And & is "the star of the counterattack is brilliant", so I think the star line of the heroine should occupy the primary position, not to mention the score of four or six points, at least the two lines of career & emotion should be equally important, but it gives me the feeling that the whole drama is mainly centered on the emotional line, and the career line is obviously upstaged by the emotional line. And too much emotional foreshadowing is a bit redundant, and it has become a so-called long shot → _→ The audience who is more girly will like it. There are all kinds of sugar, but it is not attractive to a clown like me. _? )

(2) The main character's personality collapses.

This point was often mentioned in previous evaluations. Although it improved in the later stage, it also caused most people to abandon the drama in the early stage. ...

③ Incorrect setting of character contradiction.

This is really a point that I am particularly interested in. Let me sum up the routine of the contradiction between the characters in the play: conflict → bad feelings → cold war → quarrel → inexplicable reconciliation.

Yes, it's that simple and rude.

(4) Less wonderful shots and more redundant descriptions.

In fact, this point is quite repeated with the first point, but what I want to emphasize here is that many classic shots in the original work are not emphasized too much in the TV series, but only go through a scene, which reduces the audience's perceptual experience. The so-called classic shots must be very interesting, such as the scene always shouting cards when kissing and so on. If we increase the time of these shots and cut out those messy scenes, the effect will be very brilliant.

Source: Zhihu.