1. Beautiful poems about the countryside
Beautiful poems about the countryside 1. Beautiful poems about entering the countryside
"Drinking Part Five"
Tao Yuanming
The house is in a human environment, without the noise of cars and horses.
How can you do this? The mind is far away from itself.
Picking chrysanthemums under the eastern fence, you can see Nanshan leisurely.
The mountain air is getting better day by day, and the birds are flying back and forth.
There is a true meaning in this, but I have forgotten to explain it.
Translation: Build a house in a place where people gather, but there is no hustle and bustle of worldly traffic. You ask me how I can achieve such a state? (That's because my) heart is far away from the busy city, so naturally I feel that the place where I live is secluded. Picking chrysanthemums under the east fence, I accidentally saw Nanshan. (Nanshan Mountain in the evening) The mountain air is dense (yīn yūn), the sun sets in the west, the scenery is beautiful in the evening, and there are even birds flying back together. This contains the true meaning of living in seclusion. I want to say it, but I have forgotten how to express it in words.
2. Beautiful pastoral poems
Ancient poems describing pastoral scenery
1. The Qingchuan belt is long and thin, and the carriages and horses go leisurely. The water flows as intended, and the birds return at dusk. The deserted city is near the ancient ferry, and the setting sun fills the autumn mountains. After a long journey, he came back and went into seclusion.
2. The ruins of the motherland are here, and I want to visit the old country. Once a person changes, a thousand years will be empty. Mengzhu's sound is late, and the trees in Jingmen are in autumn color. The clouds linger, and I feel homesick in the distance.
3. Chiri, the mountains and rivers are beautiful, and the spring breeze is fragrant with flowers and plants. The mud melts and swallows fly, and the sand is warm and mandarin ducks sleep.
4. There are few people and things in the wild, and there are few martingales in the back streets. In the daytime, the leaves are covered with thorns, and the empty room is empty of dust. At that time, in the midst of the ruins, people were pulling weeds and coming and going. When we meet, there are no words, but the road is long. The days of mulberry and maize have been long, and the days of my soil have been broad. They are often afraid of frost and sleet, and they are scattered like grass.
5. The sweet-scented osmanthus falls when people are idle, the night is quiet and the spring mountains are empty. The moonrise scares the mountain birds, and they sing in the spring stream.
6. Sitting alone in the secluded bamboo, playing the piano and whistling loudly. People deep in the forest don't know that the bright moon comes to shine.
7. An old friend invited me to Tian’s house with chicken and millet. The green trees border the village, and the green mountains and hills slope outside. Open a pavilion to enjoy the scene, drink and talk about mulberry and hemp. When the Double Ninth Festival comes, there will be chrysanthemums.
3. Poems that describe the fresh and sweet farmland
1. Two quatrains (Du Fu) The country is beautiful in Chiri, and the flowers and plants are fragrant in the spring breeze.
The swallows fly when the mud melts, and the mandarin ducks sleep in the warm sand. 2. Zhuli Pavilion (Wang Wei) Sitting alone in the secluded bamboo, playing the piano and whistling loudly.
People in the deep forest don’t know that the bright moon comes to shine. 3. Passing by my old friend’s village (Meng Haoran) My old friend brought chicken and millet and invited me to Tian’s house.
Green trees border the village, and Qingshanguo slopes outside. Open a pavilion to enjoy the scene, drink and talk about mulberry and hemp.
On the Double Ninth Festival, I will still come to see chrysanthemums. 4. Residence in Wangchuan is presented to Pei Xiucaidi (Wang Wei). The cold mountains turn green and the autumn water gurgls.
Leaning on a stick outside the firewood door, listening to the evening cicadas in the wind. The sun is still setting over the ferry, and the lonely smoke is rising in the ruins.
On the summer day, I got drunk and sang wildly in front of the five willows. 5. Returning to the Garden and Living in the Fields Part 1 (Tao Yuanming) The birds in the pond are nostalgic for the old forest, and the fish in the pond are thinking about their old abyss.
Open up the wilderness in the south, stay humble and return to the countryside. The square house covers more than ten acres and has eight or nine thatched houses.
Elm and willow shade behind the starling tree, peach and plum trees in front of the hall. 6. Pastoral Yanhuai (Li Bai) Jia Yi was relegated in the third year, and his class was over ten thousand miles away.
How to lead a white calf and drink water from a clear stream. 7. Luchai (Wang Wei) There is no one in the empty mountain, but you can hear people's voices.
Returning to the deep forest, the light shines on the moss again. 8. Autumn in the Mountains (Wang Wei) After the new rain in the empty mountains, autumn comes late.
The bright moon shines among the pines, and the clear spring flows upstream from the rocks. The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.
Let the spring fragrance rest at will, and the kings and grandsons can stay. 9. April in the countryside (Wengjuan) The mountains are green and the rivers are white, and the rain is like smoke amid the sound of the rules.
There are few idle people in the countryside in April, so they are planting sericulture and planting fields. 10. Pastoral miscellany in four seasons (Fan Chengda) The plums are golden and the apricots are fat, and the wheat flowers, snow, and cauliflower are sparse.
No one passes the fence during the long day, only dragonflies and butterflies fly. 11. Visiting Shanxi Village (Lu You) Mo Xiao’s farmhouse is full of wax and wine, and in good years there are enough chickens and dolphins for visitors.
There is no way out in the mountains and rivers, and there is another village with dark flowers and bright flowers. 12. The pastoral scene in the mid-autumn rain (Geng Mao) The desert is heavy with dark clouds, and the rain is drooping.
The ancient road of Linyan is full of wasteland. When will the five crops be harvested? How many households in an isolated village will cook?
The turbulent flow flows through the garden, and the rotten leaves are covered with autumn branches. In the evening, there is new woodcutting and dampness, and in the morning, the old fishery moves away.
Last year's chrysanthemums are left in the spare time, and the flowers are growing on the east fence. 13. Xinyiwu (Wang Wei) Hibiscus flowers at the end of the wood, with red calyxes in the mountains.
There is no one in the stream, and they are opening and closing one after another. 14. The pastoral scene in Qi Shang (Wang Wei) Standing on the water in Qi, there are no mountains in the vast wilderness to the east.
The sun is hidden outside the mulberry tree, and the river is bright in the well. The shepherd boy went to look at the village, and the hound returned with him.
What's the matter with a quiet person? The thorns fly through the daylight. 15. Returning to Songshan (Wang Wei) The Qingchuan belt is long and thin, and the carriages and horses go leisurely.
The water flows as intended, and the birds return in the evening. The deserted city is near the ancient ferry, and the setting sun fills the autumn mountains.
After a long journey, Song Gao came back and retreated.
16. Cui Puyang’s brother Jizhong came to visit the mountains in front of him (we were also facing Weimen when we went to Shanxi) (Wang Wei) The autumn scenery was wonderful, and Kuang Jun was free on the pond.
Longing under the west forest, I know the mountain in front of my door. Thousands of miles across, the sky is dark, with several peaks emerging from the clouds.
17. Birdsong Stream (Wang Wei) The sweet-scented osmanthus falls when people are idle, the night is quiet and the spring mountains are empty. The moonrise scares the mountain birds, and they sing in the spring stream.
18. Zhongnan Mountain (Wang Wei) Taiyi is close to the capital of heaven, connecting mountains and sea. The white clouds look back and merge, and the green mist comes in to see nothing.
The peaks in the field change, and there are many valleys and clouds. If you want to stay somewhere, ask the woodcutter across the water.
19. Pastoral Works ① (Meng Haoran) Looking across the Golden Horse Gate, working hard on the woodcutter road. There are no friends in the countryside, and there are no relatives in the court.
Who can recommend Ganquan Fu to Yang Xiong? 20. Since Dasan, the bamboo-studded road in the deep forest winds for forty or fifty miles to Huangniu (Wang Wei). The dangerous path turns tens of thousands, and there will be three breaks within a few miles.
Turning around, I saw my disciples, hidden in the forest hills. The rain rustles on the pines, and the gurgling water flows on the rocks.
Quiet words in the deep stream, roaring high in the mountains. 21. Pastoral miscellaneous activities at four o'clock (Fan Chengda) Blackbirds throw themselves into the forest and there are few visitors, and the smoke from the front mountain reaches Chai Fei.
The little boy made a boat like a leaf and returned home alone. 22. Pastoral Work in Spring (Wang Wei) Spring doves are chirping in the house, and apricot blossoms are white beside the trees.
Holding an ax to cut down distant poplars, and hoeing spring veins. Returning swallows know the old nest, and old people see the new calendar.
When I came to the wine table, I was suddenly unable to control myself, and I felt melancholy as a traveler from afar. 23. Tianjia in Weichuan (Wang Wei) The slanting light shines on the village, and the cattle and sheep return to the back alley.
The old man in the wild misses the shepherd boy and leans on his stick to wait for the thorn tree. The pheasants are flying and the wheat seedlings are showing, and the silkworms are sleeping and the mulberry leaves are sparse.
Tian Fuhe is standing there hoeing, talking to each other. That is to say, this envy of leisure and relaxation fades away with sadness.
24. Xinqingye (Yisuowan) Wang Wei (Wang Wei) Xinqingye is vast. Extremely untainted.
Guomen faces the crossing. The village trees are connected to the mouth of the stream.
Outside Baishui Mingtian. After Bifeng comes out of the mountain.
There is no idle person in the farming month. The whole family is in trouble.
25. Pastoral Excitement in the Four Seasons (Fan Chengda) The mud mirror surface of the newly built field is flat, and every family is plowing rice while the frost is clear. There was light thunder in the laughter and singing, and the flails rang all night until dawn.
26. Qingxi (Wang Wei) When entering Huanghuachuan, I chase the water of Qingxi. There will be thousands of turns along the mountain, and the journey will be endless.
Noisy in the rocks, but quiet in the deep pines. The ripples are full of water chestnuts, and the clear water reflects the reeds.
My mind is already idle, and the clear river is so peaceful. Please stay on the rock, fishing will be over.
27. Return to the garden and live in the fields (Tao Yuanming) There are few people and things in the wild, and there are few martingales in the back streets. In the daytime, the leaves are covered with thorns, and the empty room is empty of dust.
At that time, in the midst of the ruins, people were pulling weeds and coming and going. When we meet, there are no words, but the road is long.
The days of mulberry and maize have been long, and the days of my soil have been broad. They are often afraid of frost and sleet, and they are scattered like grass.
28. Zhongnan Bieye (Wang Wei) He was quite good at Taoism in his middle age, and he came to Nanshan in his later years. The beauty comes and goes alone, and the success is empty and self-aware.
Walk to a water-poor place and sit down to watch the clouds rise. Occasionally, I visited Lin Sou, chatting and laughing for a long time.
29. Pastoral Excitement in Four Seasons (Fan Chengda) Farming in the fields during the day and planting hemp at night, the children of the village are responsible for their own affairs. The children and grandchildren are still working for farming and weaving, and they are also learning to grow melons near the mulberry tree.
30. Xinliang (Xuji) The fields are full of water, the rice leaves are in full bloom, and the sun shines through the trees and the smoke is low. The oriole also loves the new coolness, flying over the green mountains and singing in the shadows.
4. Ancient poems about pastoral scenery
Ancient poems about pastoral scenery
1. "Two Quatrains"
Du Fu of the Tang Dynasty< /p>
The rivers and mountains are beautiful in Chiri, and the spring breeze is fragrant with flowers and grass.
The swallows fly when the mud melts, and the mandarin ducks sleep in the warm sand.
2. "Zhuli Pavilion"
Wang Wei of the Tang Dynasty
Sitting alone in the secluded bamboo, playing the piano and whistling loudly.
People in the deep forest don’t know that the bright moon comes to shine.
3. "Passing Through an Old Friend's Village"
Meng Haoran of the Tang Dynasty
An old friend brought chicken and millet and invited me to Tian's house.
Green trees border the village, and Qingshanguo slopes outside.
Open a dining room and chat over wine.
On the Double Ninth Festival, I will still come to see chrysanthemums.
4. "Wangchuan Residence Presented to Pei Xiu Caidi"
Wang Wei of the Tang Dynasty
The cold mountains turn green, and the autumn water gurgls.
Leaning on a stick outside the firewood door, listening to the evening cicadas in the wind.
The sun is still setting over the ferry, and the lonely smoke is rising in the ruins.
On the summer day, I got drunk and sang wildly in front of the five willows.
5. "Returning to the Garden and Living in One of the Fields"
Tao Yuanming of the Song Dynasty
The birds in the pond are nostalgic for the old forest, and the fish in the pond are thinking about the old abyss.
Open up the wilderness in the south, stay humble and return to the countryside.
The square house covers an area of ??more than ten acres and has eight or nine thatched houses.
Elm and willow shade behind the starling tree, peach and plum trees in front of the hall.
6. "Pastoral Words"
Li Bai of the Tang Dynasty
In the third year of his exile, Jia Yi was promoted to a class leader of ten thousand li.
How to lead a white calf and drink water from a clear stream.
7. "Lu Chai"
Wang Wei of the Tang Dynasty
No one can be seen in the empty mountain, but the sound of people's voices can be heard.
Returning to the deep forest, the light shines on the moss again.
8. "Autumn Dwelling in the Mountains"
Wang Wei of the Tang Dynasty
After the new rain in the empty mountains, autumn comes late.
The bright moon shines among the pines, and the clear spring flows upstream from the rocks.
The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.
Let the spring fragrance rest at will, and the kings and grandsons can stay.
9. "April in the Countryside"
Weng Juan of the Song Dynasty
The mountains are green and the rivers are white, and the rain is like smoke in the sound of the rules.
There are few idle people in the countryside in April, so they are planting sericulture and planting fields.
10. "Pastoral Miscellany in Four Seasons"
Fan Chengda of the Song Dynasty
The plums are golden, the apricots are fat, the wheat flowers are sparse, and the white cauliflower flowers are sparse.
No one passes the fence during the long day, only dragonflies and butterflies fly.
5. Request ten ancient poems describing pastoral scenery
"Passing the Old Friend's Village" by Haoran: An old friend, with chickens and millet, invited me to Tian's house.
Green trees border the village, and Qingshanguo slopes outside. Open a pavilion to enjoy the scene, drink and talk about mulberry and hemp.
On the Double Ninth Festival, I will still come to see chrysanthemums. After the first couplet of the poem explains the cause of the incident, the last couplet describes the natural scenery the poet saw when he entered the village.
The poet seems to have picked up common rural scenery at his fingertips, but deep skill and careful tempering can be seen in the plainness. These two sentences not only accurately and vividly describe the dense green trees beside the village, but also the sloping green hills outside the village, presenting us with a fresh and bright mountain village landscape; "The word "Green Trees Surrounding the Mountain Village, with Green Mountains Sloping across the Village," also embodies the look of the village outside. It seems that the natural scenery and the people in the mountain village are harmonious and dependent on each other. It is full of strong sentiment, full of intimacy and appeal.
The neck couplet describes the scene of the host and guest talking freely after entering the house. If the mandrel couplet describes the general environment of the entire village, the neck couplet outlines the small environment of the old friend's farmhouse: outside is the threshing ground and vegetable garden, and indoors is the farmer's wine and food and farm talk. A strong farm flavor is fully revealed. .
The poet faced the typical farmhouse scenery outside the window and the sumptuous farmhouse meals in the house, and felt happy in his heart. In addition, the host and guest were acquainted with each other and had similar temperaments. They frequently toasted to each other and drank, and talked freely about mulberry and hemp. What was his state of mind? Enjoyable and warm. The last couplet tells about the appointment in the future, which is deeply emotional.
The human emotions, objects and scenes in the poem are all integrated into the sounds of nature. Secondly, the landscapes, vegetation, birds and flowers described by the poet are not isolated, but constitute a harmonious whole, forming a picture full of life consciousness.
Let’s take a look at Du Fu’s poem-as-painting work - "Quatrains": Chiri, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and grass. The mud melts and swallows fly, and the sand is warm and mandarin ducks sleep.
At the beginning of the poem, the poem starts from a broad perspective, describing the bright and beautiful spring scenery in the Huanhua River area under the bright sunshine in early spring. In the second sentence, the poet further uses the warm spring breeze, the first blooming flowers, and the lush grass to show the bright spring scenery.
In the third sentence, the poet chooses the most common and characteristic dynamic scenery in early spring to outline. Spring is warm and flowers are blooming, the mud is melting and the soil is moist. Swallows, which are returning from autumn to spring, are busy flying around, carrying mud in their mouths and building nests.
The fourth sentence outlines a static scene. The spring is melting, the sun is shining and the sand is warm. The mandarin ducks also want to enjoy the warmth of spring and sleep peacefully on the sandbank by the stream.
Judging from the description of the scenery, this sentence contrasts with the dynamic flying swallows in the third sentence. The alternation of movement and stillness makes each other interesting. In the third and fourth sentences, the detailed descriptions of the flying swallows and the sleeping mandarin ducks are combined with the broad and bright scenery in the first and second sentences to make the whole picture harmonious and unified, forming a brightly colored and prosperous picture. , a beautiful scene of early spring, which reflects the poet's temporary peace of mind after a long period of ups and downs and wandering. It is also the poet's expression of the vitality and prosperity of nature in early spring.
Furthermore, and more importantly, all the landscapes written by the poet serve to express the emotions of the characters in them. For example, Du Fu's short poem "Quatrain" on the scene: Quatrain Two orioles sing in the green willows, and a row of egrets ascends to the blue sky.
The window contains the snow of Qianqiu in Xiling, and the door is docked with a ship thousands of miles away from Dongwu. This is a short poem written by Du Fu after he learned that his old friend Yan Wu returned to Chengdu after the Anshi Rebellion was put down.
The first couplet of the poem is a set of antithetical sentences. There are many willows around the thatched cottage, and a pair of orioles are singing happily on the new green willow branches. It is a joyful scene, full of sound and color, forming a fresh and beautiful artistic conception.
"Two orioles sing in the green willows", the birds are in pairs, showing a lively and festive atmosphere. The second sentence writes about the egret flying freely in the blue sky.
These two sentences use four bright colors to form a gorgeous picture. There is also a description of the sound in the first sentence, which conveys a feeling of great joy.
The second couplet of the poem is also composed of antithetical sentences. The upper sentence is about overlooking the snowy mountains from the window. The snow on the ridge does not melt all year round, so it accumulates "thousands of years of snow", and the snow-capped mountains can only be clearly seen on a sunny day when the air is clear.
It is self-evident that the poet feels comfortable after seeing such a rare beauty. In the next sentence, when I look outside the door, I can see the boats moored on the riverside.
River boats are very common, but "thousand-mile boats" have a profound meaning. Because they come from "Soochow".
After years of war, water and land transportation were blocked by warfare, and ships generally could not sail thousands of miles. But after the war was calmed down and traffic was restored, he saw the ships from Soochow. How could the poet not be happy? These two sentences refer to the vastness of space and the length of time. The poet is in the thatched cottage, but he has been thinking about thousands of years, his vision is thousands of miles away, and his mind is so broad.
6. Poems describing pastoral areas
Yang Wanli, Lu You, Fan Chengda, and You Miao are all equally famous, collectively known as the "Four Great Masters of the Southern Song Dynasty". Plant the big seedlings.
The hat is a bag, a raincoat is a armor, and the rain wets the head to the blade. He asked him to rest for a while, bowed his head and didn't answer.
The roots of the seedlings are not firmly planted yet, and the geese and ducklings are taken care of. Compassion for Farmers Yang Wanli The rice clouds don’t turn yellow if it doesn’t rain, and the buckwheat flowers bloom early and get frosty.
I have already endured hunger to survive my remaining years, and I am even more worthy of the extra years. "Light Rain on the Sword Gate Road" by Lu You There are traces of dust and wine on your clothes, and you can't help but feel exhausted when you travel far away. Is this fit the poet? Xiao Yu rides a donkey into Jianmen.
"Visiting Shanxi Village" by Lu You Mo Xiao's farmhouse is full of wax and wine, and in good years there are enough chickens and dolphins for visitors. The mountains and rivers are full of doubts and there is no way, and the willows and flowers are dark and the flowers are bright in another village.
The flutes and drums follow the spring society, and the clothes and clothes are simple and ancient. From now on, if I am allowed to take advantage of the moonlight, I will knock on the door all the time and night with my stick.
Chao Zhongcuo Author: Fan Chengda Leisure and fitness are the key to life. Not to mention the good years.
After watching the autumn moon for ten minutes, there are even more yellow flowers planted during the Double Ninth Festival. Spend time with the scenery, brewing wine from the Wuban Society, and tea from the Shiding Mountain.
After eating red lotus rice, the Nong family will become a fairy family. Pastoral Miscellany at Four Seasons Author: Fan Chengda There are few blackbirds in the forest, and the smoke from the front mountain reaches Chai Fei.
The little boy made a boat like a leaf and returned home alone.
7. Poems describing pastoral scenery
Poetry in the mountains
1. Thousands of mountains are full of birds, and thousands of people are gone. (Liu Zongyuan: "Snow on the River")
2. As the sun sets over the mountains, the Yellow River flows into the sea. (Wang Zhihuan: "Climbing the Stork Tower")
3. Standing at the top of the mountain, you can see all the mountains at a glance. (Du Fu: "Looking at the Mountains")
4. The country is broken by mountains and rivers, and the city is full of spring vegetation. (Du Fu: "Spring Hope")
5. No one can be seen in the empty mountain, but the sound of people's voices can be heard. (Wang Wei: "Lu Chai")
6. The bright moon rises above the Tianshan Mountains, among the vast sea of ??clouds. (Li Bai: "Moon over Guanshan}")
7. I never get tired of seeing each other, only Jingting Mountain. (Li Bai: "Sitting Alone on Jingting Mountain")
8. Beans are planted at the foot of the southern mountain. The grass is thick and the bean seedlings are sparse. (Tao Yuanming: "Returning to the Garden and Living in the Fields")
9. The green mountains cannot cover it, and it will flow eastward after all. (Xin Qiji: "Bodhisattva Man? Book on the Ostomy Wall of Jiangxi"))
10. I don't know the true face of Mount Lu, just because I am in this mountain. (Su Shi: "Inscription on the Wall of the Western Forest")
Water in Poetry
1. The so-called beauty is on the side of the water. ("The Book of Songs? Jianjia")
2. How can the water be sluggish, but the mountains and islands are standing tall? (Cao Cao: 3. White hair floats on the green water, and red palms stir the clear waves. (Luo Binwang: "Ode to the Goose")
4. The Tianmen interrupts the opening of the Chu River, and the clear water flows eastward here. (Li Bai: "Ode to the Goose") Looking at Tianmen Mountain")))
5. There is no way out despite the mountains and rivers, and there is another village with dark flowers and bright flowers. (Lu You: "Visiting Shanxi Village")
6. The water in Peach Blossom Pond is a thousand feet deep, and it is not as deep as Wang Lun's love for me. (Li Bai: "Gift to Wang Lun")
7. The willows are green and the Qingjiang River is level, and I hear the singing on the Langjiang River. (Liu Yuxi: "Bamboo Branch Ci")
8. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. (Bai Juyi: "Remembering the South of the Yangtze River")
9. The spring is silent and cherishes the trickle, and the shade of the tree shines on the water, loving the clear and soft water. (Yang Wanli: "Little Pond")
10. A few peach blossoms outside the bamboo are a prophet of the warmth of the spring river. (Su Shi: "Inscribed on Huichong {Evening Scene on the Spring River)")
Lu Chai
No one can be seen in the empty mountain, but the sound of people's voices can be heard.
The shadow returns into the deep forest and shines again on the moss.
The Han River is adjacent to the river
Chu and Sai are connected to three Xiang provinces, and Jingmen is connected to nine factions.
The river flows beyond the sky and the earth, and the mountains are beautiful.
In the county town of Bucheonpo, waves ripple across the sky.
It’s a nice windy day in Xiangyang, but I’m left drunk with the mountain man.
This poem starts from a broad perspective and describes the magnificent mountains and rivers in Xiangyang area. It is majestic and has a vast artistic conception. The couplet "The rivers flow beyond the sky and the earth, and the mountains are in and out of them" has become a famous sentence through the ages.
Residence in the Mountains in Autumn
After the new rain in the empty mountains, the weather comes late in autumn.
The bright moon shines among the pines, and the clear spring flows upstream from the rocks.
The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.
Let the spring fragrance rest at will, and the kings and grandsons can stay.
This poem uses delicate brushstrokes to outline characteristic things such as moonlight, spring flow, bamboo noise, lotus movement, etc., presenting readers with a fresh, beautiful, beautiful and harmonious picture of the mountain scenery after the autumn rain. Wang Sun refers to the poet himself, who is using the poetic meaning of "The Songs of Chu: Recruiting Hermits" "When Wang Sun Xi returns, he cannot stay in the mountains for long", saying that the scenery of mountain dwellings is particularly impressive.
Zhongnan Mountain
Taiyi is close to the capital of heaven, stretching from the mountains to the sea.
The white clouds look back and merge, and the blue mist comes in to see nothing.
The peaks in the field change, and there are many valleys and clouds.
If you want to stay somewhere, ask the woodcutter across the water.
The poem aims to sing the magnificence of Zhongnan Mountain. The first couplet describes the distant view, using artistic exaggeration to express the height of the mountain. The chin couplet describes a close-up view, what you see in the mountains, and describes the changing clouds and deformation as you move, which is very pregnant. The neck couplet further describes the vastness of the mountain from north to south and the myriad shapes of thousands of rocks and ravines. The last couplet says that in order to go to the mountains to win the victory, I want to stay in a family in the mountains. The word "across the water" points out the author's "far-looking" position.
Passing Xiangji Temple
I didn’t know Xiangji Temple, but I entered Yunfeng several miles away.
The ancient trees are untraveled, and there are no bells in the mountains.
The spring is filled with dangerous rocks, and the sun is cold and green with green pine trees.
In the evening sky, the pond is filled with music, and Zen is used to control the poisonous dragon.
Xiangji Temple: Its original site is in the south of Chang'an County, Shaanxi Province. Poison-controlling dragon: a Buddhist metaphor for evil thoughts and delusions. See the "Nirvana Sutra": "But there is a poisonous dragon where I live. It wants to be violent and is afraid of harming it." There is not a word about the temple in the whole poem. What is written is the environment outside the temple, which shows the depth of the ancient temple.
The Wild View of Xinqing
The wilderness of Xinqing is vast, and there is no dirt as far as the eye can see.
Guomen faces the ferry, and the village trees connect to the mouth of the stream.
Beyond the white water fields, behind the green peaks coming out of the mountains.
There is no idle person in the farming month, and the family affairs are all over the southern acres.
This poem describes the countryside in early summer. It is sunny after the rain. The poet looks at the scenery he sees in the wilderness.
8. Poems about the fields
Passing the old friend’s village
Meng Haoran
The old friend has chickens and millet,
Invite me to Tian's house.
Green trees border the village,
Qingshanguo slopes outside.
Open the Xuan noodle garden,
Drink and talk about mulberry and hemp.
Wait until the Double Ninth Festival,
I will still have chrysanthemums.
Touring Shanxi Village
[Song Dynasty] Lu You
Mo Xiao, a farmer’s house, is full of wax and wine,
In good years, there are enough chickens and dolphins for visitors.
There is no way out despite the mountains and rivers.
There is another village with hidden flowers and bright flowers.
Qingpingle·Village
Author: Xin Qiji
The eaves are low,
The grass on the stream is green.
Wu Yin is very charming when she is drunk.
Whose old lady has white hair?
The eldest son is hoeing beans to the east of the creek,
The middle son is weaving a chicken coop;
The younger son likes scoundrels the most,
Lying at the head of the creek Peel the lotus pods.
Zhongnan Mountain Wang Wei
Taiyi is close to the capital of heaven, connecting mountains and sea.
The white clouds look back and merge, and the blue mist comes in to see nothing.
The peaks in the field change, and there are many valleys and clouds.
If you want to stay somewhere, ask the woodcutter across the water.
Zhongnan Biye Wang Wei
He was quite good at Taoism in his middle age, and in his later years he came to the southern border of Nanshan.
Happiness comes and beauty comes alone, and victory comes in vain.
Walk to a water-poor place and sit down to watch the clouds rise.
I happened to visit Lin Sou, and we chatted and laughed for a long time.
Qingxi Wang Wei
When entering Huanghuachuan, he chases the water of Qingxi.
There will be countless twists and turns along the mountain, and the journey will be endless.
Noisy in the rocks, but quiet in the deep pines.
The ripples are filled with water chestnuts, and the clear water reflects the reeds.
My mind is already idle, and the clear river is so peaceful.
Please stay on the rock, fishing will be over.