In the sunset, the wine is idle (3), and two or three flights have not landed (4).
It's getting late in the cottage, and the fish seller at the end of the broken bridge is scattered. ⑴ Disyllabic: Gongdiao name. Shouyang Qu: The name of Qupai, also known as "Plum Falling Style".
(2) Pu: made of water.
⑶ pèi: the flag curtain of the hotel. In ancient times, one side looked like a swallowtail flag.
(4) Mifune: Mifune. H: That boat. Landing: landing. According to the records of "Seeing the Garden off" and "Talk about Meng Xi", Song Di wrote eight scenes of Pingyuan with Xiaoxiang scenery in the Song Dynasty, which was called "Eight Scenes of Xiaoxiang" or "Eight Scenes" at that time. These eight scenic spots are: Wild Goose in Pingsha, Fangui in Yuanpu, Clear Mountain City, Dusk Snow on the River, Autumn Moon in Dongting, Night Rain in Xiaoxiang, Night Bell in Yansi and Sunset Photo in Fishing Village. The names of the eight Shouyang songs described by Ma Zhiyuan are exactly the same, which shows that the eight songs described by are also the Eight Scenes of Xiaoxiang. This song is one of them. In the Yuan Dynasty, Xie Xisi wrote the poem "Far Pu Fan Gui": "Where did you come from? The small building opened on the river. I hate sail color for a long time and miss it every day. " This poem depicts a scene waiting for a woman and shows the theme of in my heart forever. Ma Zhiyuan's poems depict a landscape painting of a water town at dusk, showing the theme of leisure life.
The first three sentences use concise language to lay out the scenery of "sunset in the sky, fishing boats returning on the river, wine flags in restaurants on the shore", which is clearly written and in good order, like a lens, combining the scenery of the water town into a group of pictures, which is very dynamic. Sunset points out the time. The whole situation of the Song Dynasty came into being. The "wine cellar" not only points out the location, but also shows that this is where the town is. The word "leisure" describes the quiet atmosphere of Shuicun town in the evening, which makes people feel like they are in it and appreciate the quiet and fragrant world by the river, laying a leisurely artistic conception for the whole song. "Two or three flights didn't land", expanding the scenic area from the town to the river. Only two or three boats did not land on the river, which further highlighted the tranquility of the town. The word "never go ashore" implies "sail home". The ship is heading for the shore, but it just hasn't landed yet, which is different from sailing or the middle of the ship. The wine is a close-up, and the wine flag can be seen clearly. This is a close-up shot. Sailing two or three times is a vision. In the distance, I saw a boat on the river, and the people on board couldn't see it clearly. This is a long-term vision. The above three sentences are of the same level, and they were written in Pu Yuan.
"Flowers come out of the thatched cottage and fishmongers break the bridge" is a description of the fishing boat after landing. Turning to another level, it is written to sail home. This song omits the scene of fishermen's busy work after fishing boats dock, and directly writes the life scene of Qiaotou fishing market and fishermen going home to rest. The author does not describe the crowded town, but refers to the broken town at the bridgehead, aiming to highlight the loneliness of the town. In the evening, there was a short fish market near the broken bridge, but the deal soon ended, the fish sellers dispersed and the town was calm again. Fishermen live in an "out-of-the-water vanilla hall", because at night, every household lights up and the lights are reflected in the water. Flowers, water and thatched cottages fully illustrate the beauty of the environment and set off the leisure life of fishermen. From the broken bridge to the thatched cottage, they are far away from the hubbub, uncontested and satisfied.
The writing of this song has three characteristics: first, the author is good at rendering the atmosphere with very distinctive scenery. Sunset, wine flags, boats that want to go home, huts haunted by clean streams, and silent broken bridges where people disperse, like an elegant ink painting, create a clear and spacious artistic conception. Second, the author is also good at giving people rich and intriguing imagination in No Words. From the quiet sunset on the horizon, to the lazy wine flag in front of us, and then to the ship that is not in a hurry to dock in the distance, the viewpoint jumps nimbly, and behind every "point" is a picture that needs the reader's imagination to restore. Judging from the two pictures in the whole song, the former writes that the boat has not returned, while the latter writes that the fisherman is scattered. There are many links between them, such as landing, unloading and selling fish, but the author also leaves these links to the reader to complete through imagination. He only gives people a picture of a fisherman returning home late in Jiangcun, away from the noise and noise. Third, the author is also quite ingenious in phonology. In ancient poems and songs, phonological effect is always one of the means for the author to express his feelings and create artistic conception. Ma Zhiyuan is also proficient in this. For example, he uses words beginning with "X" to express the "soft" effect. The fragrance of water, sunset, leisure and fragrance in music are all used to express feelings of tenderness, leisure or femininity. [Double Tone] First Yangqu Biezhu Lianxiu ①
Just be happy. If you don't do it in the morning, it's hard to give up.
Row a boat to carry the spring away, leaving a half moon in the air. 1 Zhulian Opera: A famous actress in Yuan Dynasty.
Don't say goodbye in the morning: we will leave soon.
It means that her boat took away the joy of the party.
(4) "Leave blank" sentence: It means that after the missing person leaves, he can only keep company with half a month. This is a farewell song. Although the author and Xiu have known each other for a short time, they have deep feelings. When she wanted to go somewhere else, he reluctantly went to see her off. He felt that only half a bright moon would be his companion in the future, and he really couldn't stand it. The use of "half a river" here shows the exquisiteness of the author's body and things, and also strengthens the sadness of people's reunion. Although there were many factors for literati to pursue debauchery at that time, the sincerity and profundity of their feelings were by no means comparable to those of dude.
The word "talent" is an extremely short-lived joy, and the word "creation" is an extremely sudden departure. Put the two sentences together, it is exactly what the ancients said, "It is easier to see when people are away." From the happy encounter to the ruthless separation, the author's painful mood when "giving up" can be imagined. The more unpretentious, the more sincere the feelings are when using "pain and pain" in oral English. The word "I can't give up", although it doesn't specifically describe the figure and language, fully embodies the scene of two of a kind's reluctance. In this case, the language of poetry should be processed and shaped, and it cannot be expressed directly, which is the advantage of Sanqu.
The author has a sentence in the "Moon Song Drunk to Yuefu Pearl Curtain Show": "Whoever sails will send Qingqing." We can see that Julian's performance came by boat. Now, although inseparable, she finally set foot on the boat again, and the boat finally left the river bank. The author has not forgotten to mention that it is a "painting boat", because only such a boat can deserve the charm of beauty. The Original Boat is beautiful, but it is getting farther and farther away. The author thinks that it takes away the beauty in life, the hope and the spring! The last sentence "leave half a bright moon by the river" further highlights the heavy loss from the current retention. Li Bai's "Farewell to Meng Haoran on the way to Yangzhou": "The lonely sail is far away from the sky, but the Yangtze River flows in the sky." Xu Hun's "Farewell to Xie Ting": "The sunset is far from waking up, and it is raining all over the sky." It is after leaving people's loss that we can talk about the scenery in front of us, which is symbolic. So is this song. The author searched everywhere, leaving only the lonely moon shadow on the river, rustling and swaying on the nearby waves. Apart from loneliness, Half-River Moon also has a sense of incompleteness, which is a reflection of the broken soul of the author after bidding farewell to the Pearl Curtain Show. Double-carved yangqu
New Qiu Lai, people leave as soon as they see it, and the moonlight on the Yangtze River fades.
The owner of the painting has to leave for a long time, so he has to consider one night. ① long: far.
② From the first night: the first night. This is nostalgia after seeing off pedestrians. It's easy to feel sad when the autumn is crisp and sparse, but it's just that we have to catch up with the passerby at this time, and the melancholy of pedestrians and passersby can be imagined. In the Song Dynasty, Liu Yong had a saying: "Since ancient times, feelings have hurt and left, and it is even worse to neglect the Qing Autumn Festival." (Yu Lin Ling) There is a proverb in Wu Wenying: "Where do you synthesize sorrow? Autumn keeps people's hearts. " ("Tang Duoling") all wrote about the impact of autumn on leaving people, not to mention the sudden separation! The word "at first sight" left a shocking feeling.
Keep people far away, and those who see them off stay on the river bank, unable to bear to leave and stare ahead. The phrase "along the river" is both a scenic language and a sentimental language, which is meaningful. The river flowing eastward is in the same direction as the ship, indicating that the sender has been watching the distance where the shadow of the ship disappears; The moon is desolate, and the moon is "disabled" and unable to reunite, which can be used as a symbol of this kind of departure; The river keeps flowing eastward, but the waning moon stays where it is, showing the departure of those who go out and those who stand. More importantly, the water and the moon are witnesses to the farewell scene. It was the Yangtze River that swept the boat away and the waning moon took its place. Touching the scene, the scene of "painting the shipowner to leave" naturally appeared in front of the people who saw him off. In retrospect, it was a wonderful idea to make up the breakup situation, which once again responded to the unbearable side of "Separation of People" and pointed out that "The Original Boat" should be a woman on a boat. According to the performance habit of Yuanqu, this kind of "parting" happened between men and women. The word "leisure" embodies the lingering taste of lovesickness.
There is no doubt that "he" on the shore and "she" on the ship miss each other. But don't hate this parting, it's just the beginning! The work does not specifically describe the feelings of missing at this time, but only uses the word "getting up at night", which not only responds to "beginning of life is happy" and "the water is disappearing", but also contains the association of future days, which is self-evident. "East-West Chamber" Volume 6 [Man Paier]: "I don't hate the husband and wife today. It' s been several years, at least half a year, just the first night! " The fourth fold of "The Romance of the West Chamber, the Dream of Yingying in Caoqiao Store" [New Water Order]: "The first night of the problem, there is hate." Liu's "Too often cited the Senate to return to Shandong": "In the bright moon building, I was homesick for tears on the first night." Like this article, the first night is used to infer and summarize the parting of countless days and nights in the future. This shows that Yuanqu is good at soft thinking with skillful brushwork. Shouyang Song with Double Carvings Answer to Lu Shuzhai (1)
There are countless mountains and countless plumes of smoke. The gaunt and evil Jade Hall Figure ②.
Leaning against the window and studying hard, I can't wait to follow the river of no return (1) Lu Shuzhai: the word of Lu Zhi, a writer in Yuan Dynasty. This song is an answer to Lu Zhi's Shouyang song Biezhu Li Anxiu.
② Yutang map: Lu Zhi is a bachelor of Hanlin, so he is called it. Yutang: officially signed, later called Hanlin Academy. Because the Hanlin Academy is the place where literati live, Yuanqu often calls literati "Jade Hall figures".
(3) awning window: this refers to the ship window.
(4) There is a river of no return: as the river flows eastward, it will pass. Hidden attachment to leaving people. Zhu Lianxiu (date of birth and death unknown), whose name, serial number, native place and average date of birth are unknown, was an actress in the early Yuan Dynasty in China. Zaju is unique in today's world, with head, Hua Dan, mud and so on. Famous official scholars are quite important.