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What is the moral of Phoenix sculpture?
In some books introducing gods or Jun porcelain, and even in the product manuals of many kilns, the symbol "Fire Phoenix" symbolizing gods will appear. On the main road leading to Shennan Town, there is a square, and a 9-meter-high sculpture named "Bathing Fire Phoenix" stands in the center of the square. Why do "fire phoenix" and "bathing fire phoenix" become symbols of gods? What are their implications?

"Fire Phoenix" and "Bathing Fire Phoenix" both originated from the beautiful and auspicious legend that the phoenix was reborn in the fire. Its designer, Zhang Huaiqiang (Zhang San), vice president of Henan Institute of Cultural Industry Development, explained its connotation. Legend has it that Phoenix is an angel of happiness on earth. Every 500 years, it has to bear all the unhappiness, love and hate accumulated in the world, throw itself into a raging fire, and exchange life and a beautiful end for good luck and happiness in the world. However, the phoenix was reborn after experiencing great pain and reincarnation, and gained new sublimation in the rebirth. This allusion implies the persistent spirit of not being afraid of pain, never looking back, and constantly pursuing and perfecting oneself. This coincides with the heavy history of the Millennium gods and the Jun porcelain culture reborn from the fire, and to some extent explains the gorgeous reality myth of the phoenix bathing in the fire.

We know that porcelain is the art of fire, the sublimation of soil, the crystallization of wisdom and the inheritance of culture. Jun porcelain originated from god, and the soil was gorgeous because of fire. "Fire Phoenix" takes "fire" as the main type, organically combines traditional auspicious patterns such as phoenix, ruyi, fire cloud and auspicious patterns, and harmoniously and skillfully leaves blank the traditional shapes of Jun porcelain, jade pot and spring bottle. "Bathing Fire Phoenix" takes the word "East" as the layout of the square; The road to sculpture is colorful stone, which turns into five-color "earth", meaning that God is pregnant with thick soil and it is charming; Take the porcelain burning tool "sagger" as the base; The traditional handicraft picture scroll of embossed Jun porcelain shows the long history of Jun porcelain culture. Taking "fire" as the main type, auspicious patterns such as phoenix, ruyi and fire cloud are organically combined, and the Guanyin bottle is cleverly and naturally left blank, and the bottom of the bottle is shining. Looking from a distance, the flames are blazing and magnificent. Looking closely, two phoenixes are holding wine bottles and singing loudly. Seeing this design, it is easy to remind people of the magnificent kiln fire and the magnificence of Feng Dan's vase. God is famous for Jun porcelain, and the implication that Jun porcelain is brilliant because of God is contained in it.