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At the 33rd Chinese Golden Rooster Awards Ceremony, Yuan Quan took the stage for the third time. In her speech, she said:

"I still feel very nervous when I sit under the podium. I think I may be 43 years old. In this case, I should be more mature and steady, but my heart is still beating. "

Then, there are more than ten paragraphs of thanks. Slightly nervous, she thanked all her colleagues, friends and family who had always supported and encouraged her.

Compared with the calmness of most actors when they speak on the stage, she may be a little nervous, but her words, expressions and gestures are always low-key and humble.

Accustomed to the elegance and atmosphere of international stars, and then looking at Yolanda, there is a feeling of meeting mature ears of wheat. Under the gentle breeze, I bowed my head slightly and saluted the whole wheat field with a full and mature attitude.

This kind of comfortable posture and conversation seems to be slowly erasing the layers of bubbles in the entertainment circle in the utilitarian era.

In real life, Yolanda likes being alone very much.

So in the crew, she likes to stay in the corner quietly, reading books, reading scripts and guessing roles.

Director Han Han once said that Yolanda is a very low-key actor. He came to the scene with either an assistant or someone. She often sits quietly alone, thinking about the play.

On the Zhihu, some netizens saw Yolanda from the children's painting class. At that time, yolanda was sitting on the sofa outside the classroom, quietly looking at the books he had brought, very absorbed.

Yolanda said:

"I am a very slow person."

In real life, Yolanda also likes a slow-paced life, which is a bit out of place and even "behind the times" compared with the roles she has played in recent years. This contrast in personality tests a person's performance skills.

When most people are chased by the anxiety of this era, Yolanda can stop, feel the performance with a low-key, focused and humble attitude, and polish her acting skills, which is really admirable.

02

In recent years, most of the roles played by Yolanda are elites in the workplace. She is quick and decisive, full of gas field, which is completely opposite to her in real life. The most typical masterpiece is: Tang Jing, the second woman in the urban drama My First Half Life.

She is always very cautious when accepting this script. Before accepting the play, she needs to have an overall analysis of the script and know her position and role in the play. As she said:

"For the role, you need to devote yourself wholeheartedly, but as an actor, you must have a global perspective."

So, when taking the show, Yolanda first asked who the director and producer were, and then read the script twice to get familiar with the main plot and the role the director arranged for her. In order to understand the role, she went to see Yi Shu's novels. After finishing these works, she decided to play the role of Tang Jing.

In the play, Tang Jing is a strong woman in the workplace who believes in the values of independence and self-improvement. She never marries, and all her energy is basically spent on her work.

Even though I talked about my boyfriend, I still kept my distance from my boyfriend He Han, and they were independent in life and accompanied in career. If there is a conflict between love and career, she often chooses career first.

This character is completely different from Yolanda in real life.

Yolanda said frankly that she took the role of Tang Jing because she saw the weakness behind this domineering and powerful role. The lack of security behind this fragility makes the whole role in a state of internal and external unification. It is this that touched Yolanda.

In the play, Tang Jing and her boyfriend He Han talked about their love for 10 years and finally broke up. The audience saw Luo Zijun, He Han's best friend who empathized with Tang Jing, but in Yolanda's view, she felt that the real reason was Tang Jing herself, and the first thing she needed to solve was herself and her relationship. Yolanda said:

"What people need to face when they grow up is not others, but herself. The audience may see the changes in her relationship with He Han or Zijun, but I think she needs to solve many problems in her life first. After the play, she will find that she will face herself eventually. "

In the days of getting along with the role of Tang Jing, Yolanda completed another growth. She said:

"When you get along with your character, you can really get positive energy from her. Or sometimes you may feel that you have hurt yourself from the role, and maybe you will take it back to see your life. "

03

Taking off the actor's coat, Yolanda in real life is still relatively happy.

In their relationship with her husband Yu Xia 10, although they broke up, the short separation made them see their important position in each other's hearts, so they got married and became a model couple with low-key happiness in the entertainment circle.

In Origin and Fate, mom and dad will also give her enough love and respect, accompany her through those moments of failure and pain, and let her grow into a woman with rich heart.

/kloc-When she was 0/3 years old, Yolanda's mother bought her a set of world famous books. She read them carefully and had a soft spot for Jane Eyre. Later, she also played the role of Jane Eyre in the play, which won numerous praises, because in reality, she also has the shadow of Jane Eyre, strong personality, independence, persistence and loyalty to her heart.

Besides Jane Eyre, Yolanda saw another girl in Yi Shu's book that deeply moved her. This girl is Jiang, the heroine in the popular urban drama The Last Romance.

Jiang was born in a rich family, and his father tried his best to train her into a lady so that she could marry a rich man. However, Jiang, a well-fed man, is not too delicate, but very rational, independent and independent. Later, Jiang's family was unhappy and heavily in debt. She didn't degenerate, but with the encouragement of her family and friends, she bravely faced family changes and took the initiative to provoke the burden of life. This resilience and courage are really touching.

Many years ago, yolanda was invited to play the role of Jiang. Yolanda liked the girl named Jiang in the story very much, but she finally missed it.

Unexpectedly, many years later, she had a new intersection with this role. However, this time she is not playing the role of Jiang, but her sister-in-law, Dai. She has the ability to protect her and guide her to grow up.

In episode 15, Jiang's father chose to end his life because of the debt of stock trading, leaving a lot of debt.

Her mother has no job and stays at the mahjong table all the year round; Grandma is old and enjoys life; Her boyfriend, Zhang Anren, is very calculating and gradually alienated from Sun Nan. Only Sun Nan, who hasn't graduated, can afford things at home, and the burden left by her father is on her.

Just as Jiang endured the pain and kept calm, he negotiated with the people who came to collect debts at the dinner table, and Yolanda's aunt Dai arrived in time to help.

She took the suitcase that take the door, she heard the debtor in the river, directly out of the 1:

"What's the situation? Talk to me! "

Then, she gave Jiang a hug, which made the audience in front of the screen sour.

After a brief comfort, she asked Jiang to rest and stayed to negotiate with the debtor. Her gestures are steady, her tone is professional and confident, and she flows out slowly, taking the initiative in an instant.

Yolanda's aura in the play is quite different from the tense posture at the Golden Rooster Awards Ceremony. After watching her play, looking back at her in real life, the contrast is really great.

However, it is this contrast that shows us her professionalism and strength in performance. Distinguishing yourself from the characters in the play, no matter which world you are in, you can find your own position and corner and live clearly and thoroughly, which is really admirable.

As she said:

"The little starlight on the actor is mostly brought to you by the role. When you step down from the role and the screen, you are an ordinary person. "

04

Yolanda, a member of the 96-grade star class of the Central Academy of Drama, has always kept a low profile, but the awards and recognition she won are not inferior to those of her classmates, such as Zhang Ziyi, Mei Ting, Liu Ye, Hu Jing, Ceng Li and Amanda.

She once won three China drama awards for her drama Jane Eyre: Plum Blossom Award, Oscar Award and Golden Lion Award; Not only that, she is the youngest actress to be elected into the Centennial Hall of Fame of China Drama.

Even if she is only a female companion in the play, she can be on the stage of the Golden Rooster Award in Chinese movies and win the Best Supporting Actress Award. It's just the Golden Rooster Award stage. She has been on the stage for three times and deserves it.

Famous drama director Lai Shengchuan praised Yolanda and said:

"For half a century, she is the most moody actress after Brigitte Lin."

Although this evaluation is a positive recognition and appreciation, it may not be appropriate for Yolanda, because she has always been in her own field, just be herself.

I have always liked what she once said:

"Life is like this. It's really fair Everyone's gain and pay, happiness and pain are the same. Just experience it. "

Having played all kinds of people, it's really not easy to be yourself.

I hope Yolanda can write her own last romance in the ups and downs of time and life, just like the name of the new drama The Last Romance.

What do you think of this powerful but low-key actress?