2. Shanghai Opera is popular in Shanghai and Jiangsu and Zhejiang. Dongxiang tune is a kind of folk song that originated in Pudong, Shanghai, and was formed in the beach spring of Shanghai in the late Qing Dynasty, during which it was influenced by Suzhou beach spring. Later, it adopted the performance form of civilized drama and developed into a small stage play "Qu Shen". After 1927, Qu Shen began to perform civilized dramas and current affairs dramas. 194 1 year, Shanghai Shanghai Opera Society was established, and Qu Shen officially changed its name to Shanghai Opera. There are mainly long cavity long board, triangle board and feeder board. Beautiful tunes, full of Jiangnan local flavor, good at expressing modern life. Excellent plays include Lohan Qian, Deer Dang Fire, The Meeting of a Star, etc.
Huangmei Opera, formerly known as Huangmei Tune or Tea-picking Opera, originated in Huangmei, Hubei Province and developed in Anqing, Anhui Province. Huangmei Opera is one of the five major operas in China and the main one in Anhui Province. Hubei, Jiangxi, Fujian, Zhejiang, Jiangsu, Hong Kong Special Administrative Region and Taiwan Province Province also have professional or amateur Huangmei Opera performance groups, which are widely welcomed. Huangmei Opera is simple and fluent in singing, good at lively lyricism and rich in expressive force. The performance is simple and meticulous, and it is famous for its truthfulness and vividness. The outstanding plays of Huangmei Opera include The Fairy Couple, The Cowherd and the Weaver Girl, The Story of Huaiyin, The Woman Xu, Couples Watching Lights, Beating Pig Grass, Liujingzi, Blue Bridge Society, Lu Yu, Wang Xiaoliu Beating Tofu, Xiaoxidian and so on.
4. Kunqu Opera, also known as Kunqu Opera, Kunqu Opera and Kunshan Opera, is one of the oldest operas in China and a treasure of traditional culture and art in China. As a bachelor of Hanlin, Guan Yunshi was deeply influenced by Han nationality's thought and literature. He appreciates the scenery in the south of the Yangtze River and yearns for a quiet and leisurely life. Later, he quit his job, lived in seclusion in Jiangnan, changed his name to "Yi Fu", and made a living selling medicine in Qiantang, calling himself "Lu Hua Taoist". He is good at writing Sanqu. The tunes he created were passed on to Yang in Zhangpu, Zhejiang Province, and later called "Haiyan Opera", which spread to the Ming Dynasty and was the originator of "Kunqu Opera". Since the mid-Ming Dynasty, he has ruled China's drama for nearly 300 years. Kunqu opera, which combines singing, dancing and martial arts, is known for its elegant dictionary, euphemistic lines and delicate performance, and is known as the "ancestor of hundreds of operas". In Kunqu Opera, drums and banquets control the singing rhythm. Qu Di and Sanxian are the main accompaniment instruments, and their singing pronunciation is "Zhongzhou Rhyme". Wang Shizhen's Feng Mingji, Tang Xianzu's Peony Pavilion, Zi Chai Ji, Handan Ji, Conan Ji and Shen Jing's Art have great influence and are often performed. There are Yupin Ji, Kite Wrong by Li Yu, Fifteen Passes by Zhu, Peach Blossom Fan by Kong, Palace of Eternal Life by Hong Sheng, and other famous discount plays, such as "A Dream in the Garden", "Yang Guan", "Three Drunks", "Qiu Jiang" and "Nostalgia".
5. Huai Opera, also known as Jianghuai Opera and Huai Opera, is an ancient Chinese opera. Originated in Yancheng County and Funing County in Qing Dynasty, it was popular in Jiangsu Province, Shanghai City and parts of Anhui Province. In the middle of Qing Dynasty, it was popular in Huai 'an Prefecture (now Yancheng and Huai 'an) and Yangzhou Prefecture. A form of rap "Menhu" is developed from farmers' hymns and Tian Ge's "Miao Qiang" and "Yang Miao Tune", which is very popular among local Han people. It is called erkezi in the form of a solo or two duets, and it just beats with bamboo boards. After the Huai Opera, it co-performed with the "Xiang Opera" of the Han nationality in northern Jiangsu. Later, influenced by Hui Opera and Peking Opera (called Huijiake), Huai Opera was gradually enriched in singing, performance and repertoire.
6. burlesque is a new type of Chinese drama. In the mid-War of Resistance against Japanese Aggression period, Shanghai Quyi one-man show was gradually formed under the influence of Chinese and foreign comedies, burlesque and local operas in the south of the Yangtze River. Popular in many areas of Shanghai, Jiangsu and Zhejiang, it is welcomed by the general audience. The music of burlesque follows the "nine tones and eighteen tones" of one-legged drama. The performance of burlesque is based on the performance of folk arts such as one-legged comedy and cross talk, and also absorbs the performance of civilized drama.