Illustration is a supplement and annotation to the text.
Some illustrations in the teaching materials are true representations of things introduced by words, such as illustrations in explanatory texts. For example, the complete picture and anatomical map of litchi attached to the article "Litchi Dan in Zhou Nan in June" effectively help students master the shape and internal structure of litchi. Without this illustration, it is really hard for students in non-litchi producing areas to imagine the true shape of litchi.
Some illustrations in the textbook vividly summarize the content of the article, most of which are in narrative and prose. For example, the portrait of Bie Rykov in The Man in the Condom effectively summarizes the description of words and vividly completes the portrait of the characters. Another example is the illustration at the end of the article "Indiscriminate 35 Doors", which can help readers to have a deep impression on the descriptions of many characters when recalling the text, so as to better understand the text. The illustration of Between the Waves is a condensed image of lyrical discussion in the article. The picture of crossing the Yellow River at night in "Brothers for Class 61" vividly tells readers the dangers of crossing the Yellow River at night through the image of turbid waves emptying and the nervous and serious emotions of the old boatmen, which is convenient to grasp the theme of "one party is in trouble and all parties support".
Illustration is a vivid embodiment of natural beauty and social beauty.
Many illustrations in the textbook vividly show the beauty of nature and society, which plays an important role in cultivating students' sentiment and cultivating their love for the mountains and rivers of the motherland and a happy and beautiful life. In Moonlight on the Lotus Pond, the moonlight on the lotus pond, Shi Zhongshan in Shi Zhongshan and the Three Gorges of the Yangtze River all vividly reproduce the beautiful natural scenery. Looking at these beautiful pictures, students will naturally have an emotion of loving the mountains and rivers of the motherland and will be infected by their magnificence.
As for many portraits in the textbook, they are all reflections of social beauty. Because of all the beautiful things, the most beautiful is the creative person who pushes the history forward. Mr. Lu Xun, for example, is a banner in the history of modern literature development in China. Several portraits in the textbook summarize their side as soldiers. This portrait in Memory of Liu Hezhen shows the grief and indignation of Mr. Lu Xun in a cruel situation. His frowning brows undoubtedly tell people that he is thinking about the struggle with reactionary warlords and lackeys, which reflects his fighting spirit of "pointing fingers, leaving no room for people". The portrait in Notes is a portrayal of "bowing your head and being a willing cow".
Illustrations in decorative textbooks help to cultivate students' imagination and observation.
The process of appreciating art is the process of recreating by the appreciator. Faced with exquisite illustrations, it is difficult for students not to think about the content behind the picture. Looking at "Su Wu Shepherd's Map", we will naturally think of what it would be like for Su Wu to be alone in the desolate Beihai, and naturally think of how noble Su Wu is who is willing to endure loneliness and hardship. Naturally, in the process of appreciation, students will also unfold the picture. Although the picture is not vast, the sky in students' mind may be far and deep, which is the result of creative imagination. As for the cultivation of observation, it is easier to understand. Because imagination and observation are unified. For example, after teaching Mount Tai in the Rain, I asked students to write a paragraph according to the illustrations, and one of them wrote a small photo of Mount Tai:
This exquisite little picture shows the amorous feelings of the ancient Mount Tai to the fullest. Those pine trees threw their oblique bodies into the cliff and covered them with an intoxicating dark green. The steep eighteen plates at the foot are like the ladder at the entrance of the worse gate, winding up from the narrow valley. On the left is a high and continuous mountain peak, and the pavilion at the top is the most unique and lovely. Sharp tops, upturned corners and slender columns are so delicate that they hover over the cliff. Behind it is Tianjie. There are many inns, many piles of them. They are patchwork and unique in style. More tourists in twos and threes support each other, leaving crooked footprints. Like the sentence "green bamboo hat, green hemp fiber, no need to go back in the oblique wind and drizzle", it is also interesting. In a word, this is a very interesting little painting.
Through this passage, it is not difficult to see that students' careful observation and regular training can improve their observation and imagination accordingly.
I understand that illustration is a part of Chinese teaching, so how to teach illustration? My specific approach is as follows:
1. It takes time for students to read the knowledge diagram against the text.
2. Illustrations with aesthetic education as an important content should be linked with students' compositions and guide students to turn pictures into words with the help of imagination.
3. For those pictures that highly summarize the content of the text, ask the students to compare with the text and find out the similarities and differences.
As for those texts with beautiful words and far-reaching boundaries without illustrations, we might as well ask students to make up for them, because the process of drawing is the process of fully understanding the texts.
There is a saying in China: Poetry and painting are a family. Commenting on Wang Wei's poems, Dongpo said, "There are paintings in poems and poems in paintings." . Poetry is like this, so is writing. As long as teachers handle the relationship between the two, watching illustrations will undoubtedly play a positive role in "broadening students' horizons, developing students' intelligence, cultivating students' socialist moral sentiments, healthy and noble aesthetic and patriotic spirit".
20 19 Chongqing Three Gorges Museum's latest exhibition time+exhibition duration 20 19 The Three Gorges Museum has a special exhibition recently! Friends who love art or are interested can participate. Want to know the specific time and duration of the special exhibition? Come and have a look with Bian Xiao.
Opening hours of Three Gorges Museum
Tuesday to Sunday 9: 00-17: 00 (closed after16: 00).
Closed on Monday (open as usual on national holidays)
The latest special exhibition
Natsume: the Pioneer of Art Nouveau Movement in Europe
Time: 4.23-7.219: 00-17: 00.
Venue: Exhibition Hall A, 1st floor, Chongqing Three Gorges Museum
Ticket price: 50 yuan
Alphonse Mucha (1860- 1939) is a Czech painter, decorative artist and one of the advocates of the Art Nouveau movement. The works not only have distinct characteristics of Art Nouveau movement, but also have strong personal color.
He dabbled in illustrations, posters, painting, theater design, jewelry design, decorative arts and many other fields. He is the designer of the Czech white lion flag, the first set of banknotes, the first set of stamps and police uniforms, and the creator of the indoor mural in the mayor's hall of Prague Citizens Association and the stained glass of Santa Vita Cathedral.
His works are characterized by rhythmic lines, concise outlines and soft and bright watercolor effects. The female images he created are sweet and graceful, gentle and charming, and complement each other with the surrounding flowers and plants.
The 244 cultural relics on display this time, including color lithographs, oil paintings, posters, illustrations of the Lord's prayer, design manuscripts, photos, costumes, jewelry, ceramics and furniture, will outline a microcosm of the Art Nouveau period in Europe.
Zhang Daqian's Art Exhibition during the Anti-Japanese War
Exhibition time: 2019.7.13-2019.10.
Venue: Exhibition Hall, 4th floor, China Three Gorges Museum, Chongqing.
Organizers: Chongqing China Three Gorges Museum, Sichuan Museum, Jilin Provincial Museum and Art College of Chongqing University.
Exhibits: * * There are 84 pieces of Zhang Daqian's related works, including 2 pieces in Jilin Provincial Museum, 3 pieces in Sichuan Provincial Museum and 32 pieces in Chongqing China Three Gorges Museum.
Admission: free.
"Three Thousand Big Thousand" originated from the Buddhist cosmology "Three Thousand Big Thousand Worlds", which is the source of Zhang Daqian's dharma names and common seals, and also the world he created in his paintings. 20 19 coincides with the 20th anniversary of the birth of Zhang Daqian 120. Our library plans an exhibition on this topic to commemorate this 20th century master of Chinese painting.
Enjoy the Mountain Scenery —— Antique Landscape Exhibition of Chongqing Tibetan Landscape Painting Series in China Three Gorges Museum
Exhibition time: 2019.6.1-2019.10.20.
Venue: Painting and Calligraphy Museum, 4th floor, China Three Gorges Museum, Chongqing.
Exhibition form: free visit.
Western scholars once called China's Song Dynasty landscape painting, German classical music and ancient Greek sculpture the three peaks of the world's classical art, which shows the important role of landscape painting in representing China's traditional culture. Landscape painting, as a place for literati to settle down, also occupies an important position in the history of China painting. From 20 19, Chongqing China Three Gorges Museum will launch a series of landscape paintings with the theme of China landscape painting, which is divided into three phases, so that the audience can appreciate the unique charm of landscape painting from the perspectives of real landscape, antique landscape and sentimental landscape.
Landscape Map of Wen Zhiming Imitating Ni Yunlin in Ming Dynasty (Partial)
Ming Lan copied the Landscape Map of the Central Axis of Wang Youcheng.
Xiaoyin Atlas, Yunshan, Dong Qichang, Ming Dynasty.
Fan's _(wěi) landscape map
Green king _
Caotang reed boat map axis
The first phase of the on-site landscape exhibition adopts four units, namely "scenery and spirit", "tour", "secluded garden" and "on-site sightseeing", to show the audience the beautiful natural scenery described by ancient painters. These works combine nature with the painter's own state of mind, and sketch a spiritual world with a mixture of subjective feelings and objective images. If the real landscape is more from the painter's "learning from nature", then the second phase of the ancient landscape is from the painter's "learning from the ancients". In China's painting tradition, they should not be neglected. It is a shortcut for many painters to realize dialogue with the ancients and improve their own techniques by copying the works of predecessors' masters in a subtle way or imitating them with schematic brushwork. The paintings of the previous generation always have an impact on the paintings of future generations, and the paintings of future generations always inherit the achievements of the previous generation, which is the inheritance of the history of painting development. Throughout the ages, most famous artists are knowledgeable and able to express their views independently. They not only have profound traditional skills, but also have distinctive personal characteristics. They absorbed the essence of tradition, then applied it flexibly and developed it, reaching the realm of "borrowing the past and opening up the present". This exhibition selected 82 sets of landscape paintings from the Ming Dynasty to modern times, which can not only reflect the skill of painters learning from their predecessors, but also show the diversity and creativity of their own creations.
How much is the ticket for the Three Gorges Museum? Does the Three Gorges Museum reserve tickets for the Three Gorges Museum? The China Three Gorges Museum in Chongqing is full of mystery to many people. In fact, it is a museum focusing on Chongqing Bayu culture, Three Gorges culture and anti-Japanese war history and culture. Many extremely precious cultural relics and video materials have been well preserved. Let's share with you the detailed ticket information of the Three Gorges Museum.
How much is the ticket for the Three Gorges Museum?
0 yuan is completely free to the outside world. There is no need to buy tickets, and the internal explanation service is charged, but the explanation is also free to choose.
Have you reserved tickets for the Three Gorges Museum?
You don't need an appointment, but you can make an appointment to explain. Official website's lecture reservation service has not been launched yet. You can make an appointment in Guan Wei.
Does the Three Gorges Museum need tickets?
No tickets are needed.
The Three Gorges Museum explains the charges.
Interpretation service:
The library provides multi-modal, multi-lingual and multi-exhibition-hall explanation services, and gives priority to recommending the audience to use the free WIFI in the library, scanning the QR code to follow the official WeChat, and enjoying the free audio-visual tour covering the top ten permanent exhibitions and key temporary exhibitions.
Chongqing Three Gorges Museum-Muxia Exhibition
After visiting the exhibition hall, Mu Xia Zhan remembered that he was born in a civilian family and was funded by the earl to attend an art school. After making a living by illustration in Paris, his unique style became famous in one fell swoop; After his success in business, he returned to Prague to create oil paintings for the Czech Republic. The unique style has influenced people in other fields, other nationalities and other countries.
Ticket price: 50/ person, student ID card 30/ person.
Exhibition time:
Every night from 9: 00 to 4: 30.
There are free explanations in the exhibition hall every once in a while, which is super detailed and great.
I think it is a good thing that a person can work hard, but it is not easy to find freedom, find himself and form his own style without restriction.
Natsume is a school of his own. Whether it is poster stickers or posters, or even photos and calendars, he knows that this is Natsume, which is extremely rare. Seeing his paintings always has a beating vitality, detachment and elegance. Although I don't know art, I feel good.
In addition, when Natsume painted the Bible in his later period, it was already very profound. I can't understand it, but I'm glad that after the success of the business, he finally doesn't have to please others, please everyone, and only uses painting to find people with the same views and cultures, and uses painting to communicate.
This may be the bigger world, the world you want. This exhibition has set up many photo spots to copy Natsume, and everyone can experience it. I'm absolutely glad you came, which will greatly increase your knowledge, open your eyes and leave a good viewing effect and impression.