carved and owes a little natural flaw.

Just like carefully calculating every data when pinching your face, it is perfect to lack a trace of "human flavor"; This appearance that can't find faults is the biggest Bug in itself.

You see, among those people whose eldest sister-in-law's nose is slightly defective and whose high nose is very long, all of them are unique details.

So that's why I never tire of stressing that it's not difficult to find beauty, but we need to think more and make it personal.

High-level beauty is to optimize facial bugs while properly retaining the five senses.

On the other hand, whitehairpin's overly standard and beautiful face is particularly direct and modern. It will only make people feel that it is the product of modern standardization, and it is difficult to integrate with the sense of the 1990 s with their own customs.

This is one of the reasons why Yu Meng in The Knockout looks ungrounded and abnormal.

Now, whitehairpin's position in internal entertainment is obviously the configuration of a small flower, but it is always in a precarious position in the middle reaches.

In the face of the menacing rising star, she will not break those fixed and programmed face value formulas. I can only say:

Time is running out for whitehairpin.