In the past, the freedom of expression of jewelry designers was restricted because people recognized "valuable" precious metal materials more. From the late 1960s to the late 1970s, some radical artists began to oppose the idea that jewelry should be precious. Subsequently, designers gradually think that the choice of materials should be based on the potential of materials, not the value of the materials themselves!
In contemporary art design, the use of comprehensive materials has become more and more common, and its future development possibility is also very broad. Compared with traditional materials, the application of comprehensive materials can perfectly interpret the designer's design intention in a more impactful and creative way.
In the collection of works for studying abroad, what examiners of top foreign universities want most is that students can express their ideas through divergent thinking and show their innovative ability and design potential by using more diversified media.