A new sentence-by-sentence explanation
Beautiful and plain, if worthy of the name, each has its own realm and customs, which is a vivid and true existence of poetic style. But if the brushwork goes too far, the beauty floats in the gaudy, the plain becomes cold and deviates from the right moment. What we want to investigate is that the writer's writing ability is not enough, and we want to crack down, but we don't want to make an issue of this irrelevant Gui Li. Beauty has its own position and function. Li Bai has two words in "Ancient Style", "Beauty is not precious since Jian 'an." This "beauty" is a biased finger. Li Bai criticized the phenomenon that people pay attention to rhetoric and ignore the spiritual core in the poems of the Southern Dynasties. However, to be fair, it is not that beauty is unique in that kind of performance, but we should also examine why the simple style of writing has been absent for a long time. Therefore, we should understand that the "beauty" mentioned by Si Kongtu here is a compliment, affirmation, admiration, elegant rhetoric and magnificent weather, a style feature of a certain poem and a concrete manifestation of literary diversity. "Twenty-four Poems" itself is "all the listed bodies are prepared, not integrated", and Xu Yinfang also said in the postscript that "its teacher is poetry, and its portal is wide and eclectic". In this way, when we meet people when reading poems, we should also adhere to the principle of "opening our doors and not sticking to one pattern" and look at them with a broad mind in order to get the message.
God is rich, but gold is light. Strong is exhausted, weak is repeatedly deep.
Look clearly, this means "God has money", not that a family has 1000 yuan. Material wealth can sometimes be a drag, and only spiritual detachment is the real wealth. Su Shi said that "there is nothing in life, and suffering is induced by the taste of the world." The temptation of the world is nothing more than "before wealth and glory, it is difficult to be poor and humble." Once you get rid of the bondage of material desires and have a rich spirit, you can naturally ignore the gold jewelry that the world values. This is the first half sentence, and the second half sentence is more meaningful. Literally speaking, rich colors are bound to wither to the extreme, but in shallow places, there is often a deep and long feeling. This is a wise rule. The so-called thick powder is easy to wither, and the light makeup is You Mei. This law is limited to literary theory, and it has always been the case. The Book of Changes is extremely prosperous and extremely declining, and it is not extremely elegant, which is the most well-known truth. Thai hexagrams are followed by negative hexagrams, which is the truth that wealth will decline. Here, as far as poetry creation is concerned, "the rich will wither" means that poetry creation does not lie in the colorful appearance. If it is only based on rhetoric, on the other hand, if the essence is strong and the foreign minister is light, it can give people a better and better aesthetic feeling. There is a case in point. See Xue Baochai's poem about Bai Haitang in the thirty-seventh chapter of A Dream of Red Mansions, in which the phrase "flowers are brighter when they are light" is the impression of "light is deep". Su Dongpo commented on Tao Yuanming's poems, saying that "his poems are qualitative and realistic"; Hundreds of years later, later generations Ji Xiaolan commented that Su Shi's poems were "extremely flat and shallow, with profound charm". Here, "poetic" or "plain and shallow" means that in its appearance, it is not full of makeup, but in the hearts of viewers and readers, it can stand chewing and always feel the taste.
Strong is exhausted, weak is repeatedly deep. The combination of the two makes the creation of poetry and prose more complete in form, spirit and quality. It should be noted that the style of poetry originates from essence, lies in spirit rather than form, or at least pursues both form and spirit, and cannot be neglected. Ji Kang's famous book "On Health Preservation" expounds the principle of both form and spirit, but it is enough to learn from others in terms of poetry appreciation. He said, "a gentleman knows that form depends on God, and God will exist in form, but he knows that physiology is easy to lose and that it is fatal. Therefore, cultivate nature and protect god, and feel at ease; Love and hate don't live in love, worry and joy don't stay in the heart, but they are indifferent and feel at ease. " How well you speak, the article is self-cultivation, only a few words, but the meaning is endless. This in itself is "the light is very deep." Introducing the love practice of modern people, the little girl who leads an honest and clean life chooses her life partner, and remember not to be blinded by the sweet vows of the seas run dry and the rocks crumble, nor by the deep-rooted ambition of self-harm. It's all superficial excitement. Imagine, a person who doesn't even care about his parents' body and hair can still love others? Therefore, if love surges in your mouth, it may not be reliable in your heart. On the contrary, loving you a little every day and asking questions are trivial, plain but far-reaching, and worth entrusting for life. The ancients put it well, the so-called "love can't last long, but many lovers are ungrateful; Constant sex, willful people do not lose sex. " These words are profound, but it depends on whether the listener and the viewer can get the information.
God is rich, but gold is light. Here, gold is regarded as the wealth in the world, or related to it. For the beautiful association, Si Kongtu said this: Seek spiritual wealth and beauty! If you do this, you will naturally underestimate the vulgarity of this world. I want to mention that beauty and elegance are both applicable to the dichotomy of true and false products. The beauty carved and deliberately made by that person is not really beautiful, and the color is rich, which still can't cover up the inner emptiness, so the color tone is naturally coherent. On the contrary, it is refreshing and indifferent without red powder, but the depth of endoplasm is often thick and deep, and it is really beautiful in essence. "The light is deep again and again" should be interpreted like this. This superficial vanity is of course a mature temperament accomplishment. Imagine that in the middle of the seats, each other's conversation is fresh and exquisite, instead of talking about housing, wages, grades, allowances and affairs, which is a different kind of enjoyment for the industrial and commercial society. Of course, it's not impossible to say these words, but it's too vulgar for friends to talk only about them when they meet. This sentence is quoted, but it should also be mentioned. We don't want that false lofty. Quote Confucius: "People don't know the taste until they eat." This is the first, not that we can't talk about diet, let's talk about where this taste comes from; Confucius said, "People don't know it for daily use. Daily diet is not Tao, so it is nothing more than Tao. Therefore, daily use can be hidden deep in the light, and the meaning of drunkenness is not in wine, which is bound to be boring. We should have spiritual wealth and gradually cultivate mature material desires. As the saying goes, there are poems in the belly, and the qi here is self-contained, and God keeps the wealth, but this wealth is not made of gold and jade. It is a bit far-fetched for me to taste the taste in the plain, but to keep my unique opinion when the world is drunk.
Beside the fog, red apricots are in the forest. The moon is bright and the house is beautiful, and the bridge is Yun Lan.
These four sentences, let's recall the elegant second paragraph, "White clouds are clear, birds chase each other;" Sleeping on the piano, shaded by trees, with waterfalls on it. It's really deja vu. They are all portrayal of the scenery, hazy and freehand, fresh and fascinating, and there is no wealth from beginning to end, but the courtyard at the door is looking up and stepping on a beautiful picture. In this landscape, there are both natural and artificial. If you roll up these lines of calligraphy and hang them in the living room study, they will be a pair of ink and wash landscape flowers ... but wait a minute, I'm just saying. If I really want to do this, the room is elegant, but more vulgar.
This paragraph is a description of the realm of beauty after explaining the spirit of beauty in the previous paragraph. We look at the beauty of the author's works, and there is no colorful noise. In the misty water mist, among the thick green apricot trees, red apricot blossoms are dotted, and the eyes are full of spring but they can't stop. This is a kind of natural beauty; In the second half of the month, the bright moon shines in the sky and shines on beautiful houses. Note that the beautiful house here is not a hut broken by the autumn wind; Painting a bridge refers to a carved bridge corridor. Of course, there are trees beside the bridge. The colorful bridge in the shade and the China house under the bright moon are really a pleasing picture. It is beautiful and natural, with manual participation, but there is no reluctance in the carving. This is the real state.
Beautiful scenery, fog, water, red apricots and trees, with colors and layers, are suitable for shade, distance and nature. Recalling the previous paragraph, "the rich are exhausted and the weak are deepened again and again", it is really like learning aesthetic principles in class, going out, or even just showing a panoramic aesthetic image.
Golden urn full of wine, accompany guests to play the piano. Self-sufficiency, kindness and beauty.
There was wine and guests, the host family warmly entertained the guests, and other singers performed live. When everyone was in a state of confusion, the scene was mixed and the interest was high. Nineteen Ancient Poems recorded this scene: "Playing the piano bravely, the new sound is wonderful", and Su Dongpo said that "thin wine is better than no soup". Here, a rich man's daughter. The word "Liang" here is an adverb, which means a high degree, or is interpreted as "really", which is equivalent to "very capable", such as "I have heard for a long time" and so on. It means to do your best and go all out. As can be seen from the idiom "Do your best", the mind refers to the heart. This canon can refer to Tao Yuanming's "Ten Thousand People * * * Travel under the cypress in the Tomb of Zhou Dynasty", which is an inventive article that can be put into "broad-minded" products. Tao's poems are recorded as follows:
It's a fine day today, blowing a gun. I feel like a servant and unhappy.
Qing songs spread new sounds, and green wine blooms. Unknown tomorrow, I am dead.
Tao Yuanming's poems are light and natural, pointing to life and death, but he can forget the song "I don't know what will happen tomorrow, Yujin is gone" The so-called China literati are best at "borrowing someone else's glass and pouring a piece into their chest". Why do they have a piece in their chest? "Singing old songs that nobody cares about, so there is" self-sufficiency, a natural death ".
The whole article of this product is long. Let's first talk about some arguments. In order to correct people's common prejudice, we think that beautiful women must be rich children, and they must be "closed in eight counties and given by thousands of troops" and so on. Si Kongtu knew the fork in the road of people's thinking, so he said from the beginning that "God is rich", focusing on self-cultivation, which is spiritual wealth. Because of the special definition of the state of mind ahead, the length of the follow-up can make people feel rich and elegant. From the heart, from the environment, so, this scenery is beautiful to read, but it is not out of reach for you and me. Therefore, this last paragraph was set off by the scene, from silence to laughter. Imagine pouring a glass of wine, piano accompaniment, friends, sitting in the best, chatting. So, can we not scream?
However, Si Kongtu's original intention is certainly not to introduce a close friend's party. Through this kind of "good and beautiful" life, it is a symbol of good poetry. More importantly, Si Kongtu's beautiful feeling of not spending much material and not being extravagant comes from the harmony between the piano and the instrument, which is the complacency of people when they are introverted. You know, what is really rich and what is really chic? You should know that "how many people have experienced joys and sorrows for their lives;" How many people shed blood and tears for their lives, and who has suffered? " In this way, we can see the hardships of life. In order to survive, to develop, to get ahead, to stand tall, to get ahead in the world of mortals, to suffer in reincarnation, it is really miserable in the eyes of Buddhist compassion. Therefore, this point in poetry is really a fairyland.
Finally, Zhang's poem "Moonlit Night on a Spring River" is quoted as the end of this product; Pipa music "Moonlit Night on the Spring River" makes this product have a long aftertaste, which will last for March.