Shi Tiesheng, 195 1 1 was born in Beijing, and was born in Zhuoxian County (now Zhuozhou City), Hebei Province. He is a China film writer, a famous novelist and writer. Before his death, he was the vice chairman of Beijing Writers Association, a resident writer, a member of the 5th, 6th and 7th National Committees of Chinese Writers Association, and the vice chairman of China Disabled Writers Association. 1958 entered Wang Daren Hutong Primary School in Dongcheng District, Beijing, and 1967 graduated from the middle school affiliated to Tsinghua University in Beijing. 1969 went to Yanchuan, Shaanxi Province to jump the queue and settle down. 1972 returned to Beijing,1974-1981worked in Xinqiao street factory in Beijing, and then went home to recuperate without pay due to illness. 1979 published his first novel, The Law Professor and His Wife, and later published many short stories. 1983, join the Chinese Writers Association. 1986, signed as a writer by Beijing Writers Association, and later served as a resident writer of Beijing Writers Association, with the title of first-class writer. 1996165438+10 In October, the short story My Story won the gold medal of "300,000 Donghai Literature Award" in Donghai Literature Monthly. The novels My Far Green Ping Bay and Grandma's Star won the National Excellent Short Story Awards of 1983 and 1984 respectively. Their works are fresh, enthusiastic, philosophical and humorous. They pursue the combination of realism and symbolism in the expression method, and pay attention to absorbing the expression skills of modern novels on the basis of truly reflecting life. In addition, he also created screenplays such as Dream Season (cooperation with others) and Death and Girls. Death and the maiden belongs to a new film genre in Shi Tiesheng's photo collection (10), which has made new contributions to the development of film genre. Both films were directed by Lin Hongdong, and Dream Season won the prize for its novel perspective. 1988 Excellent Film Award of the Ministry of Radio, Film and Television, Special Award for Artistic Pursuit of the Third Children's Film Award "Cow, Death and Girl" 1989 won the honorary award of the 13th Varna International Red Cross and Health Film Festival for its exploration of the value of life. Shi Tiesheng is the author of a collection of short stories: Lunch for Half an Hour, Our Corner, My Distant Qingping Bay, Grandma's Stars, Life as a String, First Person, Others and Notes on Old Houses. Novelettes such as Reportage about Pastor Zhan, Story of Jumping in the Queue, Sunday, Fate of Original Sin, Several Simple Guessing Methods, Three Novels, Novelette 1 or Short Story 4. Prose Good Luck Design, Me and Ditan, Notes under the Wall, Inside and Outside Football; Novels such as Retreat Notes, Our Corner, Winter Night and Legend of the Peak. He has won the National Excellent Short Story Award, Lu Xun Literature Award and various national literary publications awards. Some works have been translated into English, French and Japanese, and individual articles or collections have been published overseas. Over the years, Shi Tiesheng struggled tenaciously with his illness and created a large number of outstanding and well-known literary works on his deathbed. His works have won many important literary awards at home and abroad, and many works have been translated into Japanese, English, French and German and published overseas. He is a low-key, self-disciplined and noble character, and is a model among writers. 20 10 12 3 1 at 3: 46 am, Shi Tiesheng died of a sudden cerebral hemorrhage in xuanwu hospital. According to his last wish, his spine and brain will be donated to medical research; His liver will be donated to patients in need. [ 1]

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Shi Tiesheng's Early Works: Me and Ditan.

His novels, such as Lunch Half an Hour, have the characteristics of exposing "dark side" literature. My Distant Qingping Bay published by 1983 is not only Shi Tiesheng, but also an important novel creation at that time. It is explained on many levels: or it broadens the horizon of "educated youth literature", or its significance in literature "seeking roots". On the issue of "seeking roots", the author expressed the view that "seeking roots" and "seeking roots" are completely different. One is where we come from and why we come. The other is also for: where are we going and how to get there? Regarding the latter, he thinks that "this is to see the absurdity of life and find a reliable basis for the spirit" (Postscript on Sunday, Huaxia Publishing House, 1983 edition). Shi Tiesheng's personal experience of physical disability makes some of his novels describe the life dilemma and spiritual dilemma of the disabled. However, he transcended the pity and self-pity of the disabled for their fate, and thus rose to the concern of universal existence, especially the phenomenon of mental "disability". Different from other novelists, he has no attachment to the perceptual life characteristics of his own nation and region. He regards writing as a narrative and exploration of personal spiritual journey. "The universe and its endless desires will become eternal songs and dances. What kind of names this desire has can be ignored "(Shi Tiesheng's Me and Ditan). This persistent concern for the survival of the "disabled" (in Shi Tiesheng's view, all people are disabled and defective) makes his novels have a strong philosophical meaning. Because of his personal experience, his narrative runs through a kind of warmth, but fatalistic sadness; But there is also a struggle against absurdity and fate. Life is like a string, a fable that struggles with absurdity to gain the meaning of existence. [2] Write with your heart!

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Retreat notes

Retreat notes

This book is one of the collections of short stories by Shi Tiesheng, a famous contemporary writer. The Story of Jumping in the Queue and My Distant Qingping Bay are both classic works of educated youth literature. With the method of chronological or anti-chronological, the author reproduces the living conditions and living conditions of some educated youth in the absurd specific political period, and reflects on the happiness and misfortune of life, thus showing the local customs of northern Shaanxi and the straightforward, tenacious and convenient character of northern Shaanxi people. The integration of pictures undoubtedly provides the most precious evidence for the classicality of the works, so it has attracted worldwide attention so far.

My trip to Ding Yi

This is a unique and intriguing modern love novel. Shi Tiesheng, a novelist and thinker, describes love, sex and sexuality with clean, beautiful, poetic and rational words, traces the origin of love and explores the true meaning and significance of love. Those entanglements between spirit and flesh, the rehearsal of sex and love, those lonely touches and warm comforts, those soft stories and hard philosophies all give people reasonable experience and unexpected enlightenment.

Letters and questions

This is the correspondence between the famous writer Shi Tiesheng and his friends and readers over the years, as well as the preface and postscript of some writing. Never released an album. After the author personally screened and obtained the consent of the letter owner, * * * selected dozens of letters and nearly 20 prefaces. With the theme of literature, art and contemporary literature thinking, this book expresses Shi Tiesheng's thoughts on life and death, disability and love, suffering and faith, writing and art, and answers these common spiritual questions: how to live the meaning now. His work Generation shows justice and strength, and also brings inspiration and encouragement to readers.

Broken pen in disease space

Shi Tiesheng's Works: Illness Interrupted Pen

As the most important achievement of China literature in 2002, Broken Pen from a Sick Gap, as always, pondered over such major issues as life and death, disability and love, suffering and faith, writing and art, and answered these common spiritual questions: how to be present and how to live out the meaning. When most writers gave up facing the basic situation of human beings in the era of consumerism, Shi Tiesheng lived in his own heart, still struggling to pursue the value and glory of human beings, still firmly marching into the desolate area of existence and resolutely fighting against the unknown. This courage and persistence have deeply aroused our vigilance and concern about our own situation.

Me and Ditan

I have mentioned an abandoned ancient garden in several novels, which is actually an altar. Many years ago, before the development of tourism, the garden was as barren as a wild field, and few people remembered it. Ditan is close to my home. Or my home is close to the Ditan. In a word, I have to think that this is fate. More than 400 years before I was born, Ditan was located there; Since my grandmother came to Beijing with her father when she was young, she has been living not far from it-she has moved several times in the past 50 years, but she always walks around it and gets closer and closer. I often think this question is doomed: it seems that this ancient garden has been waiting for me for more than 400 years.

biology

This creature

This is a collection of thoughts. Among contemporary writers in China, I'm afraid it's hard to find another person who loves metaphysics and is good at it like Shi Tiesheng. The so-called good at it is that he can extract those fragments that shine with the light of thought from trivial things in reality, but at the same time he can express them beautifully, tactfully and attractively, which makes people can't help but be heavy. This is a writer's life wisdom, not a boring philosophical monograph. Certainly not superficial cheap literature.

About writing.

This book contains most of Shi Tiesheng's literary thoughts. Writers often talk about literature better than scholars who specialize in literature, and sometimes even excite readers more than writers' own creations. A good writer is first of all a good reader, a good literary theorist and a literary historian. In this book, Shi Tiesheng shows us his rich literary knowledge and the writer's unique sensitivity. ..... [Reading sequence]

earlier times

This book is a collection of Shi Tiesheng's reminiscence essays. After a long illness, Shi Tiesheng sat in a lonely wheelchair and recalled the past again and again. He told it in his usual calm and powerful language and presented it to readers. These past events are warm and bitter, but they often rise from daily trifles to refreshing thoughts. From these words, we can see how fate tortures a mortal's impermanence, and how this person and people around him fight against fate unremittingly, thus becoming extraordinary. [3]

Edit this classic quotation

Shi Tiesheng

1. The room of the soul will be full of dust if it is not cleaned. A dusty heart will become gloomy and confused. We go through a lot of things every day. Happy and unhappy people all settle down in their hearts. If there are too many things in your heart, it will become chaotic, and then your heart will be chaotic. Some painful emotions and unpleasant memories, if filled in the heart, will make people depressed. Therefore, sweeping the floor and removing dust can make a gloomy heart bright; Only by sorting things out can we bid farewell to our troubles; Throw away some unnecessary pain, and there will be more room for happiness. Appreciation: Only when people do what they can, and let go when they should, can they reap their own success in a relaxed and happy rhythm. 2. Bitterness and pleasure are judged by oneself, and they are not necessarily directly related to the objective environment. Just like a woman who doesn't love jewelry, even if she is in an environment that attaches great importance to vanity, she will not hurt her self-esteem. The poor scholar with thousands of books doesn't want to exchange diamonds or stocks with millionaires. People who are satisfied with rural life do not envy any scholar's honorary title or senior official. Appreciation: Your hobby is your direction, your interest is your capital, and your temperament is your destiny. Everyone has an ideal heaven and a world of flowers and flowers that they are willing to enjoy. 3. Smile and sing the song of life. Don't complain that life has given too much hardship, and don't complain that life has too many twists and turns. The sea loses its grandeur without the rolling of huge waves, and the desert loses its grandeur without the wild dance of flying sand. If life is just plain sailing at two points and one line, it loses its charm of existence. Appreciation: smile and play the strings leisurely, face setbacks, accept happiness, taste loneliness and overcome sadness. 4. Be happy. Happiness needs to be enjoyed, but sometimes it is easy to beat a person. When happiness suddenly comes, people are often drowned by the vortex of happiness and fall from the peak of happiness. To bear happiness is to cherish happiness instead of blindly precipitating it, just like facing an old jar of wine, you will often be drunk unconscious when you drink it at one breath, and only when you taste it slowly will you taste real mellow and sweet. Appreciation: Life is a kind of bearing and needs support. Support the cause, support the family and even support the whole society. If you have support, you will definitely bear it. How much weight you support, how much pressure you bear. Don't rub against each other on the right and wrong between people. Some words are not heavy, but a little carelessness will weigh on others' hearts; Of course, we should also train ourselves not to be easily hurt by other people's words. You can't decide the length of life, but you can expand its width; You can't change your natural appearance, but you can always smile; You can't expect to control others, but you can take care of yourself; You can't completely predict tomorrow, but you can make full use of today; You can't ask everything to be smooth sailing, but you can do everything wholeheartedly. Shi Tiesheng's close-up appreciation (9 photos): A person's happiness is not because he has more, but because he cares less. It is more of a burden and another kind of loss; Less is not enough, it is another kind of surplus; Giving up is not necessarily a loss, but a wider possession. 6. Life is like a dream. Life from scratch, from existence to nothingness, life and death constitute society and the world. Judging from impermanence, life is like a dream. Therefore, only by living colorful and interesting, can one live in this world in vain. Life is like a dream, Life Geometry. From the perspective of short life, life is really a dream. Therefore, how to improve the quality of life and how to live meaningfully has become a permanent topic. The green hills are still there, and the sunset glow is red several times. Compared with the eternal nature, life is just a dream. Appreciation: in this sense, in the tolerance of nature, in this long river of history, "people have traces, geese have voices", and people have come to this world.

Walking on the mountain, you should leave a little footprint and a little spirit of companionship with mountains and rivers. 7. For the soul, people have struggled all their lives. If they can always earn happiness in the end, they will realize the greatest value of life. Some people are very happy, but they look very upset; Some people should be worried, but they look happy. People who live a confused life are easy to be happy; People who live a sober life are easily troubled. This is because sober people look too real, and when they look too real, their lives are full of troubles; However, a confused person, who seldom cares, has found a great realm of life even though his life is simple and rough. Appreciation: all the troubles in life are caused by yourself. It's not that trouble can't be separated from you, but that you can't be separated from it. Everyone is very happy. However, your happiness is often seen by others. 8. I can make my friendship shine in watercolor paintings. Maybe one day, with the passage of time, I have accidentally fallen into the forgotten heart lake. The memory of the lake dilutes the beautiful color, but it dilutes the feeling of blood and courage. The legendary swordsman braved the wind and waves. That painting has become filthy and has to be deeply regretted. Perhaps it was Nu Wa who created sweet colorful paintings for human beings, fearing that human beings would not cherish them, and added some traces of divine water, hoping to bring colorful pictures to human beings and forge human spirituality in roughness. Appreciation: I really don't know whether people are temporarily stuck in the fresh-keeping period of life watercolor, or whether the years have diluted the dazzling aura of life watercolor. 9. Happiness is to be found by yourself. No matter where you are in space, you can enjoy happiness at any time. Even if you are experiencing a catastrophe, be happy, because you can see the dawn in the catastrophe and learn a lot from it that others may never learn. When you have something that others don't have, you are the only one. Appreciation: stop and think about the road you have traveled and the life you have experienced, and you will feel that you have been living surrounded by happiness. 10. Life is picturesque, and life itself is a painting. However, when we don't go deep into this world, we are all readers who read and watch this painting. After the storm, we all became the protagonists in the book, and we all performed wonderful translations in our own way. Happiness is a feeling, happiness is a wisp of flower fragrance. When this flower blooms in the depths of the soul, it can emit a long intoxicating fragrance as long as the breeze blows gently. We! Everyone is responsible! Appreciation: whenever I want to do something willfully, there is always a voice in my heart to remind myself of the consequences if I can't do it. This is the responsibility! [4]? 1 1. Son, this is your sin and your happiness.

novel

Half an hour for lunch 4000-80 Huaxi Novel Quarterly No.9 -80 No.4 (Note: This quarterly novel, later Youth Literature and Corner Without the Sun, was first published in Unknown Lake and Today, and was named This Corner when it was published. ) Black-Dianchi Lake, 82, 1 1, my distant Qingpingwan, 13000, Youth Literature, 83, 1, the story of jumping the queue, 83000-Zhongshan, 86,65438+2000. Coming to Earth (novel) (about136,000 words) Law professor and his wife 5500-Contemporary Brothers 79, No.2, No.4700-First published today, No.4) Continuous Autumn Rain 7500-China Youth, No.4, 82, Summer Rose 7000-Ugly Duckling, No.4, Ball 9000 ————————— People's Literature, No.5, 84, coming to the world,14000 —— March Wind, 985, Che Shen, 5500 ——————— March Wind, No.65438+0,87. Poison 15600 —— Shanghai Literature 10, My Dance 20400 —— Several Simple Guessing Methods in Contemporary Times 23000—— Harvest three novels 6 and 88. 0-Writer,1No.4, 992, About the idea of a drama with a movie as the stage background, 47000-Zhongshan,1No.4, 996. First person (novel) (about 140000 words), reportage about Pastor Zhan, 42000-literati, 84. Fate of Original Sin, No.2, 2000 ————————— Zhongshan, No.88, 1, Zhong,10000 ———————————— Zhongshan, No.90, first person,10000 —— The 8+0 issue of Phantom of the National subjugation is10000-Beijing Literature, 1999, and the two stories are about 7000-2000 writer's retreat notes (a novel) which is about 4 10000 words-harvest. 438+0: Comments by Deng Xiaomang 6. Notes on Closing the Door (Part II) (Chapter 10- 16) Appendix II: Comments by Zhang Ning 7. Notes on Closing the Door (Part II) (Chapter 17-22) 8. My trip to Ding Yi, I am twenty-one.

Prose essay

1 1. Fatal Writing (Essay) (about 140000 words) Shi Tiesheng's works

Random thoughts and introspection 6300-86 years of people's literature? Answer Yourself 16500 ———— Screenwriter 1, Monologue18000 —— Screenwriter 10, Good Luck Design 150000. The graveyard of game equality, 6 issues, 6300-A review of contemporary writers-1992 Letter to Yang Xiaomin, 3800-? Curtain call1000 —— Novel Monthly Report in 1992? No life1600--? Love problem10000 ———————————— Zhongshan, No.4, 94, Heart of the God Officer, 4300 —— Reading, No.6, 94, Memory Maze, 3000 ——————————————————————— Today, no. Essay period (in order to be selected for the sixth class of the next semester in the seventh grade of nine-year compulsory education) Albizia Albizia 2000 —— Wen Hui Monthly, No.6, 85 —— My Dream 2000 —— Disabled People in China, 1, 89 —— About the shame of the Cultural Revolution, 4000 —— Oriental Chronicle. Me and Ditan (15000)-Shanghai Literature (9 1), Three Essays (6300)-Sui Zi (92)? Notes under the Wall 4000- Pioneer Today 4- Ying Ying 700- Today 94 2- Mourning Shaocheng 2000- Jinghua Daily 96 Foreign and Other 700. Memories of the Temple 6000- People's Literature 10, Sick Broken Pen 1 25000- Huacheng 4, 99, Broken Pen 2 25000- Tianya 3, 2000 three letters to Li Jianming.

Textbook collection

1. Memories of autumn, Chinese textbook for grade six, 18 lesson. 2. Ditan and I, the first part (excerpt) of the second year of senior high school in Jiangsu Education Edition. 3. My dream. 4. God in the Woods. 5. acacia. 6. To friends of blind children [5]

I hope I can help you, hehe

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