During the summer vacation, domestic animated films appeared together. Maybe there was no movie going to the cinema last year because of the epidemic. I went up in one breath this year. However, this has also led to a problem of Guo Man's films in cinemas, which is "serious homogeneity". The first is the homogenization of 3d, except a movie "Rushing out of the Earth", which is all 3D; The second is the homogenization of themes, especially mythological themes; The third is the homogenization of stories. The story of the country's films has always been based on the theme of "My life is up to me". Among them, Guo Man, the most homogeneous mythical theme, was severely reprimanded. Station A and Douban have no hope for the mythical country of the summer file, except for a "Green Snake Robbery". The following small series will analyze it in detail for everyone, as follows:

No matter what the mythical characters are, they will come to a Guo Man movie that will change their lives this summer. The theme is not just to change their lives or change their lives. Even if they don't go against the sky, they must always find something to do. In the Dragon of Jigong, Jigong is also in a rebellious period, and he wants to "be his own hero; Hong Haier newborn calf "Heaven is still being hacked; Green snake robbery "does not go against the sky and change the law, but life has changed." The protagonists in mythical countries are generally manic and are not used to anything uncomfortable. Even a mature adult like Jiang Ziya would smash the ladder to pieces.

Many myths about the country's leading role, copying Nezha's template, may be that the success of "prodigy" stimulated the country's market, so many myths about the country's romance should be set in the background of Nezha. First of all, the relationship between the protagonist's parents is definitely not good. Either dad raised a mistress outside, or dad complained that mom gave birth to a Xiong Haizi, or mom complained that dad couldn't protect the child. In short, there is no peace at home. Secondly, the protagonist was discriminated against at birth, either a child prodigy or a divine fire. The protagonist has no friends, and his only friend may be a lovely pet.

Many mythical countries are not teaching children, but pampering them. Why are they rebellious? Because his audience is mainly children, children hope that the more rebellious they are, the more comfortable they are. Nezha's parents didn't understand him in The Devil Boy Came to Earth. Later, the rebellious Nezha slapped his parents in the face, which children like. However, similar values can't teach children, but only spoil them worse. Too much emphasis on the incompetence of parents' roles and exaggeration of rebellious roles are likely to make children more and more unbearable.

The mythical country is not guilty, and the stereotyped and uncreative script is not guilty. What the audience hates is not the mythical country, nor the mythical figures such as the Monkey King and Nezha, but the scripts with the same routine. Besides the fate of Nezha, there are many humorous stories about Jigong, which can be discussed as the subject of burning or comedy. Since it is under the banner of spreading traditional culture, we should not just follow the routine of online writing, but think about how to innovate myths and legends.

The mythical country blew up the summer file, and the box office competition of those movies with serious homogenization was particularly fierce. However, if they are independent and innovative, they may stand out and make money. See if the same mythical country will turn over in the summer file.