Mosaic: 1 inlay, as a metaphor of decoration 2, goes deep into a certain realm or ideological activity.

Mosaic: To embed or set something around. Dental inlay

Embedding: Stuck something in the gap. insert

In terms of words, deliberately inserting function words, numerals, concrete words, synonyms and synonyms to lengthen sentences is called mosaic rhetoric. It can be divided into two types: mosaic and embedded.

(1) Words-Use irrelevant numerals or function words to lengthen sentences.

Now that things have come to this, let's do nothing.

If I learn a little good temper, if I learn a little kindness to others.

You did it! Don't pass the buck completely!

2 Embedding words-deliberately embedding specific words in sentences, so that the arrangement of words often forms a wonderful interest in words.

Lotus can be picked in Jiangnan, so there is no lotus leaf. Fish Play Lotus Leaf Room: Fish Play Lotus Leaf East, Fish Play Lotus Leaf West, Fish Play Lotus Leaf South and Fish Play Lotus Leaf North. (Han Yuefu's Lotus Picking in Jiangnan)

Buy horses in the east, saddles in the west, reins in the south and whip in the north. (Han Yuefu's Mulan Poetry)

Mosaic, also known as screen sculpture, belongs to the category of small relief. In China, jade jewelry as an ornament has a long history of inlay, but the connection between inlay and Shoushan stone carving began in the early Qing Dynasty. Yang Xuan, the first generation master, once inlaid gems on the arhat clothes carved in Shoushan stone carving to set off the statue and make it gorgeous and colorful. However, it was in the 1970s that Lin Shou, a descendant of the "East School" of Shoushan Stone Carvings, first embedded Shoushan Stone Carvings in other utensils and formed techniques. The specific method is to decompose the Shoushan stone pieces of different colors according to the pre-designed picture, carve them into floating reliefs, and then embed them on screens, hanging couplets, table screens or lacquerware vessels according to the picture. The background of this technology has two aspects. First, the color of Shoushan stone is very rich, and everything in the world exists. Secondly, Fuzhou is a famous hometown of traditional crafts in China, which is based on lacquerware and can be described as a perfect combination.

The production procedure of Shoushan stone inlay is divided into three steps: design, carving and pasting. The design includes two parts: "modeling of instruments" and "carving pictures", which must be unified, coordinated and set off each other. After the sketch is determined, it is decomposed into several parts, which are drawn into decomposition diagrams respectively, and then the stone blocks with appropriate materials and colors are selected according to the design requirements. When selecting materials, we should not only have the overall concept and reasonable ingredients, but also pay attention to the contrast of natural stone colors to make the picture more dazzling.

When carving, first stick the decomposed drawing on the stone piece and saw the blank according to the figure. Where it is in line with the prospect, appropriate residual stones should be left to make the finished products closely connected. The carving method of inlay is similar to that of high relief, but it is decomposed, but the edges and sides of the scene uplift should be slightly inclined inward to make the work more spatial and stereoscopic.

The carved and decomposed relief stone pieces can be combined and pasted after light wax treatment. Generally, the board with stone carvings should be slightly lower in the outer frame, and the paint of the bottom plate should be dark. Sculpture paintings usually focus on people's stories, flowers and birds and Bo Gu utensils. The layout should be sparse and not dense, and the interspersed should be simple and not complicated. When designing, we should not only make the scenery easy to carve from different angles, but also make the composition complete and conform to the painting principle.

Commonly used adhesives are topcoat and resin adhesive. Surface coating paste is suitable for bonding large and opaque stone parts, and resin glue is suitable for bonding white or transparent scenes. Scenery carvings are pasted on the surface of objects one by one according to the drawings. After pasting and checking, it should be laid flat to dry. If it is made of topcoat paste, it needs to be put in a cool room and can be displayed in a few days.

Lin Shoushi is the most representative figure in the mosaic of Shoushan stone, and his mosaic skill is exquisite, which is a must for Fuzhou.