Current location - Plastic Surgery and Aesthetics Network - Jewelry brand - Meitu Sketch-How to Learn Illustration?
Meitu Sketch-How to Learn Illustration?
Find some pictures of illustrators and characters, animation is also ok, characters are the focus and are urgently needed. The picture can't be sent. I'll send you some names. You can Baidu yourself: Li Yao LZ sends his picture), Yi Chuimei, Xiao Bai, Ya Ya (I don't know if there is black and white).

Fashion illustration: The 500-year-old "Fashion Devil" fashion illustration has existed for nearly 500 years. Since clothing has come into being, it is necessary to transform the idea or image of designing clothing into fashion illustrations. This visual form originated from illustration, painting and oil painting, and is also called "fashion sketch". Fashion designers mainly use "clothing sketches" to brainstorm on paper or numbers. Its main function in design is to preview and visualize the final result before sewing the actual clothes.

Next, let's take a look at the historical development process of fashion illustration, a "fashion demon" with a history of 500 years.

1. The beginning of fashion illustration

Fashion illustration began in the16th century, when global exploration and discovery led people to be fascinated by the clothes of people all over the world. Books explaining different social classes and cultures are printed to help eliminate the fear of change and the social unrest caused by these findings.

Between 1520 and 16 10, more than 200 kinds of such prints, etchings or woodcuts were published, including the drawing boards of people wearing specific nationalities or grades. These are the earliest clothing illustrations and the prototype of modern fashion illustrations. These illustrations are likely to be used by fashion designers, tailors and their customers to inspire new design inspiration.

/kloc-artists JacquesCallot and AbrahamBosse in the 0/7th century used modern carving techniques to make realistic clothes and details of the times.

These periodicals have been published in France and Britain since the1670s, and are considered as the earliest fashion magazines, including Lemecure Gallant, The Lady's Magazine, LagalleriedesModes, LecabinetdesModes and LeJournaldesDamesetdesModes. During this period, the number of published periodicals has increased, which is a response to female readers who are increasingly eager to know the latest fashion news in the market. It was not until the end of 18 and the beginning of 19 that male style illustration became as important as female illustration.

2./kloc-the fashion plate of the 0/9th century

Fashionplate first appeared in the late18th century, and it was all the rage in Paris. During this period, HoraceVenet's "IncroyablesetMerveilleuses" and a series of watercolor fashion illustration carved by Georges-JacquesGatine during Napoleon I became famous.

France's status as a fashion arbiter ensures the continuous demand for fashion illustrations at home and abroad. This interest in fashion clothes and the increasingly extensive acquisition of fashion clothes led to the emergence of 150 kinds of fashion journals in the 9th century. These very detailed fashion illustrations capture the information of fashion trends and provide a general clothing guide.

It was also at this stage that high fashion appeared (at 1860). Fashion companies hire illustrators who will work directly with women's designers. When the designer hangs the cloth on the live model, the illustrator will sketch out the new design. They will also draw illustrations for each design in the completed series, and then they can send them to customers.

By the end of 19, manual color printing was replaced by full color printing. Fashion patterns began to use two figures, one of which can be seen from the back or side, so that clothes can be seen from more angles, thus making it easier to copy. /kloc-the focus of illustrators in the 0 th and 9 th centuries is accuracy and detail. They follow the convention of still images in order to provide comprehensive information and guidance for the audience.

Three. Fashion magazines and illustrations of the twentieth century

In the early decades of the twentieth century, fashion illustrations in the modern sense flourished for the first time. With the release of the latest fashion styles making more and more money, the work of fashion illustrator has become a profession. Fashion used to be an artist's work, but now it is becoming an industry, producing new goods in unprecedented quantities to fill the vacancy in department stores. These stores have created a new pastime-shopping culture.

The French luxury magazine Gazette was published from 19 12 to 1925, bringing together a group of young artists who have gained unprecedented freedom in interpreting fashion. Iribe is a leader among these fashion illustrators. He contributed to famous publications, including CharlesMartin, EduardoGarciaBenito, GeorgeBarbier, GeorgesLepape and UmbertoBrunelleschi. The printed version they produced for the Bulletin shows the influence of Japanese woodcut prints and the new changes in decorative art style.

In the United States, mass market fashion magazines Vogue and Harper'sBazaar cover social occasions and contemporary fashion trends. Harper 'sBazaar magazine signed an exclusive contract with Kurt from 19 15 to 1938, which is one of the longest contracts in the publishing history.

From 19 10 to the outbreak of World War II, the cover of Vogue magazine has always been illustrated. The early cover of Vogue shows the works of art created by American illustrators HelenDryden, GeorgeWolfPlank, GeorgesLepape and F.X.Leyendecker.

After World War I, European artists joined in, including EduardoBenito, CharlesMartin, PierreBrissaud and AndreMarty.

4. The Golden Age of fashion illustration

The period from1920s to191930s represents the "golden age" of fashion illustration. Every commercial artist is regarded as a fashion artist and a perfect draftsman. Many people can use authority and belief to represent the texture, luster and even weight of fabrics.

With the development of new photography and printing technology, photos are copied directly on the pages of magazines, which means that fashion patterns are no longer the representative of modern life. By the early 1930s,1930s, photos had become the first choice for magazines. Vogue magazine 1936 reported that the sales of photo covers were better, and illustrations began to be placed in the inner pages.

With the economic recession after the 1929 stock crash, the dependence of American fashion industry on Paris fashion has decreased. During the two world wars, the clothing manufacturing industry in the United States made great progress, improved mass production methods, and realized the standardization of sizes. Middle-class women can rely on skilled tailors to buy the latest fashion designs at affordable prices, while the patterns published by magazines such as Vogue and Women'sJournal are priceless to family tailors.

The main purpose of Vogue magazine is to show the readers fashion as much as possible. Photography liberates illustrators from the need for accurate records of clothes and tends to interpret fashion clothes. According to the magazine's publisher, "artists are mainly interested in getting interesting pictures and decorative effects." They are tired of faithfully reporting anything about the spirit of contemporary fashion, so they are bored. "

Dior's "NewLook" in the late1940s provided inspiration for the post-war fashion revival. In many ways, this is a retrogressive style, going back to the past instead of looking forward to the future, but it also symbolizes returning to a more cheerful and optimistic era.

Verb (abbreviation of verb) The Destruction and Revival of Fashion Illustration

In the 1950 s, fashion editors spent more budget on the editing and dissemination of photography. Later, fashion photographers were promoted to celebrities, which meant that illustrators must be satisfied with making a fuss about underwear and accessories or engaging in advertising activities.

In the 1960' s, the status of fashion illustration in magazine publishing industry has been disappearing, and this trend has been reflected in the new category of youth magazines. Many such magazines were published in the 1960' s, and all of them used illustrations as a cheap substitute for photography.

AntonioLopez was the only artist who regularly appeared in Vogue magazine during this period, and his career began in Women's Wear Daily.

In the second half of the 20th century, fashion illustration was difficult to survive, and it didn't start to revive until1980s. Published a new generation of artists in Lamoden Peinture (1982), Condenast's Vanity (1981), VisionAire (19 1) and other magazines. This revival is attributed to advertising activities, especially Barney's advertising activities in new york at 1993- 1996.

6. Today's fashion illustrations

Between fine arts and commercial arts, fashion illustration has recently been re-evaluated as an important genre. Because beauty and elegance are out of date in the fields of fashion and art, fashion illustration sometimes seems to go back to an earlier era.

Photography is very good at recording the details of clothing, so the illustrator's focus is no longer on the accurate presentation of clothing, but on explaining clothing and possible wearers. At the end of the 20th century and the beginning of the 20th century, with the support of digital tools and social media platforms, it developed a series of unique artistic styles. From 65438 to 0990, pioneer illustrators such as Edtswaki, Graham Rounthwaite, Jasonbrooks and KristianRussell began to rise in the field of computer graphics.

This period witnessed the emergence of computer design programs AdobePhotoshop and Illustrator, and also witnessed the revival of traditional art-based fashion illustration forms. Parsons School of Design and FIT College in new york began to provide illustrations as a special element in their fashion courses. Hand-made "traditional" illustrations have been revived, and fashion illustrators often look back on past masters for style inspiration. Fashion illustrations based on classical methods have successfully supplemented those created by more modern methods.

Recently, through the cooperation between fashion designers and illustrators, illustrations have become popular. With the use of social media, fashion illustrators began to attract people's attention. Fashion illustrations are full of vibrant colors, intricate patterns and endless personalities, which leave a deep impression on people.

Welcome to watch WeChat official account's "Painting Practice", get a free gift package of illustrators' painting cheats, and learn about the world commercial illustration prices.

Want to learn how to get started with illustration? One _ Pan invaded and gave himself a reason to learn illustration.

My major in university is science and engineering. I resigned after working in a state-owned enterprise for two years. How did I learn illustration one year after I resigned?

It's been a whole year since I started to learn illustration at this time last year. Like most people, when I first started to learn illustration, I also received many obstacles, such as: you started too late now ... making illustrations requires a lot of skills, but you didn't ... all these are true, but they still didn't stop me from starting.

The reason is love, of course. If you can do what you love, you are really lucky.

Especially now illustrations have been widely used in all walks of life, including startup pages, banners, special topics, refresh pages, details pages, icons, pop-up boxes, background pictures, holiday splash screens, expression packs, packaging, vi design, book illustrations, and many illustrations. Even now, illustrations in ui design have become a plus item. It is so important to know how to illustrate. Even if it's just a hobby, you will find the whole life better.

Two _ quail coward ≡ pure support шшш appearance! _ A: Yes, it's simple and not difficult.

This year, many people asked me, can I really learn illustration well without taking classes and laying a foundation? Are you really zero-based? My study experience tells me that it is possible! No one is born to be an illustrator. Excellent illustrators learn a little, so can we. And many illustrators are very good at sharing, and I have benefited a lot from it. Although there is still a big gap between my paintings and theirs, I am glad that I have made rapid progress in sorting out my works this year.

Three _ There is no way to teach yourself illustrations. In fact, I am just digging a hole for myself.

At the beginning, when I taught myself illustration, I knew that I was reading with a book or pulling a bunch of video tutorials from the Internet, but I always felt that I was stuck in my study. My study was always in a mess and my mind was in a mess. On the road of self-study, the more you go forward and work harder, the more you have an impulse to give up. My heart really broke down.

Later, I consulted my college classmate Wang. After graduating from college, she made illustrations. She said you didn't even reach the level of half a bottle and less than one bottle. How dare you play self-study You're confused about the most basic concepts. You are not teaching yourself. You are deceiving yourself. Then Wang put me in a large learning resource (skirt) with original pictures and illustrations, in which all kinds of video tutorials are systematic, and teachers share relevant knowledge every day. I just listen to them every day, not to mention, I really study illustrations seriously, and my inner doubts are swept away.

Many friends have been asking me how to find a large-scale learning resource (skirt) for original painting illustrations. Let me share it with you. The first set of numbers is: 239, the second set is: 869, and the last set is: 377. Personally, I think I can have a good learning foundation to accompany me on the road of learning.

Four _ I can copy the process of learning illustration, believe in myself and expect the future.

(1) If a worker wants to do a good job, he must first sharpen his tools.

My usual tools include a computer, PS software and wacom hand-drawn board. My computer is a macbookpro 15 inch notebook. At present, all my illustrations are drawn by PS, which is the most comprehensive software compared with SAI, AI and SKETCH. Hand-drawn board needs some feel, many friends say it is not very good, just practice it a few times. Maybe it's because I just don't have a hand-drawn foundation. The first time I used the hand-drawn board, I felt very good. I thought a few strokes on the board could be presented by PS. It's so interesting. I fell in love with the hand-drawn board, so I didn't transition from paper to hand-drawn board when I came into contact with illustrations, but started to use hand-drawn board directly, and repeatedly checked the missing parts according to the problems I encountered.

(2) Copy-if you can't copy it, copy it first.

Because there is no art foundation, hand-drawing is the most difficult for me. At first, I really couldn't draw it I found some beautiful illustrations from the internet and picked some simple pictures, such as some plants, a small animal and a villain.

(3) semi-copying-imitation is boring, and imitation requires skill.

I copied about three or four. In fact, I have mastered several expressions of board drawing, and I will find that compared with the original, the copied ones are still good. Next, I found it useless to just plagiarize, because even the best plagiarism is the result of others. You are just imitating, and all you can learn is the expression of the original, that is, some software technologies. If you really want to draw by yourself, there is no idea in your mind and you don't know how to write in your hands.

At this time, I began to try semi-copying, that is, adding some of my own ideas on the basis of the original work, which is equivalent to adding some of my own hand-painted ideas to the mastered techniques. By collecting materials (first drawing a draft on paper, then taking photos with my mobile phone and sending it to PS for painting), or changing the composition of the original picture, I replaced or modified what I thought was useful into the original picture. In short, it is to modify the original works according to your own ideas. These are all works of that stage. It is difficult for me to do this step well without an art foundation. At that time, I thought it was difficult to draw anything, so I practiced in my notebook, but I still felt that the progress was too slow behind closed doors.

From the learning foundation mentioned by Wang, I found a set of sketch courses to make up for the artistic skills that everyone has always mentioned. At first, I couldn't draw straight lines, so I began to practice drawing straight lines, shaping geometric figures, tuning, shaping the relationship between light and shade, and so on. By learning sketch, I began to have a systematic understanding of the expression and modeling of light and shadow.

Learn sketch-geometry, still life, landscape, human structure and sketch. I will apply what I have learned to my board painting as much as possible, and gradually feel less laborious and hand-drawn will be better.

(4) originality-learn from others and form your own.

The next step is originality. In fact, originality is not completely conceived out of thin air and then drawn, but based on many materials. My method is to collect pictures and photos of what I want to draw online, find out what I like, and then collect the elements involved in the picture in my mind from different fields and combine them into a picture according to my own ideas. This confirms a sentence: innovation is a new combination of old elements.

In addition, at this stage, I also began to learn more board painting techniques. I often ask teachers in the learning base for many video tutorials, and then draw with them, because illustrations have many styles, such as realism, plane, texture and so on. For me, I like the plain and fresh style, so I will analyze how these illustrations are represented, what brushes are used, how the graininess is made, what materials are superimposed, and why the colors are beautiful. Then I began to summarize these techniques and become my own things, but I can't copy them, but use them invisibly to form my own style.

Five _ _ _ _ _ _ _ _ _ _ _ _ _

Learning needs a process and hardship. Don't always think about getting there in one step. This is unrealistic. We should be down-to-earth, pay attention to ways and means, show wisdom in our efforts, and make efforts in wisdom.

(1) About software

There was an episode in the study of PS software, because I studied illustration before, and of course I didn't know what a hand-drawn board was at that time. At that time, I studied photography. Because I like photography better, photography will inevitably be done later, so I began to learn PS retouching or making posters. Well, the episode is over and the real dry goods are here.

I learned PS by reading a book called PS Non-trace. This book is very thick. I just resigned in June last year,165438+1October. I watched it for almost a month, but I really studied very carefully at that time. After graduation, I seldom read reference books so hard, and I also made various marks. I admire myself now. After reading this book, I really felt that I was proficient in PS, haha. In fact, if you just paint, you don't need to master it. What you use is nothing more than those tools.

(2) About the website

The websites I use the most every day are Station Cool and Petals, which have many excellent works that can be used to copy and practice. There are also some design competitions on the China of Station Cool and UI. Interested parties can take part in it. I have participated in poster design competitions and some pattern design competitions, which are all good experiences, mainly because I can learn what ideas and expressions other excellent designers will use under the same topic.

It is also helpful to make good use of petal net. Usually, you can collect all your favorite illustrations or materials into the petal net, and you can go directly to see them when you use them, like a fortune of your own. I also have a special collection of my inspiration library, which is full of some creative materials I have browsed, and basically there will be a point that I can hardly think of. Then, when I am not inspired, I will go through it and often get something.

(3) About books

I used to work in a state-owned enterprise. State-owned enterprises really feel like frogs boiled in warm water. Now think about that time, either going to work or doing nothing after work. On weekends, I think about how to relax, where to go shopping, Taobao and buy all kinds of clothes. The wardrobe is full, but I still have no clothes to wear when the season changes. ......

I have changed a lot since I resigned last year. What buy buy bought was not clothes, but various books, such as design, illustration, photography, learning methods, copywriting, operation, quality of life and so on. Personally, I think it's very helpful to learn some books that the teacher showed me in the resource library.

Principles of color matching design

Practical sketch course

Elaboration of illustration design skills in illustration classroom.

How to be an illustrator

84 creative skills of illustrators.

(4) About creation

Creation is actually an effective presentation after a lot of accumulation. I think the accumulation here is to watch more, practice more and record more.

Look at more optimistic works that stimulate the desire to create.

To practice more is to practice more hand-drawing skills and improve the creative speed.

Remember more is to remember more instant inspiration and increase creativity.

I summarized all the above by myself, I don't know if it's right, but I suddenly found that my summary is quite good, at least very neat, like serious nonsense, haha.

If you watch too much, don't say it. It has written in detail where to go. If you practice more, you won't say it. Just practicing. I am not afraid of too much. I'm also practicing.

Remember that I have to say a few words, because I found that many inspirations are instantaneous. I don't know if you feel this way. For example, when I was cooking, I suddenly thought of drawing a picture, and then I thought, I must write this idea down when I was cooking, but when I was cooking, I suddenly asked myself that I would write it down, so no matter what I was doing or going out, I usually put it in my bag. Of course, if you have a special function that you can't forget, you can ignore this.

These are some of my main learning methods, I hope I can help you. Remember, watch more, practice more and record more!