Second, the basis of ancient western aesthetic theory is to pay more attention to "form", be more specific, be more external and be easier to understand and ponder.
Third, Xia, Shang and Zhou Dynasties: solemn in shape, unique in style and extraordinary.
Multi-purpose technology combining double negative lines and bas-relief
The decorative patterns are mainly straight lines, Yun Leiwen, animal faces and twill.
Fourth, Qin and Han Dynasties: Simple lines, great momentum, primitive wildness, reflecting Confucian ideology.
Ancient India period: exotic, although complicated in design, luxurious and atmospheric.
Six, Wei, Jin, Southern and Northern Dynasties: Political turmoil, frequent wars, ethnic migration and other reasons caused people to pursue a relaxed, natural and casual, out-of-touch romantic jewelry image.
7. Ancient Greece: Gold was made into flowers, leaves, branches and other things by elaborate and complicated silk-tired method, and colored enamel, garnet, emerald and pearl were inlaid.
1, Sui and Tang Dynasties: The progress of metalworking technology made the jewelry making process more sophisticated.
Politics, military affairs, culture, economy, science and technology have all made unprecedented progress. Intensive diplomatic activities have made the jewelry of this period more exotic while absorbing from others and continuing traditional culture.
2. Byzantine period: the religious meaning is strong, and people believe that the power of heaven is displayed in the gold and silver jewelry of the emperor and the church. The more luxurious, the better the reincarnation of each believer.