The Four Kings of Hong Kong refer to the four most popular male singers in the 1990s: Jacky Cheung, Andy Lau, Lai Lai and Aaron Kwok (sorted in order of debut in the music industry, in no particular order).

The Four Heavenly Kings were named in 1992 and have since been widely recognized by the public. Their influence has rapidly spread throughout Greater China and Asia, becoming popular in the 1990s.

The craze of the "Four Heavenly Kings" in the 1990s was not limited to Hong Kong. The influence of the four people quickly spread to mainland China, Taiwan, and the entire Southeast Asia. Hong Kong's entertainment industry's mature packaging mechanism, unique star-making methods, and advanced entertainment media have made everyone bow to the power of the four. The success of the hype concept of the Four Heavenly Kings has made Hong Kong's entertainment forces, each of which is on its own, stand out. Uniting under the general direction has greatly enhanced the competitiveness and influence of Hong Kong's entertainment industry, occupying the market at an unimaginable speed. For mainland audiences, all-round artists in movies, TV shows, songs, and image-conscious Hong Kong entertainment packaging are too powerful. People have never thought that singers can be positioned and produced in this way, and their works accurately target the audience, and their team With all the outstanding talents in Hong Kong gathered together, no one can resist their charm.

Because of the Four Heavenly Kings, the first batch of true star-chasers were born in mainland China, and fans began to make many fanatical actions for their idols. A variety of celebrity peripheral products began to appear on the market and sold like hotcakes. The records, tapes, posters, stickers, and cards of the Four Kings were all snapped up, and their clothes, hairstyles, and voices were imitated by countless people. , for the first time, people in the mainland felt the powerful impact of Hong Kong and Taiwan pop culture on their lives.

It was the best of times and the worst of times. The Four Heavenly Kings created the most brilliant popular elements in the history of Hong Kong entertainment. They were products of an era. The emergence of the "Four Heavenly Kings" created a The monopoly of the music scene has also restricted the diversified development of Hong Kong's entertainment industry, but it is undeniable that this monopoly is also a symbol of the golden age of Hong Kong's entertainment industry. The "Four Kings" have pushed Hong Kong's entertainment industry to its peak. peak.