The original text is as follows:

The cigarette fell in love with the finger, but the finger gave the cigarette to the lips.

The cigarette kissed the lips, but the heart gave it to the lungs.

The dragon thought he got the cigarette's heart, but he didn't know he hurt himself! ?

Is it the betrayal of fingers that makes the smoke sad, or the greed of lips that makes the lungs sad?

Life is like smoke, the years are seamless, smoke is affectionate, but it burns itself to nothing!

Creative characteristics

Mo Yan attached great importance to the ontological meaning of literature. Experience is the biggest feature of his rural writing, which benefits from his 20-year rural life. He lived with this unrestrained rural society, and its charm and pain have penetrated into the writer's bone marrow and become a unique experience. The existence of this belonging is different from the rural areas rationally cut by intellectuals earlier, in order to show their feelings of worrying about the country and the people and their ambition to help the world;

It is also different from urban writers' experience of rural life. Generally, they only see the superficial views of rural society and draw some extreme conclusions. On the contrary, it is a kind of profundity from the outside to the inside. He can find that the countryside not only has the hard work of planting land, but also has the joy of harvesting; There are both well-known numbness and ignorance, as well as unknown sincerity and purity.

In this regard, Mo Yan also made no secret of his identity as a peasant writer. He thinks this is the restriction of his hometown. Because he was born and raised in Sri Lanka, the lifestyle, customs and characters of his hometown were printed into the writer's consciousness, which cultivated his unique way and angle of understanding the world. Therefore, when he meets a suitable urging creature in his creation, he will easily have an instinctive reaction and make corresponding emotional guidance.