All ferrante's works lack a sense of humor. None of her works will make you laugh, unless it is a dark and disturbing smile. "Books will not change your life," ferrante told the Financial Times in September 20 14. "If they are good enough, they may bring you harm and confusion at most."

Looking at her works will also have this cumulative effect. All her novels will be horribly washed to the abyss. Like many people, I started reading ferrante very late. This year, reading her works for the first time is almost a revelation.

Is it possible that during the years when silvio berlusconi ruled Italy-Italy was full of advertising girls and underage girls, Italy was full of reality shows and plastic surgery, Italy had the lowest female employment rate in Europe, Italy was stagnant in economy and culture, and Italy was generally numb and resistant to change?

Many left-wing intellectuals live in their comfortable and inherited apartments, and absently explore why Italy in anna magnani has become Ruby's heart thief-is it possible that this country has a clear and terrible voice from beginning to end, which runs through those historical moments, and at the same time surpasses it, telling all the contradictions and strengths of Italian women? Is it possible that she will always be here as long as we turn off the TV and listen?

At the end of Go and Stay, the time of the novel is 1976. We want to know what will happen to Elena, who has become a successful writer and a mother of two children. She gradually alienated her insensitive husband, only to find herself madly in love with Nino Saratore, the boy who grew up in the same block with her and has become an intellectual. Nino was also married in four movies.