Blue and purple/text
I only talk about flowers all my life. I don't know who said that. The spirit of talking like this is very enviable, and I dare not have that kind of momentum. So there is still some ability to talk about flowers with a book, so from now on-a book only talks about flowers.
In fact, if a flower is put in a flowerpot, it is just a flower, but if she is written into a poem, then she will have a touching soul, making people see flowers more like seeing a poem.
The flowers in Tang poetry and Song poetry are full of extravagance.
Poems in Tang and Song Dynasties have such touching colors because of flowers.
When they write flowers, they also write themselves as flowers.
Therefore, some people say: "Tang poetry wins with rhyme, so it is elegant and beautiful, but ethereal;" Song poetry wins with meaning, so it is refined and capable, expensive and profound. The beauty of Tang poetry lies in its sentimental words, so it is rich; The beauty of Song poetry lies in its strength, so it is thin and energetic. Tang poetry, such as peony begonia, is full of flowers; Song poetry, like cold plum and autumn chrysanthemum, has the charm of Leng Xiang. Tang poetry is like a litchi, with a sweet mouth full of cheeks; Song poetry, such as eating olives, feels raw at first, but has a meaningful aftertaste ... "
Later, I found that every flower in this fancy Tang poetry and Song poetry is always related to a story. They actually write about people, and people exist poetically in a gorgeous state.
Therefore, when flowers are associated with these poets again, you will find that the world is bigger than a flower can tell you the truth of being a man.
I remember seeing Liu Zongyuan and Liu Yuxi's story about peach blossoms at that time, which was quite shocking. I can't stop all the way. When Liu Zongyuan died, I couldn't help crying. I stopped writing and cried quietly all afternoon. ...
When a flower, two people and two men made a writer on the sidelines cry, I knew I saw the most beautiful color in the world from the poet and the flower.
At that time, Liu Yuxi also accompanied people to see the jade pistil flower: "The jade girl came to see the jade pistil flower, and the strange fragrance led the seven fragrant cars first. Looking back when climbing branches to make snow, I am surprised that the world tends to tilt. Xue Ruiqiong is full of spring, and her clothes are light and dusty. Disciples asked each other under the curtain of Junping, and there was no one else to accompany them. "
Now, I also accompany you to see these flowers of Tang and Song Dynasties. I watched them all the way, with peace of mind and body, light clothes and step by step.
A philosopher said: when you didn't see this flower, it died with you; When you come to see this flower, the color of this flower will be understood for a while. I know, there are many stories here, which you may not have read together, but when I relate them in the book, I think the colors in them should be just like the philosophers said. ...
Everyone has his own interpretation of each kind of flower. Poets in the Tang and Song Dynasties interpreted their flowers with beautiful poems, and the flower songs collected in this article are the singers' interpretations. At the end of each article, I used some beautiful love aphorisms to interpret flowers. I always have something to say about flowers. ...
Peach blossom. Peach blossom is always the most colorful word in poetry. Reading poems about peach blossoms is always like seeing a crimson flower in a book.
The Book of Songs says: "Peach flies away, and its Ye Zhenzhen is also. The son of Yu Gui is suitable for his family. " It is said that the girl who is going to get married not only has a gorgeous face like a peach blossom, but also has a good connotation and character. This married girl must be very suitable for this family. So his family will be prosperous, because he married a good wife.
The image of peach blossom in the Book of Songs at that time was not as shallow as that of peach blossom dipped in water later. It has the glory of "peach blossom on the shore", but it secretly absorbs the depth of "peach blossom soaking in spring" and is used to live at home.
The depth of charm lies in this indifference of staying at home wholeheartedly. The beauty of beauty lies in that it takes some time to get the color of peach blossom. It's not a layer of rouge that hides the peach color.
Therefore, the beauty of peach blossom lies in Miri, Malaysia, Malaysia. Without rouge, it looks like rouge.
So peach blossom was once used to describe a woman, and that woman was truly beautiful.
Therefore, the peach blossom in Wong Kar-wai's "Time has passed" is a woman: "I come here every year to see peach blossoms, and later I learned that peach blossoms are a woman's name ..."
Let's go back to the Tang Dynasty and see a young man, Cui Hu, walking south on the street of Chang 'an, passing by a family and accidentally seeing a charming scenery-peach blossom and human face set each other off.
The next year, he went south again and saw the family again. The door is still open. He remembered the woman last year-"Today last year, in this door, people face peach blossoms." I tried my best to look in, but "I don't know where my face has gone, but the peach blossom is still smiling in the spring breeze."
In Chang 'an in the Tang Dynasty, every door that people opened slightly was like spring water overflowing. There has always been a poem, and there have always been stories in the poem, but some people want to say it but don't say it.
The poems left by Cui Hu let people know that he must have met a story, a story with a touch of melancholy. Before everything started, it was over, and the melancholy gradually disappeared in the endless ellipsis.
But then there was a boring Song poet or Yuan poet, definitely not from the Tang Dynasty-the Tang people only wrote romantic biographies-who insisted on writing about how he met a woman and how the woman saw the poems on his wall. She was so homesick that Cui Hu caught up with her, woke her up and got married. Most of the play was lost in the end, and nobody seemed to like it.
I hate it when someone tries to put a full stop to the most beautiful ellipsis in the world!
Peach blossoms always describe women.
It seems that only women can deserve peach blossoms.
but ...
However, when Liu Yuxi fell in love with peach blossom, it became the story of two men.
It has nothing to do with powder, only the elegant friendship on the peach blossom moon, the meeting like tea boiling peach blossom water and the acquaintance like mandarin fish blowing peach blossom waves.
Liu Yuxi likes peach blossoms very much, and the Gan Tang Pavilion for which he wrote poems is simply his peach garden:
……
Luoyang Road is in front of the door, and Taohua Road is in front of the door.
There are more than ten steps between dust and haze.
The scenery inside and outside the door, on the ground and in the sky can advance and retreat freely in just a dozen steps.
However, this kind of advance and retreat is reserved for peach blossoms. For Liu Yuxi, he is always involuntarily, so he can only be a flower watcher.
Liu Yuxi was always demoted for most of his life. After being demoted for the first time, he returned to Chang 'an. It has been ten years since he left Chang 'an, and the peach blossoms in Chang 'an are different from before.
On that day, he invited his friend Liu Zongyuan to Du Xuan to see peach blossoms.
Liu Zongyuan was demoted with him ten years ago and was recalled to Chang 'an with him ten years later. They are mandarin fish and peach blossom waves.
After you come back, Liu Yuxi wrote a poem "Give a play to see flowers for a gentleman":
On the main road of the city, pedestrians are constantly flowing, and the dust is blowing on their faces. People say that they have just seen flowers coming back from Xuandu.
There are thousands of peach trees in the Xuanmiao Temple, all of which were planted after I was exiled to Beijing.
Some people were very unhappy when they saw this poem, so they told the emperor that Liu Yuxi was "not suitable for the DPRK because of evil spirits."
So Liu Yuxi was demoted to Bozhou, which is farther and more bitter, which is now Zunyi area. Liu Zongyuan was also demoted to Liuzhou.
Liu Zongyuan learned that he was demoted to Liuzhou and Liu Yuxi was demoted to Bozhou, and he could not help but burst into tears. ...
He cried not because he was demoted again, but because: "I can't bear to dream of poverty, and I have nothing to say to my parents, let alone my mother and son." Liu Yuxi should take good care of his mother.
Therefore, Liu Zongyuan asked the court for instructions, hoping to exchange with Liu Yuxi: "I am willing to sow with Liu Yi. Although I am guilty of a terrible crime, I will never hate it." Finally, someone helped to speak, and Liu Yuxi was relegated to Lianzhou.
Liu Zongyuan is one year younger than Liu Yuxi, but he is so brave to forgive me.
This matter was mentioned when Han Yu wrote Liu Zongyuan's Epitaph of Liu Zihou.
Liu Zongyuan and Liu Yuxi are lovers of peach blossom and spring breeze.
Therefore, Liu Zongyuan is Liu Yuxi's peach blossom.
They left Chang 'an together and sent them to Hengyang. As soon as Hengyang left, Liu Yuxi crossed Wuling, went south to Lianzhou, and Liu Zongyuan went up the Xiangjiang River to Liuzhou.
From then on, Liu Zongyuan and Liu Yuxi could only look out of the window to chat and send lovesickness by letter-only then did they understand that many lovesickness poems in Tang poetry and Song poetry were written by men to men. And the emotional appeal of acacia is as graceful as love.
After Liu Zongyuan arrived in Liuzhou, his health deteriorated day by day. He wrote a will before he died and asked his servant to give the manuscript to Liu Yuxi after his death. The letter said: "unfortunately, I hanged myself and died, leaving grass and hating my old friends."
Liu Zongyuan died in 8 19.
At this time, Liu Yuxi was holding his mother's coffin on his way to Hengyang. When he learned that Liu Zongyuan had passed away ... writing here, I shed tears for rachel and wrote two men, which made me feel so embarrassed. My heart hurts. How much should rachel's heart hurt? His peach blossom is gone.
Later, Liu Yuxi wrote to Han Yu, asking Han Yu to write an epitaph for Liu Zongyuan, and to record the change of Liuzhou into a broadcasting state on the stone tablet. Later, Liu Yuxi spent his whole life sorting out Liu Zongyuan's posthumous works and trying his best to raise publishing funds before he was published.