Xue Xiangling, the daughter of the rich Xue family in Dengzhou, was once betrothed to Zhou Tingxun. Before getting married, according to local customs, Mrs. Xue gave her a female lock bag, which contained a lot of jewelry. On the wedding day, the sedan chair was caught in the rain halfway and sheltered from the rain in the Spring and Autumn Pavilion. Here comes another sedan chair. In the sedan chair is a poor woman, Zhao Shouzhen, who is crying because of the cold world. After asking the reason, Xue Xiangling gave a gift with Suolin Capsule, and the rain stopped.

Six years later, Xue and Zhou fled, Xiang Ling was separated and drifted to Laizhou alone. Her old slave old woman met Xiangling and took her to the porridge shed set up by local gentleman Lu Shengchou. It happened that Mr. Lu was hiring a nanny for her youngest son Tianlin, and Xiangling wanted to raise money. One day, Xiangling and Tian Lin were playing in the garden, feeling hurt and having mixed feelings, and suddenly realized that the rich and the poor were impermanent.

Tianlin threw the ball into a small building and asked Xiangling to go upstairs and pick it up for him. Upstairs, while looking for the ball, Xiangling suddenly saw the Suolin capsule she sent six years ago and couldn't help crying. It turned out that Mrs. Lu, that is, only after questioning did she know that the "Ma Xue" in front of her was Miss Xue who was given a gift six years ago, so she was honored as a guest of honor, and the Xue Xiangling family got together and became good friends with Mrs. Lu.

Extended data:

1, creative background:

During the period of the Republic of China, the atmosphere improved, and some literati who frequented the theater began to associate with some popular actors, that is, famous actors. They escaped from reality out of political ambitions or wanted to improve their own dramas, thus making new dramas and rewriting old ones for them. It was during this period that Weng Ouhong met Cheng and began to write plays for Cheng. ?

Before writing Sorin Capsule, Weng Ouhong wrote Spring in a Pot for Cheng. One day, Cheng invited Weng Ouhong to his home, tactfully suggesting that his friends said that Spring at the Head of an urn was well written and suitable for him to play, but he played too many tragedies, such as The Golden Lock, The Tomb of Yuanyang, The Blue Frost Sword, The Moon's Return to Han, Tears on the Barren Mountain and Dream of a Young Woman, all of which were Cheng's representative works. Weng Ouhong hesitated at first. After Cheng took out the materials and handed them to him, he accepted them gladly. ?

The material that Cheng gave Weng Ouhong was drama. Among them, there is a story quoted from Tan, which aroused Cheng's interest. The story itself is simple. It is said that two married women, one poor and one rich, met on the road. The rich girl sympathized with the poor girl's life experience and donated money to each other. Ten years later, poor women became rich and rich women fell into poverty.

The poor girl was worried about her kindness, so she gave her the gift bag at home so that she would never forget it. Finally, the two women met and felt the same way, and married their children's in-laws. At that time, some people said that this story would be "an excellent legend" if it were given to Hong Sheng and Kong, famous dramatists in the early Qing Dynasty, who were called "Southern Confucius". ?

As a result, Weng Ouhong became the great sage and Confucius in the new era. In his hands, this mediocre story with only a few hundred words quickly evolved into an interesting and thought-provoking comedy. In May, 1940, Suolin Capsule premiered in Shanghai Golden Theater. The audience was amazed by the novelty and beauty of the opera, and the response was very enthusiastic, with praise everywhere. ?