Thief, please forgive me, I don't know much about it. Appreciation of figurative rhetoric in Zhu Ziqing's prose Moonlight on the Lotus Pond In literary works, proper rhetorical devices, especially a bright pearl, will add a lot of color to the works. Every time I read Zhu Ziqing's prose, I will be attracted by various rhetorical devices. His parallelism, like a few treasures, is listed in a string of colors; Anthropomorphic, like a myth, everything has four limbs and five senses, lifelike and ready to come; Asking questions, like deep sea fishing, is not only eager to fish, but also profound-look at his metaphor. Zhu Ziqing's metaphor can make readers passive and amazing. The attraction is that he is not only good at metaphor, but also good at metaphor, which makes him have a novel and strange aesthetic feeling. "Wild flowers are everywhere-like stars and eyes (spring)." The moonlight in the pond is uneven, but it is like the intoxicating green of a famous song (Moonlight on the Lotus Pond) played on Van Gogh's Lingqin! -Like a young woman dragging a skirt; -as soft and tender as egg white, just like being coated with' bright oil'; -Like a moist jasper "(Green)," The hazy water is like a dream, and the occasional flashing light is the eyes of the dream "(Qinhuai River in the shadow of oars and lamps). This is not a sentence in the article, but a color in the painting, a melody in music and a lovely dance. This metaphor not only depicts a beautiful and moving picture, but also evokes the readers' aesthetic feeling and makes you enjoy the art. The beautiful and wonderful artistic effect of Zhu Ziqing's metaphor is inseparable from his novel and unrestrained association. Throughout his metaphor, there are visible people and things, as well as abstract invisible dreams. Anything that can be involved has become a metaphor at your fingertips. What is more successful is the law of his metaphor. First of all, describe things with things: "The splashing water is like a little Bai Mei" ("green"), "The leaves are high above the water, like a graceful dance skirt" ("Moonlight on the Lotus Pond"), "There are one or two white clouds in the distance-like beautiful shells" (in the shadow of a plasma lamp). Here, compare the water to Bai Mei, the lotus leaf to a dance skirt, and the lotus leaf to a beautiful shell. He did not confine himself to the similarity between ontology and vehicle, nor did he stay at a certain point in vehicle. But through migration and transformation, vehicles are selected from different angles, and similarities are captured from different depths, so as to associate distant and beautiful things as much as possible. Third, competing with others: in this process of competing with others, he may take a certain part of the human body, "One or two lights are leaking from the cracks in the trees, and those who are listless are sleeping (Moonlight on the Lotus Pond), Mother's Hands Caressing You (Spring) in the spring breeze, and" There are two weeping willows on the shore. Or take the whole human body as an example, "The walls are made of white and rose-red marble, as plain as a girl in the moonlight" (Venice), "In the layers of leaves, some white flowers are dotted sporadically, like a beauty who just came out of the bath" (Moonlight on the Lotus Pond), "The intoxicating green is like a ten. In Zhu Ziqing's works, all metaphors not only have distinct characteristics, but also become bright, delicious, vivid and attractive, which enables readers to enjoy and cultivate beauty, show his unique metaphorical style and receive special effects from his metaphors. In Moonlight on the Lotus Pond, Zhu Ziqing also uses the metaphor of displacement to transfer the reader's senses. " Fragrant fragrance, as if, faint singing, moonlight on the pond are like famous songs played on Brahma, and thin green fog is like a dream with green gauze in a cage. Change the sense of smell into hearing, change vision into hearing, and change concrete things into hallucinations. This metaphor of "emotional transplantation" is really a rare success in the field of rhetoric. The metaphor in Zhu Ziqing's metaphor is not accidental, but a reflection of his aesthetic view, which is based on what he thinks is beautiful. Therefore, the metaphors he used were mostly girls, beauties, boys, jade and jewels. At the end of spring, in order to show his upward yearning for new things, he used "new-born dolls are new from head to toe" to compare the novelty of spring, "beautifully dressed little girl" to compare the beauty of spring, and "robust young people" to compare the vitality of spring. It is intended to use "new", "beautiful" and "healthy" means of transportation to compare beginning of spring at the beginning of a year, so as to inspire people to struggle. Zhu Ziqing used a variety of rhetorical devices in his prose, but metaphor was the best and most successful, which almost formed his unique artistic characteristics and made his prose art achieve high literary attainments.