1. What did the ancient queen look like? Photo: In China's ancient books, when it comes to the appearance of the emperor, there will be some descriptions: the sun is shining and the face is good; The watch of the sun, the posture of the dragon wind; Walk with one's head held high; Dzi Mu Feng; Odd bones penetrate the top; Finally, there is a "majestic posture" to make a general summary. In short, the emergence of the emperor lies in highlighting two words: a "strange" word and a "male" word. The so-called "singularity" is different from ordinary people, such as Liu Bei's ears hanging over his shoulders and his hands over his knees, which is regarded as singularity; Liu bang was born with 72 red moles, which is also a strange sign. However, these strange phenomena can not be said to be the product of emperors. Although both Liu Bei and Liu Bang are called emperors, from the perspective of physiognomy, we can't be emperors just because of these characteristics. From the perspective of physiognomy, there are some strange phases that really match the identity of the emperor: 1. Double pupil and mixed pupil: the legend of Shun Di. That is, there are two pupils in the eye. According to the book, the heavy pupil is extremely expensive, and the Lord Saint Deloitte can be a wise SHEN WOO, a product of the emperor. The combined primary school students are also extremely expensive, and the main ones are brave, hardworking and arrogant. He is a tyrant (using the title of emperor). Both the double pupil and the closed pupil are two pupils, but the double pupil is up and down and closed. Generally speaking, it is a miracle of heaven and earth, and it is difficult to produce one person in a thousand years. Due to the lack of empirical evidence and different viewpoints of modern anatomy, some scholars who oppose traditional physiognomy simply say that double pupils and combined pupils are only patients with early cataract. This method of refuting traditional physiognomy is really concise and capable, and it seems very scientific! Ha ha. 2. The sun angle is long and accurate, which is the phase of the emperor. > It says: "Gaozu is a man with a long face and beard, with 72 sons left." It says that Liu Banggu had seventy-two red moles, which is one of the wonders. However, this strange symbol is difficult to match the respect of the emperor. What really matches his status as the founding emperor is his "Sun Horn Dragon Zhun" sign. > Well, when Liu Bang was the director of the pavilion in Surabaya, the physiognomist saw Liu Bang's appearance and said, "I like couples, and there are many couples. There is no such thing as season. I would like to love myself in the season and take a broom as my concubine. " Lv Gong's actions aroused his wife's opposition. She said: "I tried to be curious about the match between this woman and a noble person. Why should I set up Liu Ji today? " "And Lv Gong insisted that Liu Bang will be developed in the future, and it is a" noble "level. A noble man was called the son of heaven, so he stopped his wife in one sentence: "this is not known to women!" ".Lv Gong's words undoubtedly enhanced Liu Bang's ambition. Lv Gong's daughter was named Lv Zhi, later Lv Hou. After Lv Zhi married Liu Bang, she first gave birth to a son and a daughter for a peasant woman. Once, an old father, exhausted in the field, asked Mrs. Lu, who was working in the field, for water. After Mrs. Lu gave him a drink, the old father looked at his face and said, "Madam. This woman is also expensive. Liu Bang came to Tanaka after her father left. Hearing this, she caught up with the old man. The old man said, "My wife and son love each other." Liu Bang thanked me again and again and said, "The city is like a father, I dare not forget my virtue." These two face-reading activities gave Liu Bang great psychological confidence, and also increased Lu Zhi's ambition in the world. So, what does Liu Bang look like? Of course, it is not the 72 red moles on his thigh, because it is invisible. Moreover, it is not enough to dominate the world. What can make him look "expensive" can only be "Long Yan", the so-called "Long Yan" is the product of emperors. The dragon's face refers to a rich nose, a fat nose and a straight nose, preferably up to Tang Yin, and there is no depression between the eyes. Let's see > Look at the Dragon King. Their foreheads are all square, not round, and there is a raised bone on their foreheads called ulna. It is said that dragons can only call the wind and rain when they grow to the ulna, and they can hide and hide. Foreheads are mostly round, not square, but expensive. The founding emperor was the so-called "real dragon emperor", so he was naturally different from ordinary people. In addition, there is a square protruding bone in heaven. It is like the skull of the dragon king, called Fuxi bone or Sun Angle. The bigger the bone, the more expensive it is, followed by the round shape. This is the so-called "sun horn and dragon face", which is the product of the emperor. Many founding emperors were like this. Liu Bang is like this, and so is Liu Xiu, Guangwu Emperor. According to historical records, Emperor Guangwu of Han Dynasty was seven feet three inches long. In the five cultural aspects of Lv Hou's portrait, men belong to Yang, women belong to Yin, men belong to Dragon, and women belong to Wind, and the real dragon emperor is compared to a leader. Then, compare the queen of the mother musical instrument industry to the style. Phoenix has a small head, a rockhopper on its head, a long neck, slender eyes, upturned eyes and real light inside. If it looks like this, it will become a "limelight" and it will be extremely expensive. There should also be a bone on the forehead that looks like the sun horn, symbolizing the rockhopper. But on a woman's head, it is not called "the angle of the sun" but "the angle of the moon". In ancient times, it was said that empresses had "the corner of the sun and the phase of the moon", which was what they meant. The most important thing for the queen is to have an eye for the wind. The so-called eye is slender and the corner of the eye is small. The whole eye is shaped like the body of a phoenix. This kind of eye of the dzi beads grows on the face of melon seeds, supported by the wind neck, and the slender and delicate eyebrows stand upright slightly, which is natural and majestic. So the book says that a woman's protagonist must be worthy of a king. So is Lv Hou! This kind of woman is ambitious, dignified, enterprising and talented, but she is also vicious at heart. Judging from her determination to kill Han Xin and the cruelty of persecuting Mrs Qi, it is vicious, just like her talent, it will go down in history.

2. Who painted the portrait of the Queen of Song Dynasty? A large part of it was restored in the Qing Dynasty according to the past. Ancient painters were still very strict and could basically show the demeanor of emperors. In the Qing Dynasty, when Emperor Qianlong reviewed the paintings in the library, he found that the portraits were mottled and fell off, so he ordered the Ministry of Industry to re-mount the statues of emperors' queens, sages and famous ministers and hide them in Nanxun Hall. Therefore, these images are called "Nanxun Hall Images".

The image of the Queen of Song Dynasty is relatively complete in the statue of Nanxun Hall now hidden in the National Palace Museum in Taipei. The statue of Empress Dowager Cixi in Song Dynasty began from Xuanzu to Duzong.

These portraits are rarely mentioned in the history of figure painting in China. Perhaps in the eyes of some literati painters, it is too thin to be heavy. However, because the works of famous portrait painters in the Song Dynasty are rare today, The Queen of the Song Dynasty has become an important material for discussing portrait painting in the Song Dynasty.

The size, composition, painting, posture, expression and dress of the characters in the image of the queen of Nanxun Temple in Song Dynasty all reflect a certain paradigm. As far as clothing is concerned, emperors wear red royal robes and long-winged official hats, which are simple and generous.

Empresses are all luxuriously dressed and wearing Kowloon crowns. From the aesthetic point of view, the image of the emperor tends to be simple, while the image of the queen tends to be gorgeous. This contrast is also obvious in their seats.

The portrait not only shows us the personality characteristics of the Queen of the Song Dynasty, but also depicts more than 20 sets of furniture (chairs and tripods), revealing some characteristics of the royal furniture of the Song Dynasty. The chairs in the painting are divided into three categories: thrones (large and gorgeous armchairs), more gorgeous armchairs and simpler armchairs.

Xuanzu, Taizu, Zhenzong and Yingzong are thrones, while Xuanzu, Renzong, Gaozong, Xiaozong, Guangzong, Ningzong, Li Zong and Du Zong have more gorgeous chairs, while Zhenzong, Renzong, Yingzong, Zongshen, Zongshen, Hui Zong and Qinzong. It is worth noting that the seat of Song Huizong Evonne, the most dissolute and luxurious emperor in Song Dynasty, still looks simple even in the latter type.

Hui Zong's chair was developed on the basis of his father (Zongshen) and his brother (Zhezong). It has a head and a tail, and the semi-circular end is designed into three circular moire patterns. The two ends of the lower teeth of the chair drawer are also decorated with moire patterns. The tripod is a four-column tripod structure, and both sides and front and back are decorated with hollowed-out ganoderma lucidum patterns.

The chair and tripod are painted red, which is in harmony with Zhao's robe. In addition, all four legs of Hui Zong chair have lateral legs, especially the inclination of the two hind legs is slightly exaggerated.

Judging from the painter's modeling ability, it is unlikely that the illusion caused by the improper use of perspective by the painter is the actual situation. This kind of chair with inconsistent front and back feet and side feet needs further study, because even in Ming and Qing furniture, such examples are rare, and this unique design is not unrelated to the aesthetics of the painter emperor with extraordinary artistic accomplishment.

3. The situation of famous queens in history, and the top ten sages in the history of China.

1, Dou Yi, from a humble maid to the queen of Emperor Wen of Han Dynasty, experienced the "rule of Wenjing". As the mother of Emperor Jing of Han Dynasty and the grandmother of Emperor Wu of Han Dynasty, she enjoyed a long life. She is known as Dou Taihou in history and is one of the luckiest women in history.

Yin Lihua is the second queen of Liu Xiu, the founding emperor of the Eastern Han Dynasty, after Guan Zhong. Ai Yin's family. But he listened to Yin's advice, first established the Guo family, and finally abolished the Guo family who also suffered from * * * and helped the Yin family become a queen.

3. Dugu, Sui Wendi After the founding of the People's Republic of China, Sui Wendi was named the Queen of Literature. He often discussed current politics with Emperor Wen, calling him "two saints".

Queen Dou and her five children, Li, Li Yuanji, Li and Princess Pingyang, were the founders of the Tang Dynasty.

5. Empress Grandson, a descendant of Tuoba family in Northern Wei Dynasty, is the empress of Li Shimin, a famous saint in history. She is thrifty by nature, and understands the important principles. Emperor Taizong's creation of Li Tang Jiangshan and "Zhenguan Rule" could not be separated from the virtue of his eldest grandson.

6. Guo Guifei's family in Chun-Li, Tang Xianzong. Guo Ziyi's granddaughter, the most influential queen in the middle and late Tang Dynasty.

7. Meng is the queen, virtuous and gentle.

8. Kyle Poirot gave birth to four sons for Temujin, Shu Chi, Chahetai and Wokuotai Tuo Lei. All of them are brave warriors, who have become Genghis Khan's right-hand man in all directions and played a key role in the rise of the Mongolian Empire.

9. Ma Huanghou, known as Ma Dajiao in history, was the queen of Zhu Yuanzhang, the Ming emperor.

10, Xu, the daughter of Queen Xu of Ming Dynasty, was buried in Changling in front of the First Mausoleum of the Ming Tombs.

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