The film mainly tells the story that the suspect of jewelry robbery fled by car, while three men and two women with different personalities in the car had their own worries and traveled frequently. A hitchhiker, composed of a thief (Zhao Yifan), an ex-convict (fortitude), an orphan (Zhao Zitong), a gold digger (Bai Yao) and a macho policeman (the rest), leaves for Yunnan. Lu Yu has countless wonders and disasters. The whole film city by the sea has ups and downs, and the ending is both unexpected and reasonable. The following three points should not be missed:
Aspect 1: suspense and excitement, the truth is unexpected.
As a suspense road comedy, the main line in the film runs through the beginning, the content is interlocking, and the five wonderful "suspects" have different personalities. Among them, thieves, ex-criminals, money worshippers, orphans and "policemen" are cleverly designed. Each character seems to have nothing to do with the jewelry robbery, but in fact there are many doubts. During the journey, several people have their own ghosts. Who is the real robber? At the end of the film, the audience shouted "Don't play cards according to the routine".
Aspect 2: Perspective on the Big Feelings of Little People Based on Social Hotspots
The style of Shun Crazy Car is different from the previous literary road movies. On the basis of this theme, we should integrate into social hot topics and look at social phenomena from the perspective of small people. Chen Xiaoxi, the director of the film, has been committed to public welfare, and has been scrutinizing the material, shooting techniques and ideas of the film layer by layer, striving for perfection. The main creative team is also striving for perfection in the production process, which not only digs deep into the theme, reflects social phenomena, but also shows great feelings such as fairness and justice through the perspective of small people.
Aspect 3: The filming technique is excellent, and the creative team strives for innovation.
As a road comedy, "Riding Crazy Car" has strict requirements for framing and even more difficult shooting conditions, but the creative team still overcomes many obstacles, strives for innovation, and enhances the film texture through diversified narrative angles and shooting techniques. For example, montage is widely used in movies, and the "mirror image to the end" in the plot of Hotel Encounter is even more amazing, showing the tension of the story incisively and vividly through God's perspective.