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Explain that the original description of the majestic mountains is magnificent, and later the calligraphy is also described as vigorous and smart.
Constant "Tokyo Fu" source: "My ancestor Longfei Baishui, Fengxiang participated in the market." Su Songshi's "Observing the Monument of Loyalty and Righteousness": "The mountain has long eyes, the water has flowers, and the dragon and phoenix dance is collected from Lin 'an. "
Structural combination.
Usage is often used to describe the momentum of calligraphy. Generally used as predicate, object and attribute.
Phoenix, Andrew; It can't be pronounced "fēnɡ". "
Distinguish the phoenix; Can't write "wind"
Synonyms are free and unrestrained.
Example: He is sitting in his seat; Spread a piece of red paper in front of you; Portable brush; I am preparing for this.
2. Calligraphy idioms are characterized by falling rocks at the peak, changeable charm, vigorous and wrong, elegant and graceful, thunderous, combining rigidity with softness, superficial, Rowen tiger shock, repeated change of heart, elegant and delicate, dignified and elegant, unrestrained and uninhibited, concise brushwork, covering iron with cotton, smooth and orderly, and natural and delicate. Learn from others' strengths, be meaningful and handsome, simple and bold, vigorous and powerful, dancing like a dragon and dancing like a phoenix, with vivid charm, profound skill, smart and smooth, agile and shocking, magnificent, completely natural, gorgeous and natural, with thousands of miles of clouds, interesting all day long, pleasing to the eye, magnificent, graceful, graceful, dignified and smooth. Skilled brushwork, smooth charm, natural and graceful, peaceful and smooth, iron-painted silver hook, lifelike, round and smooth, simple and far-reaching, easy to write, well matched with bones and muscles, close to see, firm brushwork, moderate pen collection, smart and delicate, hearty and graceful, charming and healthy, beautiful structure, unique personality, tight and elegant.
3. The four-character idiom in calligraphy works is a total annihilation, a long snake in the pen, a swallowtail silkworm head, full of strength, iron-painted silver hook, fairy pearl, quiet and far-reaching, vivid charm, bold and unrestrained, rough and simple, unique, hearty and chic, natural and interesting, in the middle, close to the heart, beautiful and natural. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style. China's calligraphy is an ancient art, which develops with the development of Chinese civilization.
In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history. Calligraphy, as an artistic creation, is deeply mysterious.
From Oracle Bone Inscriptions, Bronze inscriptions to Dazhuan, Xiaozhuan and Li Shu, to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script, running script and other forms were basically finalized. Calligraphy always exudes the charm of ancient art, and it is often referred to as soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy. The sweeping army described poetry, calligraphy and other magnificent and verve brushstrokes, while the dragon and snake described calligraphy as vivid and magnificent. Silkworm-headed swallowtail describes dignified calligraphy and light steps. Use abundant strength to describe the solid and full font structure and powerful brushwork. It is often used to describe the vigorous brushwork of calligraphy, or to describe the vigorous brushwork and graceful dancing, which penetrates the back of paper. The brush strokes can almost penetrate the back of the paper. The incisive description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound. Tie Hua Yin Gou describes the softness of calligraphy. Fairy dewdrops describe the elegance and roundness of calligraphy. The vigorous description of calligraphy is vigorous and powerful.
4. The four words of Yan-style brush calligraphy are dragon snake at the bottom of the pen, fine ink pen, dragon snake pen, swallow-tailed silkworm head, hiding the head and protecting the tail, sinking happily, being calm, carefree, learning graffiti, ups and downs, Ding Zhenyong's grass, flying dragons and dancing phoenixes, strong muscles and strength, phoenix dancing dragonflies and returning from phoenix dancing, and so on. Strong bones and muscles, thirst for spring, anger for spring, thirst for deer for spring, stress on paper, learning medical books, willow bones and muscles, dragon and phoenix dance, dragon and snake dancing, dragon stretching and bending, dragon jumping and tiger lying, Rowen Tiger Zhen, Rowen Tiger Zhen, Qi Long. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook.
Describe the vigorous and beautiful calligraphy. Graffiti: letter pen: write casually.
Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti at the bottom of the pen, Mo Miao, writing dragon and snake, silkworm head and phoenix tail, hiding the head and protecting the tail, happy and heavy, leisurely and happy, learning graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragon dancing phoenix, infinite strength, phoenix floating, phoenix dancing dragonfly, phoenix flying back, ancient fat and barren, phoenix dancing. Thirsty deer rushes to the spring, full of paper, snow trees in Linchi, six valleys of Yanjin, dragon and phoenix dance, dragon and snake dancing, dragon bending, Yue Long tiger lying, Rowen tiger shock, Rowen tiger shock, dragon and leopard changing, dragon and phoenix dance, dragon and phoenix dance, dragon and phoenix dance. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian. 1, the dragon and snake race through the iron inkstone and never stop waving their hands; 2, Gu Mo lightly grinds a few incense, and the new bath shines; 3. The glyphs are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates.
The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt".
He writes quickly and forcefully. 4. A few times, a flying dragon appeared on the paper. The dragons he painted are lifelike, magnificent and varied.
Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said). 5,: "Books are scattered, and if you want to read, you should spread your arms first."
(Cai Yong's On the Pen) You must "write a book before the pen." (Wang Xizhi's "Mrs. Wei's brushwork") When writing, "the description of love means * * *; Yang Shu's melancholy is based on the heart of heaven and earth "(Sun Shupu)" The spirit of the book must reach the Tao, which is the same as the mixed element theory ... it is based on nature. "
6. In the Qing Dynasty, Liu Xizai was even more critical: "A writer writes his will" and "Calligraphy, like learning, like talent, like ambition, is like a person". 7. On the pen.
5. The four-character idioms in regular script are thick and plump, rich and graceful, both rigid and flexible, wrapped in iron, vigorous, vigorous, majestic, thunderous, Rowen Tiger Shock, vigorous, vigorous, smooth, full of bones and muscles, full of fun, strewn at random, and the beauty of the mean. The dragon and phoenix dance, with beautiful style, moves like a snake with a pen, which is smart, bold, steep, tall and straight, penetrating the back of the paper, penetrating the wood, combining rigidity with softness, showing the atmosphere, concise brushwork, skillful brushwork, flowing, hearty, pleasing to the eye, elegant and beautiful. Natural, elegant, smart, chic, simple, peaceful, peaceful, smooth, graceful, generous, natural stretch, natural, smart, smooth, lifelike, smooth in class, round and round, smooth in turns, learning from others, profound in skill, solemn and majestic, smooth in charm, vigorous and simple, changeable in charm, and changeable in thought.
6. What are the positive four-character idioms in middle school students' copybooks? P: j: ng: zh: Njí？
[Interpretation] Put aside; Chop: cut off; Vitex negundo: A tufted spiny shrub. Clear the way; Cut the spine. Refers to removing obstacles in the entrepreneurial stage; Strive hard, it also means clearing all kinds of obstacles on the way forward; Overcome various difficulties.
[Language] "The Biography of Feng Yi in the Later Han Dynasty": "The emperor called the Communist Youth League:' It was the main book when I started my army; Cover me with thorns; Set the Guanzhong. " "
[pronunciation] spine; It can't be pronounced "√".
Spine; Can't be written as "thorn" or "spicy".
Brave the wind and waves and go forward bravely.
[Antonym] Timid and timid, looking forward and backward.
[Usage] It is often used to describe the hardships of starting a business. Generally used as predicate, object and adverbial.
[Structure] Combined type.
Discrimination ~ is different from "riding the wind and breaking the waves": both of them have the meaning of "overcoming difficulties on the road ahead". The difference is that ~ means "clearing all kinds of obstacles on the road ahead and opening up wasteland"; "Riding the wind and breaking the waves" means being ambitious, going forward bravely and sailing at high speed.
[Example] Our ancestors worked for the founding of New China; Throw one's head and shed blood; ~ that's why I have a happy life now.
7. What are the four-character idioms in calligraphy works, such as total annihilation, long snake in the pen, silkworm head and phoenix tail, abundant tendons and strength, iron-painted silver hook, fairy pearls, quiet and far-reaching, vivid charm, bold and unrestrained, straightforward and simple, unique, hearty and chic, naturally interesting, in the middle, tight, excellent and elegant. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style.
China's calligraphy is an ancient art, which develops with the development of Chinese civilization. In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history.
Calligraphy, as an artistic creation, is deeply mysterious. From Oracle Bone Inscriptions, inscriptions on bronze to Da Zhuan, Xiao Zhuan and Li Shu, and then to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script and running script were basically shaped, and calligraphy always exuded the charm of ancient art.
Huifeng often refers to soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy.
The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake described calligraphy with a brush as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Abundant strength means that the font structure is solid and full, and the brushwork is strong.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Through the back of the paper, calligraphy is described as vigorous and powerful, and the strokes simply penetrate the back of the paper.
The incisive description of calligraphy is very powerful. Now, many metaphors are profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and mellow.
Powerful and vigorous to describe the strength and intensity of calligraphy.
8. The four-character idioms of China's brush calligraphy include dragon and snake writing, Mo Miao's fine pen, dragon and snake writing, swallow's tail using silkworm head, hiding its head to protect its tail, sinking happily, being calm, learning graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons dancing with phoenix, being full of muscle and strength, the phoenix floating, the phoenix dancing with dragonflies, the phoenix dancing back and so on. Strong bones and muscles, thirst for spring, anger for spring, thirst for deer for spring, stress on paper, learning medical books, willow bones and muscles, dragon and phoenix dance, dragon and snake dancing, dragon stretching and bending, dragon jumping and tiger lying, Rowen Tiger Zhen, Rowen Tiger Zhen, Qi Long. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.