The aesthetics of different times determine the trend of jade art, which not only has obvious characteristics of the times, but also has unique cultural implications and phonological aesthetics, transcending the boundaries of time and space, and is a harmonious song of life and jade.
The traditional concept of China holds that human nature is good, and with the growth of age, it is discredited by life and becomes chaotic. Life and death become as difficult to understand as giving up. The righteousness of Buddhism removes confusion, cleans up the dirt of criminals and purifies the body. Autumn's Boundless Land borrows the realm of Buddhist bodhisattva's practice to express his thoughts on social groups and human nature. This series of works surpasses the previous jade carving works, and is beautiful and gentle, full of peace and tenderness. These contradictory descriptions of life and death, self-purification and self-discipline are also his great consciousness of pure thinking and innocence through ferocious monsters, indifferent arhats, helpless abandonment and self-absorbed penance.
Qiu's jade carving works often awaken people's reflection on life with religious themes, and the Xumishan series is no exception. This series of works uses extremely concise fine white jade seed materials, and has a strong visual impact with the tension formed by the jade dragon. The nihilistic method is closer to the true nature of life. There are many realities, contradictions, advantages and disadvantages in the world, but they also exist. Without perseverance and wisdom, it is impossible to reach the inner Mount Sumi. Although Mount Sumi is the center of a small world in the Hanazono Sakura world, it is also the center of the inner world of ordinary people in the world. Everyone's inner world is full of self-enclosed delusions that cannot be abandoned. Xumishan is also the home of my true self, and my true self is the most powerful.
Based on the creation of jade carving works, it expands the derivative design in many fields, and the design and development of jewelry is the continuation of jade carving creation ideas. These works transcend tradition in expression, reflect on reality, and subvert people's traditional cognition of jewelry. These works are based on the literati school and Buddhism and Taoism school in the traditional jade carving experience, as well as the in-depth discussion and reflection on naturalism, even the attempt of surrealism in jewelry art, or the transcendence of mysticism with magical color.
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