In China, jade jewelry as an ornament has a long history of inlay, but the connection between inlay and Shoushan stone carving began in the early Qing Dynasty. Yang Xuan, the first generation master, once inlaid gems on the arhat clothes carved in Shoushan stone carving to set off the statue and make it gorgeous and colorful. However, it was in the 1970s that Lin Shou, a descendant of the "East School" of Shoushan Stone Carvings, first embedded Shoushan Stone Carvings in other utensils and formed techniques. The specific method is to decompose the Shoushan stone pieces of different colors according to the pre-designed picture, carve them into floating reliefs, and then embed them on screens, hanging couplets, table screens or lacquerware vessels according to the picture. The background of this technology has two aspects. First, the color of Shoushan stone is very rich, and everything in the world exists. Secondly, Fuzhou is a famous hometown of traditional crafts in China, which is based on lacquerware and can be described as a perfect combination.