Be a cold liar, trap cigarettes in willow branches and steal thousands of miles to urge spring dusk. I am fascinated by the sun. I want to fly and live in sadness. Surprised with powder, the butterfly stays in the West Garden, like mud, and the face returns to Nanpu. The most harmful thing is to make an appointment with the wind, so the car can't get to Ling Du Road.
Shen Shenjiang looked up at the pole, but he was also anxious about the late arrival of the spring tide, making it difficult to find Guandu. Vaguely far from the peak, tears thank mother and eyebrow Wu. When the shore is broken and new green is born, it is a place of sadness. I remember that day, the door was covered with pears and the lights were lit at night.
Label: Write words like rain, scenery and emotions.
Spring rain, with its cold air, bullies the early blooming flowers, and the mist diffuses into wisps. Sleepy willow trees, with thousands of miles of misty rain, secretly urge the passing of late spring. All day, I was in a daze, as if full of sadness, wanting to fly and suddenly stopping. The butterfly was surprised that its wings were wet and heavy and landed in the West Garden. Chun Yan likes to build a nest with wet spring mud and fly around. The most helpless thing is the muddy road, which hinders the dating ceremony of romantic men and women and prevents their gorgeous vehicles from reaching Ling Du Road. As you can see, this river is foggy. Coupled with the rapid spring tide, it is difficult to find an official ferry. The mountains in the distance are vaguely like the eyes and eyebrows of a beautiful woman. Near the broken river bank, green water waves can be seen rising, making patches of red floating on the water and drifting eastward with sadness. I remember that day, because of you, I was afraid that pear flowers would be blown over the courtyard gate. It is because of you that I have a heart-to-heart talk with that beautiful woman under the west window.
Notes on Seven Luoxiang Singing Spring Rain and Seven Luoxiang: A Music Composed by Shi Dazu.
Be a cold liar: the cold in spring prevents the flowers from opening.
Mystery: charm.
Powder weight: the pollen on the butterfly was wet by the spring rain and could not fly.
West Garden: generally refers to gardens.
Car: a car decorated with jewels, used by ancient aristocratic women.
Ling Du: Place name, located in the southeast of Chang 'an, Shaanxi, also known as Leyuan Scenic Area.
Guandu: Public ferry.
Xie Niang: The name of a geisha in the Tang Dynasty, later referred to as a geisha.
Appreciation of Luo Qi Xiang Yong Chun Yu —— Shi Dazu is good at writing scenery and chanting things. Luo Qixiang, a poem dedicated to Chun Yu, is one of his masterpieces with ingenious conception, vivid description and profound feelings.
In the late Southern Song Dynasty, there were two different writing tendencies in the poetry circle. One is that they don't describe the recited things carefully and realistically, sometimes they don't even describe the recited things at all, but try their best to write the "character" of the recited things, and express the author's personality and spirit through the "character" of the recited things. For example, Jiang Kui's "Arithmetic Elements" says: "When the clouds are heavy on the moon, gulls travel far, and some branches cross the Xiling, and the bamboo is dark." The word belongs to Yongmei flower, but the poet didn't write the color, fragrance and shape of plum at all. It is based on a plum tree in Xiling, suggesting that this plum tree is "lonely" and "clean", thus expressing the author's temperament and personality. Although this writing tendency of abandoning appearance and emphasizing character helps to deepen the meaning of the works, it is difficult to give readers a concrete, vivid and vivid feeling because the center of its artistic expression is the character of things, not the specific appearance. Wang Guowei said that reading such works is like "seeing flowers in the fog, separated by a layer." ("Words on Earth") tells the weakness of this kind of works.
Another tendency in the writing of Ode to Things is to describe the shape of heavy objects and strive to be like a god at the same time. Through the delicate and accurate description of the content of the song, we strive to create a vivid and vivid picture and convey the author's feelings. This is Shi Dazu's handwriting.
The poet made a stroke of his hand in the last film, creating a foggy realm. The spring rain in Meng Meng brought chill and destroyed warm flowers. Hazy mist hangs over the willows, and the sky is dark and gloomy, as if it were secretly prompted by the spring rain. Cold face deceives flowers gives people a tactile feeling; "Smoke will trap the willow", giving people a visual feeling; Stealing Spring Dusk skillfully mobilized people's hearing organs, making people feel like the rustling of spring rain. From the beginning of three sentences, it is extraordinary, grasping the soul of the spring rain, and turning the continuous spring rain on paper into a visible and audible object.
The next two sentences of "auspicious day" further describe the uniqueness of spring rain. The last sentence means that the spring rain is very thin and dense, very chaotic and full of space, focusing on the static state of Yu Chunyu; The next sentence says that the spring rain rises and stops, stops and stops, and stops all the time. The key performance is the dynamics of rain. The combination of dynamic and static makes the image of spring rain more vivid and concrete. At the same time, the word "sorrow" is used to touch the scene and lay the emotional tone of the whole word.
The above five sentences, closely related to the characteristics of spring rain, were imitated by the author to the extreme beauty. It is difficult to describe it further, so the author wrote the movements of swallows and butterflies instead. The butterfly's wings were wet by the spring rain, which affected its spreading wings and flying. Yundie was surprised. The spring rain moistened the soil, making it easy for swallows to nest with mud in their mouths, so they were very happy. The misty, gloomy and gloomy spring rain pictures are dotted with purple swallows and butterflies, and their colors have changed, showing a sad and beautiful realm. The role of swallows and butterflies not only sets off the spring rain and expands the realm of poetry, but also reflects the author's lonely and gloomy mood.
Write the words "the most harmful to it" and write the influence of spring rain on their dating. A "good date" refers to a date between a man and a woman. A car, a gorgeous car decorated with gold. Ling Du, near Chang 'an, where Xuan Di's mausoleum is located, has many wealthy families nearby, which refers to the place where lovers meet. The spring rain is continuous, the road is muddy, the car of the beloved person is blocked, and the appointment has become a bubble.
These two sentences are because the matter of chanting is integrated into the boudoir. A party to a "good agreement" or the author himself. Rain prevents a good date, a car is hard to come, and people are gone, so we can know our sadness. These two sentences correspond to the previous word "worry". The author melts into a melancholy rain scene, and through the hazy scenery of spring rain, he shows the author's feeling of missing people. The two scenes are integrated into one, which is wonderful.
In the following films, the author continues to combine chanting rain with lyricism. The first one is mainly about the description of spring rain, which contains melancholy. The second one is mainly about expressing the feelings of caring for people, and it is still raining.
The first three sentences write that it is getting late, the tide rises with the rain, and the river is surging. The author stood by the river, looking from a distance, but saw the misty and boundless smoke, and Guandu was hidden in the misty rain, and it was difficult to find a trace. "It's hard to find Guandu in the late spring tide", with the famous article Xixi Chuzhou written by Wei in Tang Dynasty: "Spring tide comes late and rain comes in a hurry, and no one crosses the boat in the wild", which has its own artistic conception. Wei's poems show a kind of carefree interest by describing the rainy scenery, no one crossing the field and crossing the boat itself. The poem of history inherited two sentences: "The appointment is the most harmful thing for him, and the car will go to Ling Du Road", which further and profoundly shows his melancholy: if the land is impassable, he will look for a waterway, but Guandu will not see it, and his anxiety is more intense. The style of writing is tortuous and meticulous, and the brushwork is changeable. Guandu is invisible, only a few peaks in the distance. The sentence "Thank your mother with tears" is a wonderful pen. Xie Niang was originally a geisha in Tang Dynasty, which refers to the woman the author misses. Eyebrows refer to feminine eyebrows and eyes. This sentence is anthropomorphic and profound. First, vividly wrote the shape of the mountain peak in the misty rain; Secondly, comparing the distant mountain to Xie Niang (one's own lover), it can be seen that the author's feelings are lingering because of "rain blocking a good appointment". Thirdly, it is also the author's suspense to thank his mother for her tearful writing and think that the other person is sad and crying because he misses himself. This writing style of "writing from the opposite side" has become a layer-by-layer expression of the author's deep homesickness. This poem is similar to Li Shangyin's "Seeing the clouds change in the morning mirror, and the evening song dares to ask if the moonlight is cold" and Du Fu's "Watching the moonlight in Fuzhou, lying alone in front of the window", but more and deeper, it is really a rare sentence.
The spring rain continued, and no one was seen. What's the injury? "When a new green life is born on the shore, that's where red leaves and sadness flow", which bears the sadness of writers farther away. The spring rain is magnetic and moist, and the new green is everywhere, but the flowers are destroyed, separated from the branches and leaves, and floated away with the flowing water with sadness. The implication is that the spring rain leaves people, and there is no other way but lovesickness. Just like the flowers destroyed by the spring rain, there is only one way to go, and that is to "take away the sadness". Helplessness is beyond words. The degree of his sadness made him feel like a river flowing eastward.
The last two sentences end with memories of the past, and they are still inseparable from the rainy scene. "Remembering the Pear Blossom in the Sun", in the words of Li Zhongyuan's "Remembering the King's Sun": "If you want to close the pear blossom in the dusk, it will rain." "Cut the Lights at Night" was born out of a note written by Li Shangyin to a friend in the north on a rainy night: "Why cut the candle at the west window but talk about the rain at night?" Memories of the past: it was also such a spring day, when the rain hit pear blossoms and the courtyard door was closed. I got together with my beloved woman and whispered to her knees with snuff. The two artistic conceptions in Poetry are experienced by the author and the product of memory. The author uses his predecessors' poems flexibly, which not only keeps the original intention of praising rain and thinking about people, but also reflects his mood more truly. Li Shangyin's poem is a suspense and a reunion in the future, but Shi Dazu used it to recall the past and lamented that reunion has become a thing of the past. At present, he is just a person, disappointed with the heavy river and the continuous spring rain. After such a combination, a new realm is formed, which blends with the emotion conveyed by the whole word. Only in this way can we achieve what the ancients called "muddy without trace"
Look at the whole word, and you are very skillful in conception and use of words. There is no word to say "rain", but every sentence is inseparable from the spring rain. At the same time, the whole word expresses sadness and is written tactfully and deeply. Zhangyan thinks this word is good; "Close the vertical couplet, use things together, and a meaning is at the end of the sentence." There is some truth in this statement. Appreciate Wu Er Fu and describe the lingering scene of spring rain with various artistic techniques. The last film is about the spring rain nearby. Butterflies are shocked, but Yan Xi is muddy. Ritual is blocked and the car can't drive.
The next movie is about the distant spring rain. The spring tide is late and urgent, the mountains are fascinated, the new green is red, and the sadness flows away. There is no word "rain" throughout, but it is appropriate everywhere. Beautiful language and quiet artistic conception. Other works of Shi Dazu ○ Shuang Shuang Yan
○ Three charms, smoke and light shake pale blue tiles.
○ The first branch of Dongfeng Wing Chun Snow
Qiu Ji, the river is gloomy.
○ More works by Shi Dazu