When wearing cheongsam, you must remember that the collocation of cheongsam must not be "a presumptuous guest usurps the host's role". When you put on a cheongsam with excellent materials and characteristics, the protagonist will always be the cheongsam itself, and the remaining accessories can only be green leaves, which can only give you extra points for wearing the cheongsam, and you can't be the protagonist.
1 collocation: cheongsam+small handbag, for mature women only.
Remember the style of Maggie Cheung's cheongsam in the movie In the Mood for Love? At that time, Maggie Cheung was a legend of the last century, a noble and sexy goddess. It was also the Shanghai style of the TV series Love in the Fallen City adapted from Zhang Ailing's novel, and the cheongsam dress became a symbol of fashion and status at that time.
Beautiful cheongsam clothes are all clothes that give you extra points. In the program "Idol Vortex Comes", Zhao put on a Republic-style cheongsam with an old background, which seemed to bring people back to old Shanghai in the 1960s.
The second collocation: cheongsam+woolen coat+handbag, for ladies only.
The most natural way to dress like this is that Zhang Ziyi matched the cheongsam with a big mink coat in "The Grand Master", and so did the number one in another movie "flowers of war".
Earlier, Liu Yifei, a pure goddess, walked in a rainy lane in a deep blue cheongsam, which reminded people of Dai Wangshu's poems. A person wandering in a long rainy lane, hoping to meet a girl as sad as lilac. She has the same color and fragrance as cloves. ...
The third collocation: cheongsam+short big dress, small and fresh.
Remember in Zhao Wei's Clouds in Beijing, unmarried women usually dress like this? The angel loved by the young master played by Chen Kun is also a cheongsam skirt in TV series.
The fourth collocation: cheongsam+short coat, intellectually stretching beauty.
This collocation is also very common in general. Cheongsam fabric is light and thin. In some cold weather, adding a short coat will not hide the beauty of the figure, but also embellish the cold.