It doesn't belong to it ... It's just that the social status of Korean artists is really low compared with that of artists from other countries, especially Aidou, who is separated from the actor's identity by a wall, making it even harder for the unknown Aidou to live ... But after all, it is his own choice. The high-risk occupations have always been those first-line disaster relief and social service occupations, and artists don't deserve to use the word high-risk occupations.