Yuna
Compared with hundreds of millions of local tyrants who buy buildings and planes, those who spend hundreds of millions on a small painting and a porcelain bottle are really embarrassed. Top collectors are also frequent visitors to the rich list, many of whom are famous tycoons from the commercial and artistic industries. In fact, it is not accurate to say that they are local tyrants. They play with collections to the point where they don't care about money. They base their collection planning on the construction of art galleries, and pay more attention to the role of collections in building corporate brands and spreading culture and education.
At present, the art market in China has gone through a history of 25 years, and it is in the period when new and old collectors take over. The transformation of old collectors and the prominent styles of new generation, rich second generation and Tibetan second generation collectors all point to the international trend of more diversified roles and styles.
Chen Dongsheng (Taikang Group)
20 18, China guardian auction, the "auction empire" founded by Chen Dongsheng, celebrated its 25th anniversary. Also on 20 18, China's largest collection team announced that Chen Dongsheng became a full member of the collection and the first member of Chinese mainland.
As a big shot in the field of auction collection, Chen Dongsheng's collection background is beyond doubt. One of them is to donate hundreds of millions of RMB to his alma mater, Wuhan University, and to establish the Lin Wan Art Museum in the name of his father Chen Wanli. The other one is the future Taikang Art Museum. After Taikang Art Space is operated in 15, the center of gravity of Taikang Art Space will shift to Taikang Art Museum in 20 19, and it is very likely that a MoMA from China will join the territory of private art galleries in the future.
Qiao Bingzhi (Wuzhou Style)
Joe's obsession with contemporary art is deeply rooted in his bone marrow. Since the end of 2006, his collection of contemporary art in China has been out of control. He constantly visited the artist's studio and increased his collection at the rate of monthly purchase. A year later, the Basel Expo opened another door to his collection. His collection is more open, not limited to national boundaries and media, and full of adventure.
He not only collects contemporary art, but also spares no effort to make more people believe it. He displayed his collection in clubs in Shanghai, received numerous art lovers at home and abroad, and became an artistic landmark in Shanghai. He teamed up with artists to set up an "art hotel" in Shanghai, hoping that art could influence more people; He is the sponsoring director of Beijing Ullens Center for Contemporary Art and Shanghai Bund Art Museum. Taking risks for art, he also invested heavily in building the "Oil Tank Art Center" in Shanghai. In the future, five huge oil tanks will form a new ecological circle of artistic life.
Joe invested heavily in the "Oil Tank Art Center" in Shanghai.
Lin Li (Jiangnan Buyi)
After 1970s, Lin Li established the fashion kingdom of Jiangnan cloth, with more than 900 pieces of Jiangnan cloth distributed in several continents. However, she doesn't consider herself a "fashion expert". In fact, her fashion career has always benefited from art, and she basically goes to the 10 art fair every year, and is a frequent visitor to art fairs in Basel, Miami, London, new york, Paris and Madrid. Even in the early days, when she was not so familiar with foreign artists, she would buy them first and then follow the trail to study them.
Conceptual arts such as images, installations and sound art are Lin Li's favorite. She established a project "Imaginative Mechanics Laboratory" in Jiangnan Fabric Center to support young artists. At the same time, in the near future, Hangzhou Jiangnan Fabric Center will have a more experimental and young long-term venue, that is, architect Renzo? The art museum planned by piano is also the long-cherished wish of Linli, providing an active art institution for Hangzhou's artistic creation.
Wang Bing (Dingtian Assets)
"Brother Mao" Li Li (Biography of Fenghua Town)
Behind the scenes, Mao Geli's The True Story of Fenghua. On this platform, new and old collectors recommended the most reliable good goods of various auction houses. Up to now, "Brother Mao will accompany you to watch the preview" and "Interview with Brother Mao" have been launched in hundreds of columns on WeChat official account, covering important auctions in Beishangguang. By watching the preview of experts and analyzing and judging the important lots, its humorous and sharp comment style is widely welcomed by fans, which has driven and influenced some entrepreneurs to join the art collection team and become local transporters in the art market.
Wang Jianlin (Wanda Group)
Wang Jianlin, the head of Wanda Group, is a frequent visitor on the list of collectors. In 1980s and 1990s, Wang Jianlin was famous in the collection field, and he dared to buy Fu Baoshi's masterpiece "Dragon Pan and Tiger Ju" in installments for 8 million yuan. From 65438 to 0997, after Wang Jianlin visited Wu Guanzhong for the first time, he began to spend huge sums of money to collect almost all Wu Guanzhong's works living abroad. He once said half-jokingly that the reason why he gave up the great opportunity and stable future in the army and the government and chose to start a real estate business in the sea was because he needed money to collect and afford his favorite paintings and calligraphy.
In 20 14, Wanda group bought Picasso's famous painting "Two Children" at Christie's in new york for 654.38+72 million yuan, which opened the curtain of China entrepreneurs' international collection. Wanda rented several hundred square meters of insurance stocks in the bank to store artworks, and Wang Jianlin is also building Dalian Wanda Art Museum. Today, Wanda has a collection history of more than 20 years. The quantity, quality and variety of the collection are almost unmatched by domestic enterprises.
Liu Yiqian Wangwei (Xinliyi Investment)
Liu Yiqian's legendary story in the capital market has been staged in the collection circle. The high-profile and willful Liu Yiqian billion-dollar collection list is refreshed every year. At the auction, more than 100 million pieces of artworks 10 have been successfully collected, including China ancient paintings and calligraphy, porcelain, contemporary international art, etc. At present, the most expensive collection in Liu Yiqian is franco modigliani's work "The Naked Woman Lying on the Side" 20151kloc-0/which he spent more than one billion yuan on.
These expensive trophies are displayed in the Shanghai Dragon Art Museum owned by Liu Yiqian and Wang Wei. In Shanghai, where land is precious, the Dragon Art Museum founded by Liu Yiqian and Wang Wei has two pavilions-Pudong Pavilion and West Coast Pavilion. Chongqing Pavilion also opened at the end of May 2065438+2006, which constitutes the artistic framework of "Two Cities and Three Pavilions" and is a private art museum with considerable scale and collection strength in China. In the future, Mr. and Mrs. Liu Yiqian have new opening and exhibition plans, and the rhythm of their buying in buy buy in the art market has never stopped. As Wang Wei said, in terms of collection, I will spend as much as Liu Yiqian earns!
Zhang Guiping (Suning Group)
Zhang Guiping has a special liking for China traditional culture, and is a loyal and persistent collector. The Suning Museum, which he founded, has an important collection of China artworks, including nearly 3,000 works by representatives of Tang, Song, Yuan, Ming, Qing and modern times. Among them, there are many high-priced auctions, such as Wild Bamboo Map set by Zhenwu, Landscape Map of Imitation of Song and Yuan Dynasties by Wang Shigu, Snow Map of Sunset by Yuan Jiang, Wonderland of Penglai set by Zhao Yong, Wild Goose Returning by Zhang Daqian, Zheng Zhuanggong Meeting Mother by Fu Baoshi and so on.
Zhang Guiping has a soft spot for traditional culture and is a persistent collector.
Xu Healthy (Baolong Real Estate)
Xu Jiankang, a real estate tycoon, was born in a scholarly family in Fujian. Influenced by the rich traditional cultural atmosphere of his family, Xu Jiankang became obsessed with China's art collection of calligraphy and painting. After Huang Zhou's Happy Prairie was shot at a sky-high price of 1 100 million yuan, Xu Jian, the "helm" of Baolong Group, also began to surface.
From Qi Baishi's Modern Landscape Album to Cai Guoqiang's gunpowder masterpiece The Bund Without Us and Ladder, as well as bidding for a large number of art collections of former Vice Premier Gu Mu, Xu Jiankang and Baolong Group became famous in the field of art collection. Since then, he founded the Baolong Art Museum in Shanghai. In the opening exhibition, the public can get a glimpse of many excellent works in the family collections of modern and contemporary painters and painters. From galleries, art centers, painting academies to art galleries, art collections have also contributed to Xu Jiankang's huge investment in laying out the cultural and artistic chain of Baolong Group.
Zheng Zhigang (New World Development)
As the third generation descendant of the Zheng family, he is the founder of Chow Tai Fook (Holdings) Co., Ltd., his eldest grandson, and the eldest son of the top ten Chinese rich people in the world. He is currently the executive vice chairman of New World Development Limited.
Although his father, Zheng Jiachun, is also a wealthy collector, compared with a large number of art collections, what is more striking is his son, Zheng Zhigang's innovation in promoting contemporary art. In 20 10, Zheng Zhigang founded the K1Art Foundation, launched the Wuhan K 1 1 Art Village, and set up a resident and artist exchange program for local artists. Internationally, the Foundation cooperates with various art galleries and organizations, such as London Center for Contemporary Art (ICA), Tokyo Palace in Paris and Metropolitan Museum of Art in New York. To showcase China's cutting-edge art and bring the voice of the younger generation to the global art stage. (Editor Yan Qiqi, editor-in-chief Wang Yiwei)