So, I looked through all kinds of jewelry designs about oriental culture in recent years, and found the problem that you all found, that is, there are thousands of people who designed this thing, some of them can't help laughing, and some people are fascinated.
Behind all the designs, exhibitions, dreams and exhibitions, there are not only economic factors, but also people's primitive impulse and creation of beauty. Under this question, I want to talk about two distorted fashion show pages about China's culture, economic development and pure visual stunning.
One is "FENDI on the Wall" held by Fendi at the Great Wall of China in June, 5438+October, 2007. This exhibition is different from all previous exhibitions held by foreign brands in China. Instead of simply telling your own story, I changed from site selection to integration into China culture (although it is a bit stiff and funny). For example, an 88-meter T-stage was built between the two beacon towers in Juyongguan, bringing together 44 models from China, 44 foreign models and 88 models. Yes, they know that the lucky number of China people is 8, so be careful.
What shocked me even more is that this exhibition, which has been prepared for two years, is said to have docked with 47 different examination and approval institutions in China. In order to convince them, Fendi said: Let this performance be the modern Silk Road reconnected between China and Rome. Tut tut, this set of words.
Since the first fashion show in China in 1979, China's luxury consumption has been very small, and this show has since opened the curtain of China as a luxury consumption country, and today, it has occupied almost half of the global market. This may be the underlying reason why China culture is becoming more and more popular.
I don't know what other people understand about this program. My understanding is that China is really seen and valued by the world.
The second show is the Dunhuang series release show with the theme of "harmony" held by Fashion in Shanghai in August 200212002. Look at that scene, the sunset melts into gold, the clouds are like flocs, the flowers are blooming and falling, the clouds are bright, the desert is lonely, my friends. The scenery may not seem like an oriental story, but combined with brief introduction and live symphony, it is a real Silk Road connecting the world from China.
Because of the use of holographic projection technology, the screen, veil and lighting are rendered and matched with each other, and then they are integrated into Yue Minjun's painting Cave 322 and Tan Dun's symphony Ode to Dunhuang Compassion, so that the performance can be all-round optical and audio-visual. Just looking at the pictures, I was moved by the true story told by China people.
If the program is a dream, those rigid, blunt and superficial dreams that worry about adding new words will gradually be replaced by real and pure dreams rooted in the grand narrative of the times and inseparable from the real individuals.