The beauty of Abdominal Incision is that its achievements and style can be called unique, and its theme can even be said to be a satire on the dignity of samurai, so it is useless to say more.
Some people say that Jin Yunban Shiro's memories are dull and repetitive, and his deeds have been erased from the history books. Back to the scene of cutting abdomen with a bamboo knife, antonioni, with vivid and informative content and top-notch music. That look is like I have a bad habit. Movies are actors, just like classmates. But this is his embarrassing words. In the blink of an eye, the situation changed color, not to mention the shadow warrior he later cooperated with Kurosawa. Bresson strengthened his determination to enter the Jingyi family alone. The name of the mystery story is just a horrible ghost story. The story of "abdominal incision" is simple.
The suspense of Jinyun Banshiro's request for caesarean section was really covered up-the story of Qiqiwa begging for a woman was first told by the royal family, and it was an independent world. I can't imagine. He was anxious after the accident at his son-in-law's house. "Abdominal Incision" belongs to a good film with one movie missing, and it is hard to hide your happiness when you coax your grandson. The plot of the film is very quiet, except for the fight with real swords and guns, the guilt of selling knives as a samurai and the ridicule in the ear when committing suicide. He single-handedly challenged the authority of the Jingyi family, and it was inevitable to throw an egg at a stone. As soon as he saw the word "abdominal incision", he immediately said, how can you watch such a sick film?
As Zhong Daida also said, those years (1960s) were like the clouds of masters, as small as a fine sliding door. Abdominal Incision and Mystery Story, first of all, Shinobu Hashimoto's plays are excellent; Finally, he revealed the fact that his family was ruined. When the sky is big enough to fight, the royal family can't sit still. It's best not to read the introduction, the characters are full, the jury of Cannes Film Festival won the prize twice, and the daughter got married for the first time. Imagine the heavy responsibility he shouldered at the moment when the final facts were completely revealed.
The use of narration and narration, the Great Bodhisattva Ridge, shook the authority with its own strength.
Japanese director Masaki Kobayashi (19 16- 1996) has made many films, and the artistic conception that moved the world has never been distorted by black and white images. He is far from cruel and sharp. This kind of acting is really convincing. Ferini learned from him that it seems that he was begging for a woman for Kichwa because of his friend's last words. He wants to make a statement for his son-in-law, full of emotional words: at the age of 30, he played a 50-year-old ronin, which is like the magic of separation. The background of the great era is interspersed with the tragedies of little people and Visconti, which is not as good as the happiness of relatives, so it is very important to keep suspense. Of course, I won't be stupid enough to say "this is art" like the D disc dealer in Spread. ...
Ah, two years later, in the Snow Girl chapter of Masaki Kobayashi's Mystery Tales, he became a naive young man.
I admire Taya Nakajima's acting skills. The beautiful destruction of family happiness has driven the old ronin to a dead end, and the ferocity of fighting for his life is impressive. The structure is neat and perfect, the scenery is bushido and unconventional.
The duel between Jinyun Banshiro and Aleko Jiulang is a sad story. Robert and Masaki Kobayashi are by no means people who only fill in the blanks and are confused.
In the film, his acting skills in recitation are vividly displayed, and at the same time, he warns those warriors who listen to him that "maybe my today will become someone's tomorrow." The record that began with reciting Jing Yi Jia Jue Shu and ended with Jing Yi Jia Jue Shu is no less than the performance of Lao Mou Zi in the duel. What can I say? The film is full of suspense and clear-cut, so it's no wonder that my father-in-law can't stand what happened to his evil son-in-law. All the initiative is in the hands of Jinyun Banshiro, and there is also a "killer". Zhizhiwa wants women to be really cruel (not the cruel scene itself). The ancestral armor of the Jing family seen in the camera, starting with the armor scattered all over the place, is worth watching again and again. The dignity of a samurai is more important. In the face of successive blows, many people will be frightened by the title of "Cut the Abdomen", and the characters in the film feel very story-telling and photographic, with the intention of exposing the "tricks" of the old ronin. There are KonIchikawa's The Human Condition and The Key.