With all his skills, in the 1980s, Qi Dequan walked out of the mountains and came to Kunming, where he founded the "Qi Dequan Hulusi Art Studio". With my love for cucurbit silk and my solid foundation from childhood, I have innovated the playing skills of cucurbit silk, creatively adopted new methods in the production of cucurbit silk, expanded the range of cucurbit silk, endowed Dai family with more expressive forms and space, produced musical instruments with the trademark of "Qi Dequan", created one new cucurbit silk song after another, and recorded and released one. He once played and led the cucurbit flute in the dance drama "Water-splashing Festival" and the opening ceremony of the first international tourism and art festival, and recorded the album "Affectionate cucurbit flute". He, Yang Zhiyu and Li Chunhua * * * compiled the first set of audio course of Hulusi Bawu in China and the supporting VCD "Dai Style Charm".
On the afternoon of September 16, 2008 10, Mr. Qi Dequan, a famous national and folk artist, a master of fenugreek dance production and performance, and vice president of Fenugreek Dance Professional Committee of China National Orchestra Society, died unfortunately in Kunming due to a sudden cerebral hemorrhage, which drew a regrettable full stop for his short 50 years. The reporter came to Qi Dequan's home in Kaiyuan Community of Kunming early yesterday morning. Cherish the memory of this China "Hulusi King" with friends and relatives who came from all directions when they heard the news. It is reported that the farewell ceremony of Mr. Qi Dequan's body is scheduled to be held at 9: 00 am on the 20th at the funeral home of Kunming Oil Pipe Bridge.
Wang Tongxian: Male,/kloc-0 was born in dancheng, Henan Province in June, 1955. College degree, director of bamboo flute professional committee of China National Orchestral Society, director of cucurbit professional committee, director of Henan National Orchestral Society, examiner of national social art grading committee, vice president of Henan bamboo flute and cucurbit professional committee, president of Zhengzhou Zhongyuan bamboo flute and cucurbit professional art school. He is currently a visiting professor at Henan University of Veteran Cadres and Zhengzhou University of Veteran Cadres. In 2004, Zhengzhou Zhongyuan Bamboo Flute and Hulusi Professional Art School was established. In many years' artistic practice, four directions have been explored and studied seriously, and rich experience in playing and educating national music has been accumulated, forming a delicate and profound playing style. Li Zhongpei: Qi Dequan's first teacher. 1955 was born in A Dai Village, Mona Village, Mandong Town, lianghe county, Dehong Prefecture, Yunnan Province. I loved music since I was a child, and I was deeply influenced by local celebrities, folk artists and palaces when I was a child. I learned a variety of instrumental music such as erhu, bamboo flute and cucurbit silk. 1972 joined the work in September, engaged in cultural and artistic work-performer for more than 30 years. Gong, an actor of the National Song and Dance Troupe 1980, was awarded as a young cucurbit player of the Dai nationality by four national ministries and commissions. When Qi Dequan knew it, he wrote to the palace asking him to learn cucurbit silk. After receiving the letter, Gong Quanguo wrote back: You are too far away from Lianghe mangshi. I introduced you to my brother, Li Zhongpei from the county art troupe. He systematically studied wind music. At that time, Qi Dequan worked as a worker in Lianghe Sugar Factory. Through the introduction of Gong, he and I learned cucurbit silk together. I systematically taught him to learn the breath skills of bamboo flute, basic knowledge of music and national music theory. Combining the breath, skills and advantages of bamboo flute with the characteristics and styles of cucurbit silk, I have had several classes every week for more than three years. On the basis of folk playing cucurbit flute, through a period of study, his playing skills and music theory have advanced by leaps and bounds, forming a unique style. Finally, at the beginning of 1990, an album with the theme of Hulusi and Bawu appeared. His unique style created the gourd silk.
Li Chunhua: Born in Yunnan, he studied folk musical instruments with his grandfather and father when he was young. When I was studying in Kunming Normal School, I studied music theory and playing cucurbit flute and bawu under Mr. Wang Shaolu, and then I was admitted to Yunnan Art College for further study, collecting folk music materials many times. So far, I have been engaged in the research and performance of cucurbit flute and Bawu for more than ten years. In March, 2000, Fiona Fang Publishing House published a personal monograph "Practical Course of Hulusi Bawu". In September of the same year, he recorded his solo album De Ang Mountain in the Festival, and in April 2002, Yunnan Ethnic Culture Audio-visual Publishing House published his personal teaching trip How to Play the Hulusi and Bawu Well.
Wei: Composer, educator, born in Linqing, Shandong Province, member of China Artists Association, member of Bawu Professional Committee of Hulusi of China National Orchestral Society, and editor-in-chief of Hulusi Forum. He has published more than 200 vocal works and 23 academic papers in more than 20 music periodicals and radio stations across the country, and won nearly 30 national and provincial awards. He has been a columnist, a special correspondent for primary and secondary schools of Music Newspaper, a special editor and journalist of Workers' Music Newspaper, and his biography has been included in China Famous Dictionary. Wei Excellent Campus Songs (Jinan Publishing House), Hulusi Great Teaching Book (Huaxia Publishing House), China Hulusi Performance Scheme (New World Publishing House) and Yun Si CD Album (in cooperation with others) (Qilu Electronic Audio and Video Publishing House) have been published. In 2009, his Hulusi solo "Red Leaves" won the sixth place in the national "Lakeside Cup" Hulusi Original Works Competition.
Wang Houchen, 1956, a native of Jixi City, Heilongjiang Province, was originally from Laiyang, Shandong Province. National first-class actor. He is currently a member of China Musicians Association, director of China National Orchestral Society, vice chairman of Hulusi Bawu Art Committee in China, senior examiner of China National Orchestral Examination Committee, and chairman of Hulusi Bawu Professional Committee of Shaanxi National Orchestral Society; Deputy Secretary-General of Shaanxi National Orchestral Society, and national conductor of Shaanxi Song and Dance Theatre. 1973 was admitted to an conservatory of music, where she studied bamboo flute, percussion, sheng and Yu under the teacher Chen Zhong, and obtained double professional diplomas. Since becoming an artist, she has successfully completed more than 8,000 solo tasks with her unique basic skills, skillful skills, profound understanding of her works and rigorous stage style. His performance is passionate, profound and delicate, and he uses it freely; It is both explosive and artistic, which makes him gradually form his own unique artistic style and characteristics in his long-term artistic practice. In addition, he has a solid foundation of bamboo flute and performance. After years of hard work and hard study, he has accumulated rich stage experience and artistic elements in his long-term artistic practice, and stood out in the music art world and became the darling of the music world. His works are also unique in creation, outstanding in conception, smooth in melody, distinctive in style and profound in meaning. He composed Hulusi solos Baliuqing, Tea Song, Marriage, Prairie Love Song, Yao Dance Music, Wind Hulusi, Sweet Words and Flowers, Tea Song and Beauty, among which four Sheng works and personal introduction were included in the Collection of China Sheng Performers' Famous Songs by China Taipei Publishing House. The Collection of Sound Songs and the Collection of Huqu have been published by World Book Publishing Company. At the same time, Shaanxi Tourism Publishing House published the Course of Hulusi Bawu and the Auxiliary Course of Hulusi Bawu Examination, Shaanxi Publishing Group published the Selected Works of Hulusi Bawu Examination and the Collection of Wang Houchen's Works, which was supervised by Mr. Zhao Jiping, Chairman of China Musicians Association. In April, 2002, the Chinese producer delegation led by Vice President Zeng Qinghong went to Oita to perform "Tea Song" on cucurbit silk. In June 2009, he held a solo concert in Taiyuan at the invitation of Shanxi Musicians Association and Shanxi National Orchestra Society. 165438+ 10 held an art lecture at the invitation of Tianjin Hulusi Club. 20 10 February, at the invitation of Shenzhen Hulusi Eighth Five-Year Committee, a lecture on northwest customs of Hulusi was held. On April 20/0/0, Kloc participated in the activities of China Tourism Year and Expo Tourism Publicity Week organized by the Korean Embassy and China National Tourism Administration, and undertook the solo tasks of Hulusi's "Da Jang Geum" and "Flame Towers Night". Wherever he went, he was highly praised and warmly welcomed by audiences at home and abroad. His works have been included in China Musicians Directory, China Local Artists Yearbook and China Musicians Dictionary.
Qu Yihao (stage name), Han nationality, name: Shi. Yunnan nationality. Executive director of Hulusi Bawu Professional Committee of Yunnan National Orchestral Society. Executive director of Hainan branch of China National Orchestral Society. Member and executive director of Guangxi Hulusi Bawu Professional Committee.
In August, 2007, Hawen studied under the famous Hulusi Bawu and composer Lin Rongchang. Learn to play and compose music. During the period from 2007 to 20 12, Mr. qu yihawen composed Buddhist music "Wu Xiang", Hulusi music "Embracing Magnetism", gratitude for his parents, love from the waves based on Lijiang River, and "Walk slowly, Jinggangshan", the theme song of which was adapted from TV series "Jinggangshan".
Yue Xiaobu: One of the few female producers of Hulusi in China, with a bachelor's degree in musicology, is the founder of Lele Hulusi brand. Born in Xiangtan, Hunan, the hometown of great men. Twenty-one years' musical instrument experience has made great achievements in the production and performance of cucurbit, the creation of children's instrumental music, the research of educational theory, etc., and created popular cucurbit music such as "Olympic Good News Reached Golden Bay" and "Fishing Music". In recent years, he has served as a teacher of Xiangtan Radio and TV University, director of Guangdong Hulusi Eighth Five-Year Professional Committee, and researcher of new classroom teaching of China Education Association. He is now a member of China Education Association and China National Orchestra Association, and has contributed to the inheritance and development of Hulusi Bawu.
Ye Zhao: Bachelor of Music from Hunan University of Science and Technology, majoring in bamboo flute, member of China National Orchestral Society and member of China Musicians Association. I have learned flute since I was a child, and I have mastered many skills of bamboo flute and cucurbit silk. The study and education of bamboo flute and cucurbit silk were deeply studied. Through the accumulation of experience and daily study, I have sorted out and integrated a set of relatively refined and practical teaching materials of bamboo flute and cucurbit, namely, Lin Xuan Music Ye Zhao teaches you to learn musical instruments series and an intensive course of learning basic instrumental music of bamboo flute and cucurbit.
Wu Yi: Bachelor's degree from Hebei Normal University. Executive director of Hulusi and Bawu Art Committee of China National Orchestral Society, vice president and secretary general of Hulusi and Bawu Professional Committee of Hebei National Orchestral Society. Senior judge of Hulusi Grade Examination in Hebei Province. China Excellent Counselor and Grade Examination Excellent Counselor. In 2002, he founded "Teana Yin Zhimin Music Studio" to teach and promote cucurbit silk and Bawu. In 2008, he published (co-published) a collection of cucurbit silk works, Song of Cattle in West Shuang Meng; 20 13 Composed Hulusi solo "Train Capriccio" and so on.
Male, from Xingtai City, Hebei Province, Han nationality, member of China National Orchestral Society, executive director and secretary general of Hulusi and Bawu Professional Committee of Hebei National Orchestral Society (hereinafter referred to as Hulusi and Bawu Society).
Zheng shiping
Zheng wenping 1. Bambusa bambusa in the moonlight
2. Wedding vows
3. Deep affection for Bawu
4. Deep in the bamboo forest
5. shanzhai love songs
6. Night in Dongxiang
7. Yao Dance Music
8. Happy Dai Township
9. Bamboo House Love Song
10. Release your horses and folk songs
1 1. Beautiful golden peacock
12. Night at the military port
13. Dream back to Jingbo Mountain
14. Mengyang River
15. Ancient songs
16. Golden Peacock
17. Grab the pendulum
Charming gourd silk.
19. Jingpo Mountain
20. Banna Night
2 1. Golden Peacock and Delicious Pinctada
2 1. South of the Cloud
22. The moon rises
Wu Xiang.
24. Sanjie Liu
25. Washanchun
The girl who sings.
27. The pleasure of fishing
28. The good news of the Olympic Games spread to Golden Bay.
29. Dance and sing
30. Blue Shambhala
3 1. Butterfly spring edge
32. Hunting and returning
33. Gombo dance
34. Cavalry March
35 Fulu welcomes the New Year
36 Love Songs in Dai Villages
Juhuatai 37
38 Jesse
Song description:
1. The lyrics are written by the famous composer Shi Guangnan, and the lyrics are written by the poet Ni and the singer Guan Mucun.
2. Wedding vows 1957 theme song of the movie "Love Song of Lusheng"
Hulusi perfectly interprets these two songs, and you can "hear" the love affair between the two lovers through Hulusi.
3. South of the Cloud has profound implications and euphemistic melody. The sound of nature will bring you to an extremely beautiful realm and make you get carried away.
4. "Fishing Song" Hulusi Ensemble.
Composers: Yue Xiaobu, Yong Dan. Xiangtan Lede Hulu Art Studio.
The theme of this song comes from Zhuhai folk song "Fishing under the Moon". The melodious melody makes people feel familiar from the beginning, which makes the melody characteristics of our Zhuhai folk songs echo in the ears of the audience soon. After a melodious melody, the music enters the Allegro part, mainly based on the material of Zhuhai Salty Water Song, which is still performed in key signature style, fully embodying the characteristics of Shatian folk songs. Then there is a turning point, and the artistic conception suddenly becomes long and lyrical, in sharp contrast with the second paragraph. But the tonality is also changing. From the tone-seeking mode to the palace mode, the color of the whole music becomes brighter. The fourth paragraph of the music is a reproduction of the first paragraph, a review of the theme paragraph, and emphasizes and consolidates the theme and tonality of the whole music.
The main body of this piece of music is the introduction part of the cucurbit solo in F key, which leads to the overall artistic conception and main musical ideas of the music. The first paragraph is composed of polyphonic segments, the first paragraph ends above the sound, and the second paragraph ends with Zheng Sheng, which echoes the first paragraph. This passage mainly shows the fishermen's hopeful mood before going out to sea to fish. The second paragraph starts with a small introduction and then consists of a repeated four-phrase paragraph. Speed up, at the same time, the beat becomes 6|8 beats, which is a dance rhythm, so the accompaniment texture in this section adopts the dance texture. Or the main theme. This passage reflects the pleasure of fishermen fishing and the joy of harvesting.
The third paragraph begins to turn, and the music enters the F key. Deep and rich auditory experience, it is easy to remind people of the old fisherman's picture, or smoking a cigarette, sitting on the bow, or staring at the fish basket, looking at the water, people feel infinite vicissitudes of life, and suddenly can understand the hardships behind fishermen's fishing harvest. Then this repetition, the music enters the C key, the music becomes clear, and the fresh breath paves the way. The picture of music turns to an innocent child, which also symbolizes the continuation of life. The joy of fishing in children's hearts makes people realize another pleasure of fishing and harvesting. These two phrases, short before and long after, show the fishermen's mood at the end of fishing. So that the audience can obviously feel the auditory effect brought by tone sandhi processing.
The syntactic structure of the reproduced paragraph is the same as that of the first paragraph, but there are some changes in texture, and polyphony is adopted to echo the first paragraph.
The conclusion echoes the introduction. Inspired by water music, it is quiet and far-reaching, showing a picture of fishing boats drifting away in humid air after the sound of rain, which is memorable.
Shatian folk songs include salty water songs, Gaotang songs and Gu Meige. Up to now, more than 5000 songs have been sung. Shatian folk songs are of great significance to the study of the labor customs and living conditions of the Jia family in the Pearl River Delta. The creation intention of this song is to better convey this kind of folk song in different forms, transcend the limitations of the song and make it spread more widely. Xiangtan Lede Hulu Art Studio is very open to the music creation of fishing music. We want to find the best cooperation between Zhuhai folk songs and children's musical instruments through constant attempts. We hope that while listening to music, you can feel the painstaking efforts of the music teachers who are working hard in the primary schools and teaching lines in contemporary rural areas of China in the creation and organization of children's music, as well as the track of our development and protection of folk music art.
5. "The Good News of the Olympic Games Spread to Golden Bay" was composed by Yue Xiaobu, a teacher of Xiangtan Lede Hulusi Art Studio, and produced by Professor Fang Jian of the Central Conservatory of Music. Directed by Professor Yao, Head of the Composition Department of the Central Conservatory of Music. This is a large-scale original instrumental dance theme, which combines the China-Yunnan characteristic musical instrument (Hulusi) with the Olympic spirit and the patriotic enthusiasm of the people of Jinwan, Zhuhai. This is the largest chapter in the history of Jinwan in which the Olympic Games is the leading role. This song, with a simple melodious melody, describes the happy experience of the people of Jinwan at the moment when China won the Olympic bid. "Olympic good news spread to Jinwan" cultivated Jinwan people's sentiment, strengthened Jinwan people's will, inspired Jinwan people's spirit, enlivened Jinwan people's life and enhanced national cohesion.
The structure of this piece of music is a piece-by-piece musical form, which is derived from the free introduction of 12.
The music structure is as follows:
Introduction a connection b
12 a b cd e f g h i
4.4 44 6 4 4 4 4 6
First of all, in the first half of the introduction, with the national anthem playing, we realized that a great event would be held in this fertile land of China! This historic moment that countless Chinese descendants have been waiting for has finally arrived! Then, the pure and melodious, elegant cucurbit solo began, and the first eight bars of the long sound changed in turn, vividly showing the quiet and peaceful picture of Jinwan countryside. The golden bay with green mountains and green waters seems to be accumulating strength for the arrival of this good news. Then, a series of scales from low to high blended with four beats, which pushed the accumulation of this force to the highest point, thus opening the prelude for the people of Jinwan to meet the Olympic Games!
The first paragraph, four sentences, finally falls on the bB palace tune. It shows that the children in Jinwan are jumping with their feet up, and the bells are ringing happily, bringing the good news of the motherland to their parents, brothers and sisters.
Connecting segments, from circuitous melody to feather sound quickly. A series of rapid, rhythmic and powerful scales are going on, which indicates that the good news of successful Olympic bid has spread all over Jinwan in an instant. The last long tone shows that under the telephoto lens, every household in Jinwan is looking forward to it, and the staring eyes are full of expectations and blessings for the Olympics!
The second paragraph is the climax of the whole song. Write five sentences. The first two sentences are the relationship between enlightenment and inheritance. The third sentence has certain changes in rhythm and melody. The fourth sentence is basically the same as the third sentence, but the ending is different. The first sentence falls on the corner tone, the second sentence falls on the business tone, the last sentence is the summary sentence, and finally returns to the bB gong tone. The square in Jinwan is crowded with people, and people who know the success of the Olympic bid flock to celebrate the success of the motherland! Everyone is singing and dancing and cheering! The whole Golden Bay has become a sea of joy! For a time, thousands of pairs of wings rose from Xiaolin Mountain to meet the sunrise of the new century; Qian Fan set sail for Jinwan and sailed for the Olympic Palace. ...
Note: Teacher Yue Xiaobu said, "I hope this piece of music can become a platform to make everyone farther away from the Olympics and the Olympic spirit farther away from everyone!"
6. "Fulu welcomes the new" composed and arranged by Huang Shengjie, a young composer of Zhuang nationality, is included in Hulusi's solo album "Getting Started". The tune is festive and melodious, warm and soft. Whether you turn up the active atmosphere of the stereo or put on headphones to listen carefully in the dead of night, it will give you a wonderful enjoyment, let you forget your troubles temporarily and linger in the music ... As the name suggests, music is homophonic with "Fulu" and "Hulusi", and playing with Hulusi is the most appropriate and meaningful. "Welcome to the New Year" means welcoming all beautiful new things. You can play "Welcome New Year" and "Welcome New Year" for newlyweds and freshmen, and "Welcome New Year" for welcome rooms and stores. ......