Comments on reader 1
The variety show "The Reader" being broadcast by CCTV is very popular with the public. To tell the truth, one of the important reasons why such a program with uncomplicated performance materials and colorful artistic forms can impress hundreds of millions of audiences is that after each period of live reading, the guests share and taste the classic works with the public, and at the same time convey a kind of cultural self-confidence with the moist power of the spring breeze. It is this cultural tension from the inside out that really touched the audience in front of the TV and made reading deeply comforted.
Once upon a time, in the traditional concept of most people, as long as reading aloud is mentioned, it is natural to think that the reader is a clear-cut host or artist. As soon as they appear, they often stand straight in front of the microphone with book clips in their hands and read beautiful literary works in standard Mandarin. After their cadence and rich humanistic connotation in their works, they can often touch people's hearts and bring them a kind of warmth and touch. However, this standing reading method, because of its single expression form, often leaves people with criticism of lack of change. Although The Reader has a beautiful voice, judging from the richness of artistic expression, it is obviously unwilling to create lasting artistic charm only by the euphemistic combination of voices.
On the other hand, The Reader, which is being broadcasted, has opened up a new form of expression for the traditional art of reading with the image of subversive. First of all, the identity of readers is no longer limited to hosts or artists, but includes readers from all walks of life, including elites and celebrities. After the interview and recommendation by the host Dong Qing, the readers' social identity and mental journey are skillfully combined with the materials to be read, which makes the audience full of expectations for the materials to be read. Secondly, in the form of expression, it is no longer limited to a single standing. Readers sit or stand, or walk or walk, which is more interesting than before. Although some readers may not have clear pronunciation and mellow voice, and they rarely feel direct tears, their simple and sincere reading shows the natural beauty of natural carving. Abnormality is the convergence of reading materials with readers' own life experiences and beliefs, which highlights the extraordinary humanistic significance of reading works. Thirdly, most of these reading works are based on ancient and modern Chinese and foreign literary works, which are classics in both ideological and artistic aspects and spiritual treasures in human history. With the help of modern sound, light, electricity and other scientific and technological elements, swaying lights, soothing music, and sincere and pure reading by readers, the cultural forces such as truth, goodness, beauty and value orientation contained in these classics penetrate bit by bit, giving people lessons and profound enlightenment in silence. In addition, the stage setting of The Reader is not only elegant, but also shows a bold and broad artistic atmosphere. Slowly opened the door.
More like opening a window of wisdom. Through this window, the audience not only tasted the classics, but also gained spiritual nourishment, allowing the power of culture to be conveyed word by word by readers, and finally emitting warm and lasting thoughts after their sincere reading.
In the history of human development, there have been many timeless classics. After re-processing and re-creation of film and television works, we are inheriting the classics, intercepting the essence of them and interpreting their rich connotations by natural reading, which is also inheriting the classics. The former is magnificent and often gives people a strong visual impact; The latter is graceful, quiet and beautiful, but it attracts every audience who loves life with its inherent cultural taste. This quiet atmosphere may be more enlightening for removing people's impetuous social mentality and pursuing the value of life in a quiet and far-reaching realm.
Reflections on readers II.
When it comes to taste, our first thought must be the satisfaction on the tip of the tongue. A long history and vast territory endow China with rich and varied diets. Hu Zhongying, a guest in this issue, is a famous chef who has been working for 50 years and is also the head of hangzhou dishes. At the G20 Summit in Hangzhou last year, he served as the head of the catering culture group, and presented a unique feast for dozens of politicians around the world, showing the unique charm of China flavor. He put the flavor into the story and surprised the world with China culture. CCTV- 1 20: 00 this Saturday, CCTV-3 this Sunday 19: 30, we listen to reader Hu Zhongying telling us about his Chinese flavor.
At present, he is the only young pianist in China who won the third international doctorate, but he didn't have a piano of his own in his childhood. He won many international awards, but when he was a teenager, he suffered from poverty and separation from single and laid-off mothers. Wu Chun's life is a flower watered by his and his mother's sufferings, but bitterness and sweetness always go hand in hand. Only by tasting the extreme bitterness of life can the sweetness of success be more attractive. CCTV- 1 20: 00 this Saturday, CCTV-3 this Sunday 19: 30, we are all listening to the reader Wu Chun's story about the bitterness.
The first novel, The Woman on the Bread Tree, was serialized in Ming Pao in _ _, and Zhang Xiaoxian became popular. Her 60 books are all about feelings. Her works are called emotional healing literature, and many readers are used to looking for ways to deal with their feelings from her words. This Saturday at 20:00 CCTV- 1, this Sunday at 19:30 CCTV-3, let's listen to the reader @ Zhang Xiaoxian's interpretation of feelings.
Ye Jiaying, aged 18, is the carrier of China's classical culture and an expert in China's classical literature. He devoted himself to the teaching of classical poetry all his life and won the praise of "rebirth" of classical poetry in contemporary times. This old gentleman once wrote a poem: "I would die for Kuafu, but dare to laugh at Yang Lu's stupidity" to express her love for China's classical culture. Regardless of her age, she traveled around in order not to let the taste of China, which has been passed down for thousands of years, go unnoticed. Please listen to the reader Ye Jiaying telling us about the taste of her poems.
Reflections on readers 3
Almost all excellent works are projected from the current social situation and emotions. This is an information explosion society that pursues "fast and fast". The spirit is tight enough, the pressure is always great, and time passes too fast. The purpose of cultural festivals has quietly revived, echoing the upgrading of national values and lifestyles, meeting the multiple high-level needs of the public for knowledge, aesthetics and emotion, and alleviating the "cultural anxiety" in the era of information fragmentation.
The reader combines personal growth, emotional experience, background stories and masterpieces handed down from generation to generation, selects exquisite words, reads out the value behind the words with the most plain emotions, and shows the real life story of flesh and blood. As a program that uses words to carry emotions, The Reader has a relatively quiet atmosphere and a more soothing rhythm, which is completely different from the exciting "fast-disappearing material". It will just satisfy the audience's desire to return to inner peace after being tired and busy, and feel the power of reading and conveying.
Readers are not reading programs, but touching emotions with words, starting from everyone's sincere life stories and sharing family, friendship and feelings. These common feelings help the audience to understand and appreciate the width, thickness and concentration behind the words, and taste all the flavors of life.
Every episode of the program takes a theme full of moral as the core clue, about "meeting", about "choosing", about "companionship" and about "tears" ... celebrities and amateurs are on the same stage, reading a passage that touched, inspired and even changed themselves in the past. It can be an essay, a poem, a letter from home, or even a movie and drama script. Listening to a quiet story is like walking through life. These stories seem to be about others, but in fact they reflect the most common feelings.
Different life keywords are connected in series throughout the season. "The Reader" restored the initial heart of TV people, hoping that the emotion brought by the program would seep out of the audience's heart and find themselves in the sweetness and tranquility of precipitation.
Reflections on readers 4
This is the first issue, and it is also my first "encounter" with readers. As Aunt Dong Qing said at the beginning of the program, sometimes, even if we meet, we have no impression, but some "encounters" will change our lives from now on. Pu Cunxin experienced this life-changing encounter. He was a disabled child when he was a child and was rejected by his classmates. No one wants to be with physical education class when he is running in the street. The students even gave him a nickname-"Pugimp". I think, at that time, his heart must have been greatly hurt. Fortunately, he met a doctor, and Dr. Rong did plastic surgery for him. This is a turning point in his life, and he can be like a normal child from now on! Can run and jump! This is just a trivial operation for Dr. Rong, one of many operations he has done, and perhaps he has no impression. But for Pu Cunxin, it was the best "encounter" in his life. He recited excerpts from Lao She's essay Master Zong Yue. The information is about Lao She's gratitude to Uncle Liu, who introduced himself to the school. I think: I will also be grateful to those who have helped me.
And Li Jiang, he and his three colleagues used to be Doctors Without Borders, who saved lives in wars and disasters and learned about 40 newborn babies every day on average. At work, they "meet" life and death at any time. "The answer is driving in the wind" makes us understand how much a quiet life is worth cherishing. Liu Chuanzhi's "meeting" failed, and Xu Yuanchong "met" the collision of ancient and modern Chinese and foreign cultures. ...
How perfect the meeting is. May we have countless perfect "encounters" in our life.
Reflections on readers 5
Readers have a lot of tears, but think about it carefully. How much do these tears have to do with the article itself?
The story of Pu Cunxin and the doctor is touching, but it is more or less separated from the story of Lao She and Master Zong Yue. As a mother, she is grateful for the new moon, but it is different from always being grateful for herself. The most appropriate passage between people's designs and emotions and articles comes from Luo Jiaying and Wang Mingquan, whom I didn't like before. Their humor, indifference, openness and cheerfulness are in line with Feng Jicai's "The Old Lady", which neither steals the show nor is appropriate.
When I saw Luo Jiaying arguing with Wang Mingquan, I suddenly felt more profound power than tears. The two of them have experienced decades of wind and rain and have seen through the peace of the world.
Although their stories all end in comedy, I believe that many sad stories can also be interpreted as sadness without harm. Because, what we want to convey to children is that understanding farther than moving is the demeanor of being able to smile calmly and calmly even when dealing with suffering.
Abstinence is more important than crying.
Learn to hide your sadness in your heart without showing it, instead of complaining endlessly.
The reader is good, but it is more like an artistic life, telling the story of the guests; But if it pays more attention to the article and learns to control its emotions, I will give more applause.
Some people will say that the realm of reading is originally divided into two layers, one is that I note the Six Classics, the other is that the Six Classics note me, that is, one is to explain the article from the perspective of self, and the other is to tell the story of self from the perspective of the article. Readers obviously belong to the latter, and their realm is higher!
This view seems reasonable, but for children, I haven't even personally experienced the first one. Shouldn't it be too much to give the second one directly?
Therefore, if you want to show your child a book, it is better to let him read the articles and books first, so that he can understand the connotation of the original text and then watch the program.
On the other hand, seeing the words like a face is still hot, and it would be much more pragmatic if two professors were invited to interpret the article. But helpless, compared with seriously discussing the text, it is still sensational!
Before reading aloud, every reader is equal. He has nothing to do with fame, status, money or twists and turns. Can go through vicissitudes of life, can not know the world. Reading is fair to everyone. To paraphrase Jane Eyre, our souls travel through books and stand in front of writers. We are equal.
Only by loving the book itself can children develop the habit of lifelong reading and give them a rich spiritual and emotional world.