Starring: Cheng (1904- 1958), male, the heroine of Beijing Opera, one of the four famous artists. Cheng, the founder of Chengpai Art, was originally named Cheng Lin and Manchu. Later, it was changed to the Han surname Cheng, whose first name was Cheng Junong, and later changed to the word Jade Frost. From 1932, it was renamed as Qiu Yan and changed to Yu Shuang.
When I was a child, I went to middle school. At the age of six, he joined Butterfly Fairy, practiced martial arts and became a martial artist. A year later, he studied drama under the famous martial arts teacher Ding. Later, because of his beautiful appearance, he changed from Chen Tongyun to Hua Dan. Later, he found his voice was great, so he changed to Tsing Yi and studied under Chen Xiaoyun. Cheng's childhood basic skills training is extremely difficult. He received these trainings with amazing perseverance and survived a painful childhood. At the age of eleven, he stepped onto the stage and started commercial performances at the age of twelve. With its extraordinary civil and military achievements, singing, reading, doing and playing are outstanding, which makes the industry refreshing. In the Tangui Tea Garden (formerly Dongan Market), he collaborated with Zhao Tongshan, Liu Hongsheng and Sun Juxian to perform such plays as Songzi in Mulberry Garden, Yuanmen Chop Zi and Zhu Shazhi.
19 17 He stopped performing and continued his studies because of his voice problem. After the change of voice, with the help of the poet Luo Yinggong, he first learned the hilt, characters and singing from famous artists such as Yan (Jiufeng), Qiao Huilan, Xie, etc. He worshipped Mei Lanfang as a teacher and was guided and inspired by Wang Yaoqing. Under the guidance of Luo Yinggong, he dabbled extensively in literature, painting, calligraphy, boxing, sword practice, movies and other arts, which greatly improved his artistic accomplishment and aesthetic taste, made full preparations for future artistic creation, and gradually formed his own unique style, known as "Cheng School" in history. After cooperating with Gao Qingkui, Yu Shuyan and others, he became more and more famous. Soon I organized my own class and performed in Beijing and Shanghai, which left a deep impression on the audience. 1927 and 193 1 were selected as the "four famous hotels in Denmark" twice.
Artistic characteristics of Cheng School: artistic characteristics
Cheng Pai's singing skills are unique. He strictly abides by the rules of phonology. With the development and change of drama plot and characters' emotions, his singing is ups and downs, and the rhythm is changeable, which requires a high combination of "sound, emotion, beauty and eternity". His performance is very meticulous and profound, paying attention to the integrity and beauty of stage expression, and at the same time paying attention to being close to the truth of life.
In artistic creation, Cheng is brave in innovation and creation, and pays attention to four tones in stage performance. According to his unique voice characteristics, he created an indirect and intermittent singing style and formed a unique feature. The characters he created are elegant and dignified, just like white chrysanthemums in frosty days, with a sober beauty, and later became one of the "Four Famous Hunters in Denmark". Cheng also has a series of distinctive creative features in his performance, including his eyes, figure, footwork, fingering, sleeves, fencing and so on. As a complete art school, he has been fully displayed on the stage of Peking Opera. Cheng pays attention to drawing lessons from the art of brothers and sisters and integrating them into his own artistic creation. He is an outstanding master among many artists.
Cheng Qiang's unique style is an important part of the art of city brand. The craft cavity is meticulous and continuous, deep and tactful, ups and downs, changeable rhythm and more rigorous phonology, which makes the melody and tone closely combined. His singing not only respects the appreciation habits of the masses, but also meets the new appreciation requirements of the audience. He is good at drawing nutrition from other trades of Peking Opera and even other operas, operas and folk music.
Cheng's singing pays attention to the beauty of melody and the significance of charm, and pursues a high combination of "sound, emotion, beauty and eternity". Pronunciation is firm, mellow, steady and powerful, which not only emphasizes the head, abdomen and tail conversion of pronunciation, but also bites but does not die, hidden but not obvious. [Adagio] sings melancholy and euphemistically, leaving deep feelings in my heart; Allegro is like a pearl. He often controls a long note or treble in a subtle range to express the complex inner feelings of the characters; And with a darker tone, strengthen the tragic color in singing. In addition to paying attention to priorities and rhythms, it is more important to connect between connections. There are breaks in the connection, but the sound is broken and the sound is broken. This kind of singing, combined with his nuanced singing characteristics, has formed the artistic characteristics of deep connotation, softness outside and rigidity inside, discontinuity and unity.
A successful performance is a high integration of character, expression, character, singing and chanting, which not only pays attention to the reality of life, but also emphasizes the beauty of stage form. Although the circus moves like a fly, it doesn't have to show its shoes or shake. Also created a "hook, pick, brace, punch, dial, lift, brush, swing, hit, shake" 10 sleeve method. It can be freely combined according to the plot and developed into an ever-changing dance, which greatly enriches the expressive force of Dandan Sleeve.
Cheng's acting skills, not only in-depth role, vivid everywhere, but also led the co-workers on the same stage to deeply play the rules of sympathy. His performances in the middle and later stages have reached a mature, concise, perfect and moving realm in terms of skills and artistic expression.
The story of Locke Forest Capsule:
Xue Xiangling, a rich family in Dengzhou, was married, and the sedan chair was caught in the rain on the way. The bridge people sent it to the Spring and Autumn Pavilion for temporary shelter; At this time, another sedan chair carrying a poor woman, Zhao Shouzhen, also avoided it. Because the pavilion was narrow, she retreated to other places, leaving only two women alone. Xue Xiangling listened to the faint cry and asked Zhen why he only sighed, but he didn't, as we all know, have been poor in Qi and worried about Zhen's future. Xiangling was generous and pitiful, and took a lock bag with jewels as a gift. The rain stopped and neither of them left.
Six years later, the flood ravaged Dengzhou, and Xiang Ling was separated from his family and fled to Laizhou. In order to make a living, he had to be a slave in the local gentleman Lujia. One day, he accompanied Tian Lin, a naughty little boy, to play games in the downstairs where his wife told him not to go. But the son deliberately threw the ball downstairs and forced Xue to get it. Xiangling had to do so, but she saw that she had sent Zhen Shi a lock forest capsule for the table sweetmeats that day. Don't be sad. It turns out that Mrs. Lu is human. In those days, the husband and wife started quickly from the things in the lock bag. Now, knowing that Xiangling is the bag delivery person, she feels very comfortable, treats her as a guest of honor, helps her find her mother, husband, son and husband, and finally reunites with her family. The two families are also a century-old marriage.