Interpretation of facial makeup: "Lost Street Pavilion" by Ma Su, imitating Qian Jinfu's brushwork. His Ma Su facial makeup is based on Qian Baofeng's brushwork, with rounded eye sockets, which can show the character's headstrong demeanor.
Interpretation of facial makeup: Ma Di from "Lost Street Pavilion" imitates Jin Shaoshan's brushwork. Jin Shaoshan is the son of his predecessor Jin Xiushan and a disciple of Han Leqing. His facial makeup not only imitates Han Leqing, but also imitates Jin Xiushan, He Guishan and Mu Fengshan's rules, elegance, power and refinement. This facial makeup is modeled after Han Leqing's hooking technique. The eye sockets are narrow and appear to be self-willed and arrogant.
Interpretation of facial makeup: "Lost Street Pavilion" Ma Di imitates Hou Xirui's brushwork. The profile is the standard format of the three-piece face of the Hou School: white and thin eyebrows, the tip of the eyebrow is about an inch higher than the ear, straight eyebrows, and the straight eye sockets are rectangular. This profile is beautiful on the outside and wild on the inside.
The "three-piece face with tiles" is based on the three-piece face, with more complex colors and patterns added to the eyebrows, eyes and nose areas to express the multiplicity of the character's personality. For example, Dou Erdun's three-piece tile face with blue flowers in "Lian Tao" and Dian Wei's three-tile face with yellow flowers in "Zhan Wancheng".
Interpretation of facial makeup: "Zhan Wancheng" Dian Wei, imitating Qian Jinfu's brushwork. Qian's Dianwei Pu style has a lot of particularities, such as the eye bubbles and dark eye sockets should be wide, the bottom of the eye should be narrow, the cheekbones should be widened back, the nose should be straight and higher, and the small white hook of the pointed eyebrow should be in line with the Yintang. The upper end of the red dot is flush. Qian Jinfu is famous for his beautiful face.
Interpretation of facial makeup: "Zhan Wancheng" Dian Wei, imitating Xu Deyi's brushwork. Xu Deyi is a well-known Wu Jing in the Peking Opera world. He learned from his predecessor Wu Jing and Fan Futai, who has profound knowledge. His plays such as "Shuguan Sheng", "Caishiji", "Jiaxing Mansion" and "Golden Beach" became famous for a while. His hooks of Guan Sheng, Chang Yuchun and Bao Cian are very exemplary. Dianwei facial makeup is profound and majestic. Interpretation of facial makeup: Dou Erdun from "Serial Set", imitating Hao Shouchen's brushwork. Hao studied facial makeup by Huang Runfu and Jin Xiushan, and studied it all his life, and gained profound insights. In rearranging old plays and creating new plays, he designed many facial makeup masterpieces such as Jing Ke and Xu Jia. He advocates that eyebrows should not be too vertical and eyes should not be too wide. His facial makeup is regular and generous, which can be regarded as the latest form of traditional Peking Opera facial makeup. The Dou Erdun he evokes is simple on the outside and showy on the inside. Interpretation of facial makeup: Dou Erdun in "Serial Set" imitates Hou Xirui's brushwork. Houpai facial makeup pays attention to the overall layout of the forehead, Yintang and bridge of the nose, believing that these parts are where the audience's attention will be when looking at the facial makeup, and must appear cheerful. For example, he depicts the loyal green forest hero Dou Erdun, with straight eyebrows, wide eye sockets, bright red eyes, and beautiful nose sockets, which makes him appear to be bright-eyed, mighty and kind-hearted.
Interpretation of facial makeup: "Yanyang Tower" Gao Deng, imitating Yang Xiaolou's brushwork. This facial makeup style is from Yu Jusheng: pointed eyebrows, pointed eyes, pointed nose pit, pink cheeks, and the overall pattern is Qian Jinfu's brushwork. Li Shike, a Laosheng researcher from the Yu (Shu Yan) faction, praised Yang Xiaolou's facial makeup, saying that his facial makeup was clean and beautiful. Although he was a bad guy, he fit the status of a government official. Definition of facial makeup: "Yanyang Tower" Gao Deng, imitating Shang He's jade brushwork. His Gaodeng facial makeup is based on that of Yu Jusheng, with pointed eyebrows, pointed eyes, and pointed nose sockets, a wide purple line on the forehead, unpainted cheeks, and cool blue-gray thin edges on the eyebrows and nose sockets. Although this facial makeup shows that the character is fierce, it is not sad. Image of the door god.
Interpretation of facial makeup: "Iron Cage Mountain" by Jiang Wei, imitating Shang He's jade brushwork. Shang Heyu is also a disciple of Yu Jusheng, so his Jiang Wei facial makeup is in the style of Zong Yu, which is characterized by rectangular pointed eye sockets, round nose sockets, and a simple and upright look. Shang Heyu objected to raising his eyebrows too high.
Interpretation of facial makeup: "Iron Cage Mountain" by Jiang Wei, imitating Yang Xiaolou's brushwork. Yang Xiaolou's Jiang Wei facial makeup master was taught by Yu Jusheng's brushwork, which is characterized by sharp eye sockets and sharp nose sockets. At the same time, Yang Xiaolou Wujing's facial makeup was learned from Qian Jinfu's, so the general layout was learned from Qian's brushwork, and the style of the facial makeup was elegant and majestic. Yang Xiaolou still uses this score when he plays Jiang Wei, who wears gray moustaches in "Tan Valley".