Liang Jing (first from the left), director Guan Hu (second from the left) and a group of creative staff were on the shooting scene of the film "800".

The movie Cook, Playboy and Rogue

The movie "killing"

The movie "Friends".

The TV series I really want to fall in love

At that time, Liang Jing played the passionate Mona in the TV series "I really want to fall in love". Now in Guan Hu's works, she is more willing to try a breakthrough role.

The film "800" directed by Guan Hu, with Liang Jing as producer and actor, was officially released on August 2 1. At the Beijing screening, Liang Jing talked about the heroic consideration of the release schedule of "800"-"I hope we can go ahead and rekindle confidence for China films". But I turned to hear another producer, Wang Zhonglei, recall Guan Hu's insistence from film preparation to release, and tears kept falling.

One moment is objective and rational, and the next moment is weak and emotional, just because I feel distressed and admire my husband's efforts.

Liang Jing, who grew up in an actor's family, has worked as a host, jewelry designer, actor and producer, and has many experiences and identities. However, the label "Director Mrs. Guan Hu" is so dazzling that people often ignore that she is also an actress who won the Golden Horse Award (the movie "Killing Life") and a producer of popular online dramas such as the movies "800" and "Longlingdong".

Liang Jing said that she doesn't mind this kind of "neglect".

I am an "actor"

Acting is not afraid of being old, and you can perform freely when you are mature.

Ever since I became an actor, I have said that I am an actor who is not afraid of old age, and I can still act when I am old.

Wang Qianyuan, who won the Best Actor Award at Tokyo Film Festival, called Nicole after watching the screening of "800 Li" and said that she would continue acting.

Wang Qianyuan hasn't seen Nicole's play before, but judging from several plays in 800 miles and the opposite play of the two lines in Our Country, she has already felt her acting skills and invited her to play a play together in the future, but Nicole declined.

In Eight Hundred, Liang Jing plays the wife of a university professor (Hou Yong). Just four scenes, a housewife in Shanghai Concession of the Republic of China who is confined to trivial daily life and pays more attention to family interests, but has not lost her conscience.

The role was actually given to Nicole by Guan Hu.

"I talked to him, some roles think I'm quite suitable, why not let me play? He is very objective and hits me very accurately. "

Guan Hu told Liang Jing that if an actor really loves movies, he should not be busy with other things and concentrate on acting well. If you can't just have movies in your head and blood, then do other things well. Nicole agrees with Guan Hu very much. A person's concentration determines his height.

"There are several good actors around me who are very focused on acting. When filming, they will delete and uninstall WeChat, feeling that it is a waste of time and energy, and then download it again after the performance. I don't think what the tiger said to me will ruin my confidence as an actor, but it will make me understand something more clearly. So I will agree without complaint. "

Liang Jing's love for movies is related to her family background. Her parents are both actors, and her father, Liang Zhipeng, plays the role of Liu Xuncang in the black-and-white film Lin Yuan released by 1960. Nicole grew up in Pioneer Art Troupe of Fuzhou Military Region. Sun and Zhu Shimao are both students recruited by her father, and they still call her father "Captain Liang" when they meet. In addition, Liang Jing's father is also a member of the Film Association, so she can see all kinds of films, including imported films, since she was a child. Under the ear, the film has "existed in the blood" for her.

Although not prolific, the roles she created in the past, no matter how many scenes, left a deep impression on the audience-Mona in the TV series I really want to fall in love, Ina in the TV series Husband and Wife, and the lampshade wife who helped watch the pancake stall in the movie Old Six. ...

She never cares about the beauty and ugliness of the characters when filming. Mona and Ina are both beautiful, but the midwife in the movie "Killing Life" has dark teeth and vulgar words, and the proprietress Wu Hongying in "The Cook and the Rogue" is even uglier. She didn't care when she played, and won the Golden Horse Award for Best Supporting Actress with the former. Liang Jing said: "I divided the drama first. I need to be beautiful in the drama of life, so I try to be beautiful. " Taking movies as an example, I always think that it is art and should be based on the pursuit of art. "

Therefore, she has no burden of dressing up for the movie role; She doesn't feel sorry for Wang Qianyuan's "pity".

"From the beginning of being an actor, I said, I am an actor who is not afraid of being old, and I can still act when I am old. Maybe I will go around and come back. When I am more mature, I will be more comfortable and confident, and I will have more time and energy to grasp a complete role and play better. "

I am a "producer"

Dare to challenge the director and use reason to resolve "tension"

Liang Jing said that the "tension" here needs double quotation marks, that is, the two will argue whether to do this project together or not. Or do you listen to me or do I listen to you?

At this stage, being a good producer and getting the company on the right track is what Liang Jing cares most about.

Judging from the intervention time, the film "800" is the first film and television work produced by Liang Jing as a producer. At the end of 20 16, she saw that Guan Hu not only had to work hard for the 800 who had entered the preparatory period, but also managed many other affairs, so she came up with the idea of becoming a producer. "Only if I help him wholeheartedly can I help."

Nicole also discussed with Guan Hu whether to work together before, but it was not put into practice. Although they are husband and wife, she feels that there is still a long way to go with Guan Hu at work, especially at the director level. Until the end of 20 16, Guan Hu really needed help and saw that Nicole was maturing, so she hit it off.

From the stage to the backstage, Liang Jing didn't adapt much, but was attracted by the challenge. "Being an actor is like opening a window and doing your own thing. Being a producer is like opening several windows. If you can connect each link in series and do it well, your sense of accomplishment will be even greater. "

It is said that producers and directors are "natural enemies", and Liang Jing thinks this is a matter of ways and means. Guan Hu is a director with certain producer thinking. He knows which scenarios can be completed and which will lead to overdue. It's just that once he enters perceptual creation, he will forget these things and need the producer to remind him in time and even change flowers. In Liang Jing's view, as a producer, we must first understand the content, and at the same time dare to challenge and reason with the director. Producers who only "listen and drink" (meaning "have no initiative, let others direct") must not control the budget.

However, a producer who doesn't listen to drinks will inevitably have differences with the director. Will this affect the personal relationship between husband and wife? Liang Dui admitted that "there must be something".

On August 8th this year, she celebrated her birthday with Guan Hu in Dandong Studio and said, "I have spent 20 August 8th with you, and I still know you very well. I saw a big boy become a responsible man, and you also saw that I was trained from a little wife to a female producer. This has caused our marriage life to be a bit' nervous'. " Liang Jing said that the "tension" here needs double quotation marks, that is, the two will argue whether to do this project together or not. Or do you listen to me or do I listen to you? "But in the end, it was very tacit and rational."

After the transformation, Liang Jing not only assumed the responsibility of producer in Eight Hundred, but also corporatized the original Guan Hu Studio (7 Impression Culture Media Co., Ltd.).

Under the background of the cold winter of film and television, before the release of the film "800", 7 Impression successively produced IP adaptation screenwriters such as "Ghost Blowing Lights" and "Close Contact with the Ancient Style of Mahjong 2", which became famous in the drama production field. Why did you decide to make an online drama? Liang Jing said that her conception of Impression 7 originated from Guan Hu's creative ability in both film and drama. In his early years, Guan Hu directed the explosive TV series "Black Hole" and the TV movie "Get on the bus and go! TV series Solstice in Winter, Life of Migrant Workers and Stranger. Liang Jing especially likes Solstice in Winter, thinking that it shows the feelings of a director and a poet, while Migrant Workers for Survival makes director Ning Hao take a fancy to Bo Huang. "I think he (Guan Hu) has some transformation power in movies and dramas, and I want to use this to do this company. At that time, the video platform only needed the first-line directors to join the supporting content. "

I am a "wife"

He is soft and delicate, but she has some big stripes.

Nicole thinks Guan Hu is more considerate than her most of the time. "So sometimes I look like a man, very big." In her opinion, most people have two sides. "Friends say that Guan Hu has a girl in his heart." .

Work reasons are often separated from the two places, and I keep in touch through countless WeChat and telephone calls every day. Before boarding the plane, I will report "I flew" and say "I love you" and "What?" This sounds more like a couple in love than an old married woman who has taken care of each other for more than ten years and has a pair of children under her knees.

Liang Jing and Guan Hu have been married for 15 years, and their relationship has always been very good. Even though they have become "natural enemies" at work in recent years, this has not affected their intimate relationship.

When talking about her work as a producer and the development ideas of Seven Impressions, Liang Jing is rational and calm. When it comes to Guan Hu-related topics, she will become quite emotional. In Liang Jing's eyes, Guan Hu is a domineering and talented director, but his heart has the softness and delicacy of women, and he is a perfect man who values feelings and cares for his family.

On the day of the 800 screening, Guan Hu failed to get back to Beijing in Dandong studio and communicated with the audience through cloud video connection. Liang Jing said, in fact, Guan Hu can take a day off to go back to Beijing, but he feels that some of the 800-mile-long leading artists are now making new films with him in Dandong. It would be meaningless if he came back alone, so he chose to stay with his brothers. "He attaches great importance to brotherhood, and the idea of sharing this glory together is particularly strong. I really didn't think he would go back to Beijing at first. What should Wang Chuang do? When he said this, I understood it in an instant. " Nicole thinks Guan Hu is more considerate than her most of the time. "So sometimes I like a person, a big article. He often reminds me of something very detailed, which is more delicate than me. " In Liang Jing's view, most people have two sides and a different gender in their hearts. Friends say that Guan Hu has a girl in his heart.

Two people with complementary personalities also have a tacit understanding in communication. Usually Guan Hu advises Nicole on the big picture, and Nicole advises Guan Hu on the small things.

Although Guan Hu's heart is soft and delicate, her willpower is strong enough for Nicole to admire. For example, for many years, he insisted on running five kilometers every morning without interruption. "He always said that the director's final fight was physical strength. If the physical strength is not enough, the brain can't keep up, and many ideas can't be realized, so he has always insisted on exercising. " At the same time, he also asked his team not to get sick at work and to take care of themselves. Another example is smoking cigars, which has always been a great hobby of Guan Hu. When filming Eight Hundred, he could smoke seven or eight cigarettes a day. Later, the film encountered some twists and turns, and he announced that he would give up his favorite cigar. As a result, he really quit the next day, and it was screened at 800 on August 14 for 436 days.

Speaking of family affairs, Guan Hu is entirely in Nicole's hands. In the past four or five years, Liang Jing's focus has been on her work, and she has always felt guilty about her children. On the contrary, during the epidemic, she and Guan Hu had more time to return to their families, and the family of four lived a healthy and regular life-every morning when Guan Hu came back from running, she would make a pot of tea and sit in the yard reading, have dinner with her family at noon, sometimes spend time with her children in the afternoon, sometimes write or watch movies, and drink a little wine at night according to her mood, or call friends to get together; Liang Jing's daily life is to play ball games with her children, ride bicycles, fight Lego, help with online homework and occasionally work together. If it is a homework related to history, Liang Jing usually asks her children to ask her father for advice, because his father is good at history. "But dad doesn't know how to tell the children, and the two children will come to ask me, what does dad mean? I'll help him read it again. He belongs to the sky, and I may have landed more, or I have quite a lot of tacit understanding. "

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