Pimabian: It is composed of irregular and soft striped ink lines. Use the pen flexibly, and pay attention to the rich changes of shade and dryness when wiping. The long line is called long hemp, and the short line is called short hemp. This painting method is often used to represent earth mountains or loose rocks.
Yun Toucun: The pen bends and twists, embracing the center. For example, it is called Yun Toucun because it is called "the Qifeng of Xia Yun". This imitation originated from Guo, a landscape painter in the Northern Song Dynasty. His mountains and rivers are looming, and the peaks are changing. He "walks alone for a while".
Raindrops; Also known as watercress shawl, it is a kind of long-dotted short brush strokes, often drawn from the center with wings. It can show the vitality and thickness of rocks. The successful application of raindrops in the history of painting is Fan Kuan in the Northern Song Dynasty. His wrinkle removal method is called "gun and pen", and his landscape has a unique style of "vigorous and magnificent".
Lotus leaf rolling pen character: the rolling pen character bends downward from the peak, which looks like the vein of lotus leaf, hence the name. Used to represent hard rock peaks. After natural erosion, deep cracks appear in the rocks. When you look at the lotus and lotus seed peaks in Huangshan from a distance, you can see the effect of stealing leaves in nature.
Folding belt: use the pen in front of the side to walk to the right, then turn horizontally, turn left and reversible forward, and then turn down. The ink line drawn is named after this, such as "folding belt". This method is used to express the structure of calcite and water-bearing rocks. Ni Yunlin, one of the "Four Masters of Yuan Dynasty", likes to paint with a tortuous pen and a "thirsty pen" (pen with little water), which is full of beauty and artistic charm. Jie Suocun
Mi Dian Group: The use of horizontal dots filled with ink, densely dotted mountains, splashed ink, broken ink, and ink-collecting wells can best show the changes of the mountains and rivers in the south of the Yangtze River and the confusion of the smoke trees after the rain in the early morning. Mifei's dot shape is big and wide, which is called the rice dot, while Mi Youren's dot shape is slightly smaller, which is called the millet dot.
Ink block: To draw a large piece of ink, you must spread out the pen and brush, focus on the root of the pen, put your hand on the edge of the rock or bush, and then advance wave after wave, accumulate more points and form a block. Write fast, such as a flurry, go hand in hand, bend with the trend, and don't be stiff. The edges of ink marks should be hairy to decorate other things, such as rocks and trees, and less traces should be exposed. Even if you don't draw anything else, the edges will clear away and make the clouds steam and glow. Niu Maocun: one of the traditional techniques of China's landscape painting. In Yuan Dynasty, Wang Meng was changed from "Horse" and "Jie Suocun", and this method was named because of its fine thickness. This method focuses on the lush mountains and rivers in the south of the Yangtze River and the gloomy scenery. Among them, Hidden Pictures in Summer Mountain, Hidden Pictures in Clear Border and Shan Jutu in Summer are all typical works of Wang Meng's painting method, and Lushan Mountain High by Shen Zhou in Ming Dynasty is also a representative work of this kind of painting method. The Eighth National Congress of the Qing Dynasty had a great understanding of Niu Maocun's acupuncture method. The characteristics of this method are: the pen is slender and fluttering, woven layer by layer, superimposed repeatedly, mixed but not chaotic, dense but not stuffy, and there are rules in chaos; Use thick ink and light ink when using ink, and finally refresh yourself with Jiao Mo; Its point method is the most distinctive, bald pen is scattered, and some moss spots are swept out with a pen or pointed out with a pen belly. When using Niu Maocun, it is forbidden to scribble, and the ink color is monotonous.
Horse; One of China's traditional landscape painting techniques. The so-called "horse tooth" is like pulling out a horse tooth, and the muscles and feet are exposed. The horse's teeth are pressed by the edge pen again, kicked horizontally and pressed in place, and the bald place is like the tooth head; I kicked my pen and it broke like a tooth. The outline and joints are blurred, and it is wonderful to follow the outline. If you draw the outline first, you will become rigid. Ma Yuan in the Northern Song Dynasty and Huang Zijiu in the Yuan Dynasty both used this method.
The first line: the pen in the center is round and angular, with picturesque bluegrass, thick and concave lines, and the point method is like "one" or "mixed point"
Unlock the pen: emphasize the ups and downs of the pen, the appropriate shade of ink and the scattered lines. Because Pima's pen is longer than Pima's, it bends tightly, like a untied rope, hence the name Jie Suocun.
Sesame cake: It looks like a sesame seed, so it is named after it looks like a descendant. It is suitable for displaying rugged points of huge rocks and peaks. The pen is thinner and has the change of interspersed density, such as raindrops. This method did not become the master of a family, which can be found in landscape paintings in the Tang Dynasty. Occasionally seen in craft paintings.
Loose: This method requires the painter to fully observe and understand the scenery, respect the objective images and the painter's own real feelings, grasp the shape, spirit and potential of the scenery, make full use of the image memory, give full play to the characteristics of pen and ink, and boldly drop ink. After the pen falls off the paper, it is constantly adjusted according to the needs of modeling and the law of pen and ink organization, and according to the actual effect of pen and ink appearing on the screen. When you put pen to paper, you should be firm, orderly and orderly, control the rhythm of pen and ink, regenerate a part of the painting and spread it layer by layer, so that the scenery in the painting and pen and ink can be achieved in one go, and the atmosphere can be dredged and the charm is natural and vivid.
Alum head: that is, the head like alunite. Alum stone has many edges and corners and is square in shape. Every face is convex and straight. Each I-shaped thin line is inserted backwards, such as stacking alum piles. Center the pen, and the ink can be burnt or wet. Coke can be wiped and wet can be dyed. This method is often used in Liu Songnian.
Boneless: the painting method is rare lines, and common large ink blocks, like the ink used in lotus leaves. First, use a lot of pen and ink to make up for the details. Shi Tao also mentioned this technique in his quotations.
Skeleton: Just like human head and bones. Why is painting famous for its dead bones? I don't know how many stones look like Buddha heads, but if you call them Buddha heads, you will only see baldness, not like delicate teeth and bony bones. The ancients covered them with deep space, and Li Sixun painted them every time. Pure hook, fine and thin, thin and powerful, dense and sparse, or like a faucet, or like a Buddha's head, left and right, eyes and nose, short and uneven, everywhere. The scale should be small, and when it is used for drawing, it must be lined with thin trees and curved sills.