Basic Introduction Chinese Name: Shooting mbth: [Shooting] Pinyin: pāi shè Related words: shooting scale, single shooting, overview of shooting angle, shooting skills, night shooting, rain shooting, sunrise and sunset, architectural shooting, general rules, tourism scenery shooting, strange mountain shooting, scenery shooting, film shooting skills, jewelry shooting, overview Pinyin: pāi shè English: shooting skills at night. Shooting night scenes mainly refers to scenes under outdoor lighting or natural light at night. When shooting, lights, firelight, moonlight, neon lights and shuttle cars on the street are the main light sources. 2. When shooting, we should first keep the atmosphere at night and the authenticity of the lighting. We should use tripods, cable release and other attached files, and use one or more exposure forms. When shooting a clear scene, the aperture should be smaller, and the shutter should be placed on the B door or the T door to expose according to the brightness of the light. 3. The film can be daylight-type, and it can also use films with high sensitivity such as ISO50, ISO64, ISO 100. The exposure time of low-sensitivity film can be longer, and the particles of the film will be finer after shooting. Can perfectly show the beauty of the night. Shooting rainy scenes and rainy days is the weather that photographers hate the most. Whether it is heavy rain or light rain, few people take a camera to take pictures of the scenery outside, and some even think that it is impossible to take pictures of the scenery on rainy days. As we all know, you can take pictures when there is light. You can shoot rain scenes at night, of course, you can also shoot rain scenes during the day, and you can shoot dynamic rain scenes, that is, rainy nights and rainy nights. Rainy scenery also has its unique emotional appeal, not to mention rainy days are also an indispensable scene in people's lives. In order to reflect more life scenes and enrich the content of scenery, rain scene is also an essential subject for our shooting. When shooting a rain scene, in order to show the rain stripes in the rain scene in the photo, in addition to choosing heavy rain, it is necessary to have a dark background as a foil. If the background of the rainy scene is the sky, then the rainy sky must be white and dense clouds. Even if it rains heavily, it can't appear because the background and rain bars are white. The closer the background is, the more prone it is to rain bars. The farther the background, the bigger the scene, and the rain bars are not easy to appear clearly. Therefore, the shooting range of the rain scene should not be too large, and it is more important to avoid the white sky occupying most of the picture and affecting the performance of rain bars in the scene. When it rains, the brightness of the scenery is generally weak. Therefore, when shooting a rain scene, it is generally necessary to use a larger aperture and a slower shutter speed, so that the rain scene has sufficient sensitivity. In order to show the rain bars that have not yet landed in the scene space and master the dynamics in the rain, we should shoot at a higher position. Generally, when shooting a rain scene with the shutter speed of 1/60s, you can show the rainbands that have not landed in the space. If the rain stripes in the rain scene space are short when shooting with shutter speed, a longer rain scene can be obtained with a slower shutter speed, and the dynamics in the scene may not be clear enough. Shoot a scene in light rain, because there is not enough light rain in the scene, so it can't show rain. However, when Mao Mao rain is used to shoot dark Woods or mountain layers, because there is no sunshine in the scenery, the objects in Shenzhen Special Economic Zone are all colored, and Mao Mao rain will be like a fog layer between dark objects, showing a far-shallow and near-deep color. If the framing range is not very large, you can also show a misty rain scene in the scene with the brightness of nearby objects as the exposure tone. Sunrise and Sunset When the sun just rises from the horizon or is about to set in the west, there is a certain sunrise or sunset on the ground to cover the scattered light of the sun, and a round sun without light scattering appears. This is the time to shoot sunrise or sunset. When the sun just rises or just sets, there are often some colored clouds on the horizon against the light in the sky. We can wait until the sun clouds have no light scattering before shooting the sunrise or sunset. This can not only avoid the halo on the negative caused by sun scattering, but also make the scene in the sky not only have a lonely sun. At sunrise and sunset, when the sun has just risen or is about to set off the mountain layer, because there is no reflection of water between mountains, it is in complete contrast with the black tone of the sky with the sun. Therefore, when shooting a sunrise or sunset scene on a mountain, only when clouds cover part of the sun or enlarge or increase the exposure of the sky can the colors of the sky and the mountains be more balanced. It is also common that there are no clouds in the sky when the sun has just risen or is about to set. In order to avoid the sky being too monotonous, using some sparse leaves and branches as the foreground of the empty sky can help balance the structure of the scene. But if there are too many branches or leaves, it will cover most of the sky and affect the balance of the picture. There is not much difference between the image and tone of the sun in the morning and evening. If you want to distinguish between sunrise and sunset from photos, you should distinguish them by scenery and color, because the sky on the horizon is generally clear in the morning in Wan Li, and when the sun rises, it will quickly disperse the light. At dusk, the sky on the horizon is generally cloudy, and there is no scattered light when the sun is far from the horizon. As far as hue is concerned, the sky is red with yellow in the morning and magenta in the evening. Therefore, when shooting the sunrise, you should shoot it as soon as the sun comes out of the horizon, and you can't miss it. Shooting the sunset can start when there is no light scattering, and it can only be taken with confidence when it is about to enter the horizon. The main purpose of shooting architecture is to show that designers have very successful designs in building scale and modeling structure, reflecting the architectural style of the present period. How to shoot a good building, the photographer should use various means to express the object: 1. When shooting buildings, because the current buildings are mainly high-rise buildings and the walls are mostly glass, to show the luxurious style of buildings, professional cameras are generally used, and the lens and film plane can be adjusted from multiple angles, so that the buildings will not be greatly deformed when shooting. 2. When the building is photographed with positive light, the light is flat and weak, lacking three-dimensional sense. Backlight can shine on the sun, but it can't show that the local part of the building is stronger than the vivid three-dimensional sense, so it is generally suitable for shooting in the morning. General principles 1. Of course, to highlight the main portrait photography is mainly to shoot people, so the focus is on expressing people, even if the scenery is beautiful, it is also a foil. If you want MM to be as big as mung bean, go back and kneel on the motherboard and wait. 2. "One white covers three ugliness" All MMs want the skin to be white, tender and delicate, so make the face fully exposed when shooting, and increase the exposure by 1/3 to 1 through exposure compensation, which can weaken the flaws and whiten the skin. 3. Flexible processing angle Everyone has their own good-looking side. A slightly fatter MM can try to shoot from above, and if the front is not very good, shoot the side. Learn to observe and analyze, and your work will be photographed by MM to appreciate the tourist scenery. The shooting of Qifeng Mountain should stand at a higher height as far as possible, and shoot downward or head-up. Generally, in addition to stairs, there are cable cars that can climb up and down quickly. If the cable car is fully enclosed, you can take pictures of the whole process of going up or down the mountain with a digital camera. Be sure to keep your hands steady, and don't move the digital camera by cutting, pushing, pulling and shaking when shooting, because the smooth cable car movement is the best way to move the lens. Shooting mountains and rivers For shooting mountains and rivers, try to find the junction of mountains and rivers, which often reflects the abstract combination of heaven and earth. When shooting, it is best to ensure that there are no other unrelated tourists on the screen. You can shake the camera to the screen with tourists for about 10 second, which can better reflect the effect of people and scenes being integrated. Generally, waterfalls will appear where there are mountains and water. Shooting waterfalls should reflect the majestic momentum of the whole waterfall. It's best to shoot when there is a rainbow on a sunny day. The camera can be fixed on a tripod to stabilize the picture, which is conducive to shooting the waterfall "flying down three thousands of feet". It should be noted here that you should not be too close to the waterfall when shooting, in case the lens is splashed by water. If you must shoot near the waterfall, you'd better install anti-ultraviolet glasses for the lens. The technique of shooting is called cinematography. At present, the first book in China that introduces film-making skills is Master Shot: 100 Advanced Skills of Low-cost Film-making, which introduces film-making skills to non-professionals for the first time. The content covers shooting skills such as fighting scenes, chasing scenes, horror scenes, entering and leaving scenes, car scenes, dialogue scenes, quarrel and conflict scenes, and love scenes. The art and craft of jewelry photography need certain experience, artistic flash and brilliant technology. This is a special case of jewelry. The best presentation is clear and fashionable. Customers want to see your products as real and natural as possible in the environment, but you also need to ensure the internal quality of each product, and it is difficult to establish the correct tone for each product. Jewelry photography, you need to show every detail to the audience as much as possible, but unless the speech is carefully planned, you may alienate a large part of your future market. This is why professional jewelry photographers can help solve problems, create a unified style plan, completely capture and emphasize the quality of each product, and ensure that your customers can get realistic jewelry appreciation. The secret of great jewelry photography is that all photos should be effortless, but stylish, atmospheric and clear. Top photographers in jewelry shooting will ensure that your photos are both fashionable and technically perfect. China's most advanced technology ensures light, contrast and clarity. The difference between a high-quality lens and a high-resolution camera is that it can make the effect more remarkable, especially if your product has many details, shapes or colors with low contrast. Jewelry photography especially needs clarity and almost infinite sharp contrast to ensure the amazing details of every curve, gem and silk. In order to shoot perfect jewelry, lighting needs the most advanced equipment to ensure that its style is always clear and natural.