More than half of her novels are set in Hong Kong in the 1980s and 1990s, describing the lives of white-collar women. The living environment of contemporary people is similar to that of Hong Kong at that time. Urban women can share half the world with men, just as described in her novels. And affection, of course, is needed, but it is no longer a necessity. If we unite, we will gather; if we don't unite, we will disperse. Still polite, hello, I am good, everyone is good, even if abandoned, it is a big deal to cry for a few days, and then get up where you fell, clean up your mood and start over. This is the greatest charm of Yi Shu's novels: teaching you how to be a strong, independent and independent woman.

The surface theme of Yi Shu's novels is romance, but the essential theme goes deep into many propositions such as human nature and gender, and the ideological tendency, realistic depth and philosophy of life are beyond the reach of ordinary romance novels. Yi Shu exposed the alienation and destruction of love life by industrial and commercial society, and the living standard of money worship caused many marriage tragedies. Yi Shu's novels have a serious artistic style because of the information of the times, the social problems touched and the depth of expressing human feelings.

An important theme in Yi Shu's novels is the discussion of women's fate and independent value. In his novels, Yi Shu sympathizes with the fate of urban middle-class women, and truly shows the deep complex feelings and human tragedies of middle-class women. The theme of My First Half Life is women's freedom and liberation, which fully embodies the author's thinking on the road of women's freedom, makes the protagonist fully aware of the importance of women's independence, and thus rewrites the tragic road of Zijun in Regret for the Past.

Yi Shu's works present the living conditions of contemporary women, but they don't point out a new way for women.

First of all, let's take a look at the emotional bias in these two novels:

First, the love in Qiong Yao's novels is mostly aesthetic. In most of Qiong Yao's works, love is an indispensable part of life and also occupies a dominant position. Even people like "life" and "death" have to take a back seat before "love", so life is precious and love is more expensive.

Second, Yi Shu's ambivalence towards love. She confirmed that there is "love" in the world, which is a pure and beautiful feeling from the heart regardless of background and identity. But at the same time, I feel that this pure and beautiful "love" is difficult to exist in the real world.

Thirdly, Qiong Yao thinks that the ideal belonging of love is family, while Yi Shu thinks that there is no pure and fair love in a free and competitive society.

So from this point of view, I prefer Yi Shu's works, because they are closer to reality, while Qiong Yao's is an ideal state in a dream, which can be pursued spiritually, but as adults, we should see the reality.

I prefer Yi Shu's novels, which are more real and profound than Qiong Yao's novels.

The biggest difference between Yi Shu's novels and other popular novels is probably her strong female consciousness. Most of the heroines in Yi Shu's novels are sentimental women who give up classical romanticism early and only rely on self-love and self-improvement. Love is suspicious. Most men in Yi Shu's novels are disappointing, but friendship-friendship between women-is pushed to the most important position by Yi Shu. Most of her heroines have at least one female close friend, or sister, or mother, or daughter, or classmate, colleague, or even stranger or rival in love, who stands on the same front with her, appreciates her, encourages her and helps her. Here, women's friendship is women's recognition, respect and love for their own gender, emotional needs, and even common resistance to unfair treatment of another gender.

Yi Shu showed the living conditions of contemporary women, but did not point out a new way for women. Only by completely removing the complex of "depending on men" in women's hearts can women become complete people in the true sense.

Yi Shu created many female characters. Mature women are a very vivid ethnic group described by Yi Shu. Their joys and sorrows, joys and sorrows, are vividly described by Yi Shu's brilliant pen. Yi Shu himself, in fact, still yearns for the old-school man who takes care of women, but his one-sided dependence will eventually be disillusioned in Yi Shu's works (such as My First Half). One can only rely on oneself ("rouge"), which is a common saying of Yi Shu, and it is also the driving force for all heroines in her works to strengthen themselves and love themselves. Even if you are lonely, at least you are noble and proud. You can live without a man and you won't live badly.

More than half of Yi Shu's novels are set in Hongkong in 1980s and 1990s, describing the lives of white-collar women. The living environment of contemporary people is similar to that of Hong Kong at that time. Urban women can share half the world with men, just as described in her novels. And affection, of course, is needed, but it is no longer a necessity. If we unite, we will gather; if we don't unite, we will disperse. Still polite, hello, I am good, everyone is good, even if abandoned, it is a big deal to cry for a few days, and then get up where you fell, clean up your mood and start over. This is the greatest charm of Yi Shu's novels: teaching you how to be a strong, independent and independent woman.

The surface theme of Yi Shu's novels is romance, but the essential theme goes deep into many propositions such as human nature and gender, and the ideological tendency, realistic depth and philosophy of life are beyond the reach of ordinary romance novels. Yi Shu exposed the alienation and destruction of love life by industrial and commercial society, and the living standard of money worship caused many marriage tragedies. Yi Shu's novels have a serious artistic style because of the information of the times, the social problems touched and the depth of expressing human feelings.

An important theme in Yi Shu's novels is the discussion of women's fate and independent value. In his novels, Yi Shu sympathizes with the fate of urban middle-class women, and truly shows the deep complex feelings and human tragedies of middle-class women. The theme of My First Half Life is women's freedom and liberation, which fully embodies the author's thinking on the road of women's freedom, makes the protagonist fully aware of the importance of women's independence, and thus rewrites the tragic road of Zijun in Regret for the Past.

Both of them are very respectable literary masters, and their works have their own styles and characteristics, mainly from their own hobbies. Personally, I like Yi Shu and Yi Shu's description of love, even unbearable pain in life, which is just an understatement. Almost all her works are independent women, with thoughts, wisdom, career and personality. There is no great sorrow and joy, no lingering sadness. It seems that every sentence is simple and contains the philosophy of life, and every sentence is worth tasting. Like a mature and capable woman, she doesn't talk much, but her words are amazing and meticulous. If Susie falls, and Xibao is my favorite. They taught me to grow and be independent. Most of Qiong Yao's works are affectionate, enchanting and lingering, which makes readers envy happy couples and happy endings. I think Yi Shu is rational and realistic, while Qiong Yao is dreaming and building a fairy tale world. As for which of the two languages is easier to understand, I think it depends on your interests and preferences. When you get used to a writer's language style, you can understand the feelings he wants to vent.

If you choose between the two, I personally prefer Yi Shu's novels. Although I read a lot of Qiong Yao's novels when I was studying, every girl at that time had read a Qiong Yao's book, and there was a love story of Qiong Yao menstruation in her heart, which might just satisfy the feelings of adolescent girls.

Qiong Yao 1938 was born in Chengdu, Sichuan, and she started writing from 196 1. His works include Out of the Window, Deep Rain, Plum Blossom Branding and Princess Pearl.

One of my favorite works is Water Cloud Sword, which was later adapted into a TV series starring Ma Jingtao, Chen Hong and Vivian.

The plot of the story is about the poor painter Mei Ruohong. After meeting Du, a rich daughter, he fell in love with her from the beginning, but felt that he was not worthy of her, so he pushed her to another rich boy, but the passage of time did not make him forget. Instead, Du, who has been pursuing him for many years, is regarded as a story in Du's emotional entanglement.

Ma Jingtao's hysterical acting is fresh in people's memory, and Chen Hong is also popular in Chinese mainland and Taiwan Province because of this Taiwanese drama.

When I was a child, I thought this desperate love was beautiful. Later, when I grew up, I discovered that Aunt Qiong Yao's novels are all about the plot of a third party, and they are all very pitiful and sympathetic dramas. The older you get, the more you feel different.

Let me start with Yi Shu and Yi Shu, formerly known as Ni Yishu, a Hong Kong writer. She was born in Zhenhai, Ningbo, Zhejiang. She is the sister of the great writer Ni Kuang. Influenced by family since childhood, middle school began to write. Her representative works include The First Half of My Life, She is Lonelier than Fireworks, The Last Romance, Go Forward and Never Look Back, etc. She has written many essays and modern novels, because the background of her writing is basically a modern city, and the protagonist is also a modern professional woman.

Perhaps many people haven't read Yi Shu's novels, but I believe many people have heard the famous saying in Yi Shu's novels, such as: "The grievances that can be said are not grievances; A lover who can be taken away is not a lover. A lady with real temperament never shows off everything about herself. She doesn't tell people what books she has read, where she has been, how many clothes she has and what jewelry she has bought, because she has no sense of inferiority. The best revenge is not hatred, but heartfelt indifference. Why hate an irrelevant person? -"The first half of my life" "There are many, many more.

Many of her novels have also been adapted into TV series, namely: Xi, Pearl, Morning Flowers, Fragments of Stars, Rouge Kou, Single Woman, The Story of the Rose, The Last Romance, The Soul of the Jade Pear and A Complex Story.

Speaking of her novels, they are generally about the lives of modern urban women. They are no longer those women who are attached to male chauvinism by Aunt Qiong Yao, and there is no way to get rid of the shackles of old-fashioned marriage. All the women in her novels are strong and independent, and love is that kind of deep love, which is neither love nor entanglement. Very contemporary, and it is easy to cause the buzz of modern women.

Personally, as I grow older, I no longer like Aunt Qiong Yao's novels. Stories of emotional hysteria or compromise, as well as three wives and four concubines in old-fashioned marriages, have been turned out, and our generation has lost its voice. In today's society, the plot of mistress destroying the family can no longer be accepted by the monogamous family concept. This script, which advocates the superiority of mistress and enjoys love, is considered by many people to have deviated from moral values. Therefore, Qiong Yao's new drama Princess Pearl, which left these themes, declared the end of her writing career after smiling.

Therefore, although I personally have the feelings of ignorant girls given by Aunt Qiong Yao, I prefer Yi Shu's simplicity and slowness to their writing themes.

Hello, everyone, I'm Haihai Culture Chat, and I'm glad to answer this question.

Qiong Yao and Yi Shu are both representatives of contemporary famous female writers, and their works have very distinctive features. Qiong Yao mainly writes romantic novels, which are full of romance; Yi Shu's works are very realistic.

When I was young, I especially liked Qiong Yao's works. After entering the society, I began to like Yi Shu's works, because they can give me more life guidance and inspiration.

Take Yi Shu's My First Half Life as an example. Actually, the story is very simple. It mainly tells the story of a housewife who was abandoned by her husband and had to break into the workplace in order to make a living.

But it is such a simple story that has taught me a lot.

In the play, Luo Zijun is a spoiled wife. She usually has a nanny to take care of her daily life. All she needs to do is dress herself up and continue to buy in buy buy, the mall of Buy Buy.

In her life, her husband Chen is everything, so it is natural for him to provide her with a good life. She even despises single women who fight in the workplace like Tang Jing.

However, she never imagined that this kind of life she lived was bought by her husband through hard work. She never realized her husband's hard work and couldn't understand the great pressure he was under in the workplace.

As for her husband Chen, he has to face all kinds of work pressures and complicated interpersonal relationships during the day. When he got home, he only saw a beautiful vase, so he couldn't solve his problems or even understand his difficulties. Therefore, it is only a matter of time before Chen gets the care and care of his work partner Lingling.

Independence means not only economic independence, but also personality independence.

In the novel, Luo Zijun before the divorce is a woman attached to Chen's life, and Chen is her day. One day, when Chen asked her for a divorce, she felt that the sky was falling and she didn't know how to live. Because she knows that after the divorce, she may even have problems with her survival.

After graduation, she was raised by Chen at home, and she never thought about making a living. She didn't expect Chen to abandon her one day, and she was scared and timid.

Facing Chen's affair, she didn't even dare to get angry, but begged Chen not to abandon her. Therefore, in marriage, women have no right to speak unless they are independent.

I once saw a sentence: "Q: How can I make my marriage last? A: Consider this marriage unmarried. " This sentence seems absurd, but it makes sense. Before marriage, everyone is an independent individual. But after marriage, many women began to rely on men, gradually giving up their growth and losing themselves.

We should all understand that women should have independent personalities and careers before and after marriage in order to enjoy the right to speak in life and marriage.

I once saw a sentence: "What is the easiest way to eliminate fear? Is to face fear. " In the novel, when Luo Zijun was abandoned by Chen and divorced, she was extremely scared because she never entered the workplace after graduating from college and had no skills. So she was at a loss in the face of life and didn't even know how to find a job.

However, Tang Jing found several companies for her from the recruitment website and asked her to go for an interview the next day. Luo Zijun shuttled between these companies in anxiety. Later, she found that as long as she faced it, the reality was not so terrible.

From then on, she started from the lowest level of work, was serious and responsible for her work, and gradually gained the appreciation of her boss. With the help of friends, her career has also been greatly improved. Even her husband Chen thought she was completely different when he saw her again. I think what Chen said is different, referring to Luo Zijun's courage to face life and the confidence revealed in his eyes.

I read Rainbow's novels. Because the works of two women in the title belong to the level of middle school girls …

I like Qiong Yao.

Qiong Yao's

I like neither, but I like Xi Juan's. Just relax。