This Colette aesthetic can be said to be the most accessible paradise mode for ordinary people. Take Wang Bingbing, Colette, CCTV, which recently went out of the circle, as an example. Her original appearance can be said to be very amateur, short round face, wide eye distance, short nose, big nose, uneven teeth, dark skin and proper passerby appearance.
Her whole facial features are featureless. The original facial features are not beautiful or even ugly, just a fuzzy group without memory. Compared with Feng, you can clearly feel the "routine"
This routine is a dead hole for actors, because the audience can become a good actor even if they can't remember ugly people, and sometimes it has a lot to do with memory points. For stars, it is also a dead end, and the gap with ordinary people cannot be established. Why is it bright and flashing?
But for journalists and anchors, this "routine" is an acceptable passing line. The main function of the reporter anchor is to transmit information, which can be said to be a "tool person". The tool only needs to be easy to use. If the tools happen to be beautiful, the public is happy to see them. In this capacity, it is very easy to get a beauty prize, but in China, journalists and female anchors are serious. At this time, the "sweet girl wind" is easy to get out of the circle. The best contrast award is actually not Wang Bingbing, but Patty Hou.
With a flat and broad face, mediocre and evacuated facial features, and gentle and kind neighbor temperament, it is not without reason that Patty Hou's later struggle in the entertainment circle ended in failure. The limit of this conventional appearance bonus is the sweet female anchor, and it is basically wishful thinking to break through the barriers of actors.
Therefore, this sweet girlish style has great reference significance for ordinary people, especially in the positioning of commuting style. Office workers are also tools such as journalists and anchors. If you can keep a "beautiful" job while doing a good job, people around you will feel pleasing to the eye. Improve your exquisiteness in sweetness, and you can evolve from a sweet girl to a beautiful girl. If you don't have a beautiful woman around you, it's not a problem to win a flower.
Because of the mediocre facial features and lack of bright spots, the conventional appearance needs to work hard on the texture to create a sense of "out of the circle" as soon as possible. When it comes to Wang Bingbing, the first step to make her beautiful is to change the texture of the skin, improve the brightness of the skin, and let the white peel off the previous rustic.
The second step is to determine the appropriate hairstyle. Early Wang Bingbing had a strong sense of amateur, which was related to her untidy hairstyle. Hairstyles are the easiest way to improve a person's exquisiteness, but it should be noted that big waves, ultra-short hairstyles and highlights are not suitable for conventional looks. This distinctive hairstyle with "symbols" must be matched with a distinctive face to HOLD each other. A regular face with this hairstyle often makes your face look more mediocre. When ordinary people force themselves to dress up, they often.
Japanese chestnut brown and half curly hair are the only ways to make your face regular. Wang Bingbing also chose this hairstyle, which improved the exquisiteness while retaining the sweetness, and made the transition from fruit juice to toffee milk coffee, even making the original thin sweetness have a little level.
The third step is to establish a sweet and salty dressing style. Wang Bingbing's previous dressing style can be said to be "naked" without any rules, but he pursues practicality rather than beauty. If you don't grow Liu Yifei's face, it's really hard to circle.
Now, Wang Bingbing has become familiar with the Japanese dress method. Bright colors and soft waxy professional clothes not only retain the sense of professionalism, but also are sweet, professional, unobtrusive and approachable.
Now Wang Bingbing can be said to be a standard little sweet girl, but is she a beauty? You can hardly say that she is a beautiful woman, or at best a good-looking girl. This is the problem with a middleman. The upper limit is locked by hardware, and even if it is carefully painted, it is difficult to have an aesthetic impact. It can be better than ordinary, but beauty is an influence, an unsociable influence, which means refusing, not accepting.
What is the influence of beauty? Cecilia Cheung, who is "old and looks bad", is crowded in the subway, without raising his eyes and showing his whole face, so you can have a look. She ran to the subway with you, standing in the same mediocre time and space. You can clearly feel that there is an air wall between you and her. This is the barrier of beauty. Beauty is never flattering, submissive or pandering. Beauty does not need to do anything, and existence itself is a strong sense of existence.