The comedy of emotional drama seems a bit neither fish nor fowl.

In the second act, the comedy of Song Hao and Pan Xiaoshuang's emotional drama doesn't match the overall style of the film, which is abrupt and fragmented. Compared with the calm and dark repression in the first and third acts, it seems to be detached and abrupt, which dispels the atmosphere of the film itself and makes the original serious film a bit neither fish nor fowl.

However, no matter the reality of the story and the accurate presentation of the actors, or the out-of-control and changed theme of life, any cross-section can be discussed and studied. In the final analysis, Calm Down is still a Chinese film with unique temperament.

film evaluation

in the second act, the comedy of the protagonist Song Hao and Pan Xiaoshuang's emotional drama doesn't match the overall style of the film, which is both abrupt and fragmented. Compared with the calm and dark repression in the first and third acts, it seems to be detached and abrupt, which dispels the atmosphere of the film itself.

It makes a serious movie a bit neither fish nor fowl. However, no matter the reality of the story and the accurate presentation of the actors, to the out-of-control and changed theme of life, any cross-section can be used for discussion and research. In the final analysis, Calm Down is still a Chinese film with unique temperament.