Let's go He boldly explored all kinds of decorations corresponding to materials, and formed a series of smooth and asymmetrical shapes, as well as colorful and exquisite surface decorations. His glass design shows his preference for circles, clever use of lines and superb skills in flower pattern processing. Commonly used patterns are the reflection of natural flowers, leaves, plant branches, butterflies and other winged insects in milky white texture. In addition, the furniture he designed, like his glass design works, is mainly decorated with exotic plants and insects. The blooming flowers and the entanglement of flowers and leaves constitute the unique surface decoration effect of these works, which has the characteristics of symbolism. He often uses joinery inlay technology for decoration, which makes his furniture exquisite and elegant. His most famous furniture design is "Sleeping Butterfly Bed" designed by 1904. The glass and mother-of-pearl used in the butterfly's body and wings convey thin skin, while the black and white patterns of wood reproduce the marks of wings.
Luis Marius is another representative of the Southern Four Schools. His achievements in design are mainly manifested in furniture and ironware. Like Emile Garret, Louis Majore's works combine exotic and traditional elements, including Silla Cocoa patterns, Japanese styles and organic shapes, as well as shapes and decorations inspired by nature. The structure and decoration of his works show a smooth rhythm, and the circular outline and inclined lines give the works a sense of sculpture. In his design, the characteristics of functional subordinate decoration are very obvious. Because of the outstanding achievements in furniture design, Majorel has the reputation of "Majore style" furniture.
René Larik's design achievements are mainly reflected in jewelry. His works are the best testimony of the exquisite and luxurious French art nouveau style. In his jewelry design, a large number of patterns from nature are used as decorations, among which plant and insect patterns are the most common and treated in strange forms. In addition, his choice of materials is also very imaginative, including imitation gems, colored gold, enamel, irregular pearls, translucent corners and so on. The female body is another theme that Larik likes to use in his design. The female body on the jewelry is beautifully carved and lifelike. For example, in 1895, among the exhibits he sent to the French artists' salon, there was a particularly charming dragonfly jewelry. Larik decorated this unusual brooch with a naked female body. This is the first art nouveau jewel decorated with naked women, and it soon became the object of imitation by designers from other European countries.
After Larik, Eugè ne grasset made great achievements in the art nouveau jewelry design. The jewelry he designed is unique, original, full of passion, imagination and dreams. One of the most famous works is "Sylvia" pendant. It is made of plant patterns, metal-free enamel and freshwater pearls.