In fact, before the textbook incident, we can see clues from some early interviews with Wu Yong. In an interview, he talked about himself and his environment. From this passage of Wu Yong, we can see his dissatisfaction and inferiority towards his civilization. In this interview, he euphemistically said that he sometimes reflected and felt that his genes were rough and bad.
He implicitly expressed his disdain and contempt for the existing environment in China, but also emphasized his admiration for capitalist countries, believing that there is still a big gap between us and civilized countries, and these gaps are beyond the reach of any money. It can be seen that he despises China people from the bottom of his heart and thinks that we are also inheriting a "bad gene".
Very admired by foreigners, a typical worship of foreign things and flattery of foreign countries. Therefore, in his cognition, he sneered at people and things in China, which led to these ugly characters in textbooks. In addition to deliberately ugly characters, there are some metaphors in illustrations that even adults can't see.
For example, the number N33K on this fighter plane, who would have thought to delve into the meaning behind this number? This serial number first represents the Japanese squadron, where N stands for water and K stands for the production company in western Sichuan, and the purpose of Wu Yong's ingenious tricks was also mentioned in an earlier interview.
The "initiator" of poisoning textbooks
Wu Yong was originally an ordinary worker of the China Youth Federation, but when 1998 opened up overseas markets, he got the cooperation order for children's publications of the Royal Ballet of UNICEF at once. This gold cooperation project instantly raised Wu Yong's status from an unknown third-rate painter to a well-known painter in China.
Perhaps Wu Yong's works were really loved by westerners, and later he became a consultant of UNICEF, which has been promoting the LGBT movement among young people in China. As we all know, LGBT is a very important card in the western ideological war, which can easily create division and suppress China from the perspective of human rights.